Condition Good status
Second-hand sale. Good status.
SummaryLexicon PCM 91
New starting from: None available
Used starting from: €499.00
E-MU - Ultra Proteus
High quality samples, very powerful filtering. A studio beast in 1U 19" Rack format. Optional front panel sound cards are still available. 14500 Francs in 1994. A very nice opportunity at a good price-quality ratio nowadays. 297 "Z-Plane" filters including flangers, parametric, translation, etc. A few notes and we understand all the E-MU genius.
THE LEGENDARY SAMPLER JOINS FORCES WITH AN ICONIC SEQUENCER Designed for the stage, the SP-404A Linear Waveform Sampler expands the sound horizon of the Roland AIRA TR-8 Rhythm Performer through a combination of percussive synthesis with sampled sound. The fast, direct handling that is so popular with the SP Series samplers complements the Roland AIRA TR-8 Rhythm Performer's rhythm effects and step sequencer. The SP-404A offers all the features of the popular SP-404SX, including 16-bit linear sampling, 29 internal effects, smooth switching between effects, and 12 professional-quality performance pads. In addition, a sound library prepared by the industry leader, Loopmasters, is provided on an SD card. Whether you use it standalone or control it from the TR-8, the SP-404A is sure to expand the possibilities of your AIRA instruments. This is a new must-have for DJs, musicians and producers.
The MOTU Audio 24I/O interface fulfills the promise of host-based hard disk recording: recording, editing, mixing and mastering multitrack recording projects entirely inside the computer. It provides 24 high-quality, 24-bit/96kHz analog inputs and outputs in a single rack-space, cost-effective package, allowing you to connect and record from up to 24 simultaneous analog sources. The MOTU 24I/O can be purchased as an expansion for an existing PCI-424-based MOTU audio system, or as a base system that includes the PCI-424 card and Audiodesk workstation software. This is the complete base system, not just the expander interface.
One of the features of the M-480 is that it actually has only 24 slices. The trick is that one slice processes two inputs at a time. Each of these inputs has a mono jack on the rear panel (line level -30dB), a dual potentiometer for gain and pan settings, a saturation indicator (LED), and a mute switch. Based on the principle that the timbre works more and more inside the sound generator (who mentioned the FTV of the S-770/D-70/MV-30?), the M-480 has no EQ stage. Instead, the emphasis has been on processing possibilities. Here, the M-480 has six aux sends. The first four are "post-fader", and the other two are pre/post switchable for the entire console. While the sends are exclusively mono (+4 dB), the returns are either mono or stereo (with +4/-20 dB switching), depending on whether one or two jacks are connected (cutoff jack detection). Three double potentiometers take care of the send levels, and three others take care of the return levels. These effect sends, as well as the general volume potentiometer, are therefore common to both channels of the same slot. Each of the slices then goes to one and/or the other of the two stereo outputs: master and sub. These outputs are accompanied by a pan and a volume (two independent knobs for the master and a double knob for the sub). As for the monitor output, it is duplicated by a headphone jack on the front panel, while including a double volume knob (no panning). The signals sent to it come from the master bus or the sub bus. In addition, each slice has a cue switch, equivalent to a solo function (mono and pre-fader) on this monitor output. While activating the solo function (represented by a LED) does not affect the assignments of the slices to the master and sub busses, it does disconnect the link between the master and sub busses and the monitor circuit. To end the routing, a "mute" switch cuts the output of the master bus, but not its sending to the monitor. One of the unique features of Roland consoles is the ability to "cascade" (chain) multiple Roland models. The M-480 is no exception, with 12 +4dB input jacks (master L/R, sub L/R, monitor L/R, aux 1-6) reserved for this purpose.
The PCM 91 offers the highest quality Lexicon reverbs in a compact and affordable package, with a powerful interface that gives the sound designer easy access to a multitude of programming possibilities. All the features of the popular PCM 90 are included, as well as full AES/EBU inputs/outputs, dual reverb algorithms and presets with dynamic spatialization effects for 2-channel or surround applications...
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