The Ashdown ABM Series/EVO IV are considered the standard of the British manufacturer, and this is the 4th generation of the series. The quality level is really high with a very interesting functionality of the heads:"switchable valve drive with adjustableswitchable compressor with adjustmentSub-harmonic switchable with adjustment"Flat-Shape" switchableTuner outputline outputand many other functions, such as switchable EQThe ABM series provides a very British sound, very robust, but at the same time brilliant. All additional features can be activated via footswitch (optional)

Basically self-contained, compact sound systems, the KB® series amps are perfect for voice, keyboards, acoustic and electric guitar, drum machines and backing machines. KB1 is a 20W Compact Amp.

Portable Stereo Digital PA System Whether battery powered or plugged in, the BA-330 delivers high-performance sound that defies its size. Its digital stereo amplifier drives four 6.5" stereo speakers and two tweeters, positioned for wide stereo projection. It’s the ideal, all-in-one portable PA solution for small music venues, worship events, conferences, seminars, business meetings and much more.

The Acoustic Stage Amp Redefined The Acoustic Singer Live takes the acoustic stage amp to new levels of sound quality and creative versatility. Incorporating BOSS’s latest advancements in amplifier research, this compact powerhouse produces rich, vibrant sound with unmatched punch and clarity. Independent channels are provided for acoustic guitar and vocal, and each is equipped with discrete analog input circuits and three-band EQ for studio-quality sound. And with additional features such as Acoustic Resonance, looping, automatic vocal harmonies, effects, and much more, the Acoustic Singer Live gives acoustic musicians everything they need to deliver inspiring and impactful live performances.

The Acoustic Stage Amp Redefined Born of advanced BOSS R&D, the acclaimed Acoustic Singer guitar amp series delivers the finest performance in its class. A powerful bi-amp design works in harmony with the custom full-range speaker system in each model, providing vibrant, high-definition tone that naturally projects the true acoustic qualities of your instrument. And with a host of onboard creative tools, you can easily enhance your sound, develop new ideas, and infuse your live shows with waves of fresh energy. The Acoustic Singer Live LT is the most streamlined model in the series, offering simplified operation for players who don’t need the looper and harmony features found in other Acoustic Singer amps. Dual channels allow you to connect an acoustic/electric guitar and a vocal mic, complete with dedicated EQ and effects for independent sound shaping. And via the loaded rear panel, you can interface with PA systems, music players, computers, and more.

The Acoustic Stage Amp Redefined The Acoustic Singer Pro takes the acoustic stage amp to new levels of sound quality and creative versatility. Incorporating BOSS’s latest advancements in amplifier research, this compact powerhouse produces rich, vibrant sound with unmatched punch and clarity. Independent channels are provided for acoustic guitar and vocal, and each is equipped with discrete analog input circuits and three-band EQ for studio-quality sound. And with additional features such as Acoustic Resonance, looping, automatic vocal harmonies, effects, and much more, the Acoustic Singer Pro gives acoustic musicians everything they need to deliver inspiring and impactful live performances.

FLEXIBLE AND PORTABLE MIXING MONITORVersatile and portable - the new CM-30 CUBE monitor delivers 30W of power through a 6.5" coaxial two-way speaker. The CM-30 is built to handle a wide range of recording and mixing applications but can also be used as a stage monitor. Its rugged construction means that it can be taken on the road with you, and its handle, metal grille and reinforced corners make it a unique monitor on the market.

Bass Combo delivers classic Ampeg tone and performance-driven features in a highly-affordable package ideal for practice. Perfect for small spaces, the new 60-degree monitoring angle delivers unmatched clarity. With front-facing controls and features built for silent practice, the Ampeg BA-108 is perfect pratice amp.

The Katana MkII stage amp range further enhances the progress made by the previous generation, building on the same tones that made the range an international success. If you are not familiar with this range, prepare yourself for sounds and versatility far superior to what you would expect in this price range.

For bassists who wish to cut the weight not the tone allow us to introduce the NEW Ashdown Studio Range.Weighing in an astonishing 6.1kgs (13.4lbs) the Studio Jnr is engineered from the ground up to be lightweight and portable whilst still delivering the heavyweight tone and versatility the world has come to expect from an Ashdown bass amplifier.The incredibly stylish Studio Jnr delivers 15 watts of premium Ashdown tone through a Custom designed 8" speaker. Potent yet portable the Studio Jnr comes bursting with great features including 3 band EQ, headphone out, Line In and more.

