INSPIRATION WITHOUT LIMITS, INSTANTLY, Mono or Stereo Combining excellent sound with great versatility, the RV-6 takes the reverb pedal to a new dimension. Far exceeding the capabilities of previous generations, this powerful pedal uses the latest technology and legendary BOSS craftsmanship to make creating stunning reverbs simple and immediate. From subtle room ambiances to glittering effects to the longest, most evocative reverbs, the RV-6 surrounds your sound with refined sonic spaces that inspire without limit.UNLIMITED INSPIRATION, INSTANTLY, mono or stereo Combining excellent sound with great versatility, the RV-6 takes the reverb pedal to a new dimension. Far exceeding the capabilities of previous generations, this powerful pedal uses the latest technology and legendary BOSS craftsmanship to make creating stunning reverbs simple and immediate. From subtle room ambiances to sparkling effects to the longest, most evocative reverbs, the RV-6 surrounds your sound with refined sonic spaces that inspire without limit.

AN INDISPENSABLE PEDAL! Eliminates unwanted noises and buzzing without any degradation so nore. A unique noise detection circuit preserves the natural attack and envelope, preserving your dynamics and technical finesse.

AN EXPRESSIVE COMPACT PEDAL WITH A BRAND NEW AND DISTINCTIVE SOUND Using Multi-Dimensional Processing (MDP) technology, the MO-2 Multi Overtone Pedal can use the harmonics of the guitar signal to create sounds you've never heard before.

Powerful 7-Band EQ! The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

EXTREME DISTO FOR EXTREME MUSIC The two gain circuits produce a saturation worthy of a tube amp tower, with abundant midrange and bass and almost infinite sustain. Make your guitar roar with the 3-band EQ.

SIMPLIFIES YOUR CONFIGURATION A simple way to switch between various effects or amplifiers or to route input and output signals. The LS-2 can power multiple BOSS pedals via a single AC adapter.

WIRELESS FREEDOM SIMPLIFIED You've been dreaming of performing on stages around the world, playing an instrument wirelessly connected to your amp. But you're discouraged in advance by the system's start-up, sound loss and bulky accessories. In that case, the WL-20 series is for you! Powered by a new lightning-fast wireless transmission technology, these ultra-compact music accessories provide premium sound for Plug & Play operation that eliminates all the drawbacks of traditional wireless systems. Once you experience the independence of the WL-20 series, you'll never be able to plug a normal cable back into your instrument again! You will be able to move freely without worrying about the position of your cable when you play at home, in rehearsal or on stage. During the sound check of your concert, you can come and listen to your sound from the front and make the best possible adjustments with full knowledge of the facts. On stage, you have more freedom than ever to get closer to the musicians in your band, making your show even more dynamic.

For controlling effects processors. The FV-50H (high impedance) connects in front of guitar effects. For keyboards, prefer its little sister the FV-50L (low impedance) to be connected either behind the effects or to a keyboard.

Play the GP-10 and another 13-pin GK device at the same time using the GKP-2 GK Parallel Cable.

The success of the V-Guitar and GR-20 guitar synth systems is undiminished, and the new GK-3 pickup is an ideal intermediary for these and other MIDI Guitar devices.The GK-3 Hexaphonic Pickup attaches to any guitar with steel strings and using the included mounting hardware you can mount it without damaging the guitar itself. Much smaller and slimmer than its predecessor, the GK-2, the GK-3 is much more ergonomic and designed with the guitarist in mind.

WIRELESS FREEDOM, CLEAR DISPLAYOffering excellent sound, ultra-low latency and easy setup, the revolutionary WL BOSS Series has made it easier than ever for musicians to connect wirelessly. The WL-60 system is a product for demanding live musicians, combining Plug & Play simplicity with intuitive controls.The compact receiver is designed for pedalboards and features a large display and quick-access buttons for scanning and quickly selecting the best available wireless channel.The system is complemented by a compact, rugged transmitter that is compatible with virtually all instruments and capable of up to 25 hours of operation on a single alkaline battery.

EXCELLENT SOUNDS FOR NOMADIC MUSICIANS Easily transportable and easy to use, the GT-1 gives you excellent sound wherever you perform. Powered by the BOSS GT processor, it gives you access to a wide selection of world-class amps and effects for all styles of music. A streamlined interface allows for fast and intuitive sound creation, while the assignable controller and expression pedal let you adjust dynamic effects in real time. By logging on to the BOSS Tone Central site, you can download free professional patches and editing software. Suitable for beginners as well as busy professionals and mobile musicians, the GT-1 delivers premium quality sound in a compact, rugged package.

EXPAND YOUR GAME WITH A MAJESTIC AMBIENCEThanks to Multi-Dimensional Processing (MDP) technology, the TE-2 Tera Echo pedal can generate dynamic stereo effects that go far beyond the reverbs and delays you are familiar with.

The GKC-3/5/10 are 13-pin cables for connecting GK-compatible guitar equipment, including the VG-88 V guitar system and GR-33 guitar synthesizer. These cables are available in lengths of 10 feet (GKC-3), 15 feet (GKC-5), and 30 feet (GKC-10). This is the 5 meter version.

Make Your Axe Talk, Sing, and Cry The VO-1 Vocoder is a unique and innovative stompbox that puts the massive expressive range of the human voice in the hands of every guitarist and bassist. By vocalizing into a connected mic as you play, it’s easy to transform your tone with electronic voices, classic talk box sounds, and tons of all-new colors that are perfect for modern music styles. It’s even possible to create impressive ensemble vocal sounds without the need to connect an external mic. When you plug into the VO-1, you can literally talk, sing, and cry with your axe, taking your playing to places you never dreamed of before.

SIMPLIFIED WIRELESS FREEDOM: model WL-20L for guitar (electric amplified or electro-acoustic) or bass with active pickup (battery) low impedance. Use model WL-20 (without the L for LOW