The 1964 model was also the first Princeton to be equipped with a reverb section, combined with the inevitable Fender vibrato effect with speed and intensity settings. Guitarists with a taste for sixties sound textures will be able to dive straight into the heart of their favourite era with just a few well-placed riffs! Built in Corona, USA, this tube guitar combo amp can not only be used in a variety of situations and playing styles, but will also work perfectly with your entire effects pedal collection.The preamp stage features three 12AX7 tubes and one 12AT7 tube, a combination that allows for solid, clean cleans that will nevertheless be easy to drive to a natural overdrive. These preamp tubes are complemented by two 6V6's in the power stage which gives that typically warm and deeply American Fender sound, which is perfectly delivered through a Jensen Alnico P10-R 10" speaker. Of course, you can use the treble and bass controls to further refine the sound. The whole thing is neatly housed inside a solid pine enclosure with a stylish black vinyl cover and an aged silver grille. Last but not least, the '64 Custom Princeton Reverb comes with an original 2-button footswitch and its original made-in-US transformer.

The Roland JC-120B Jazz Chorus is a guitar combo that has been revered by many guitarists since its release. Introduced by the Japanese brand in 1975, it is still going strong today and its popularity has remained intact. It is one of the few transistor amps used by many famous guitarists. This amp is known for its clear sound, even at high volumes, and its natural chorus, the colour of which is enhanced by the two 12" speakers, each delivering 60 watts (120 watts in total).Despite its classic sound, the JC-120B has everything you need to create a custom sound. Two channels are present, each with its own three-band EQ and a Bright switch, which adds a little brightness to the sound. Channel 2 gains a reverb and distortion, both of which are joined by a vibrato and chorus, the latter of which can be activated on each channel. Roland has also spoiled us with a large number of available connections. The two channels each have two inputs, High and Low, in order to manage the output level of the guitar used. At the back of the amp there is an effects loop linked to channel 2, which can be used in series or in parallel. A stereo line out allows the amp to be plugged into a mixing console or audio interface. Finally, three foot switch inputs are provided for remote control of the amp's effects.Thanks to its transistor technology and robust design, it will be happy to accompany you on tour without having to worry about a breakdown due to a hectic trip.

As soon as the meter lights up and you match the input level to your instrument, you know you're in for something special.Seen on countless stages every night, accompanying some of the world's biggest bands, the ABM is the amplifier of choice for performance professionals, combining the sophistication of a top-notch preamp with exceptional performance and all the features you need, whether you're working in stadiums or clubs. For those who need the tonal power of the ABM preamp combined with massive power and headroom, there's only one choice: the ABM 900 EVO III with its 575W + 575W terraforming power stage.Variable Valve Drive - from zero to rock heroWhatever sound character you're looking for, the valve drive can take you there. Turn it on and set it to zero for a pure solid-state preamp sound, or turn it up to increase the level of tube overdrive that blends into the signal, taking you from a hint of hair to a fat overdrive.The Drive level can be preset and turned on or off via a footswitch, giving you access to a wide range of clean, warm and saturated sounds.Designed to be as simple to use as a 3-band EQ, but with exceptional tonal shaping options, the ABM features familiar rotary controls for bass, midrange and treble, as well as two additional pairs of sliders.  The EQ can be activated by a foot switch, allowing you to instantly switch from a flat fretless sound to your preferred EQ setting. One-button compressorThis easy-to-use, great-sounding compressor produces a powerful, even tone that lets your bass fill out any mix.Subharmonic GeneratorOnce heard, never forgotten. The ABM Sub-Harmonic Generator adds an octave below the notes played, adding fullness to any bass part. The sub-harmonic level is independently controllable, allowing you to dial in anything from a subtle hint of deep bass to a full-on underground funk. Flexible footswitchingCombined with our FS-4 footswitch (not included), the ABM comes to life on stage, allowing tone changes on the fly. With foot switchable functions like Valve Drive, Compression, EQ and Sub Harmonic Generator, the ABM gives you dozens of sound combinations without a single effects pedal in sight. Professional Connections The ABM is equipped with numerous connections. A sub-bass output for powering the console or an additional amp, a tuner output, a transparent FX loop and a line input for connecting a sampler or external sound source. Muting the output mutes the DI output but leaves the tuner output "live", allowing the player to tune silently. 

Legendary Peavey reliability. Basically self-contained, compact sound systems, the KB® series amps are perfect for voice, keyboards, acoustic and electric guitar, drum machines and backing machines. KB1 is a 20W Compact Amp.

Ashdown's 12" speakers have had a bit of a revival in the bass market in recent years opting for a more vintage feel but delivering a full range of frequencies.The 12 is a large driver added to a new compact poplar plywood enclosure with a high frequency horn unit, it's really a very versatile cab with 300 watts of power at 8 ohms.The NEW 15" PRO NEO BLUE LINE speaker isefficient in its design to ensure that it delivers a full range of frequencies as a stand-alone speaker but also as an additional speaker to support your stage. At 300 watts into 8 Ohms, the ABM-115H PRO NEO is a fantastic addition to the range.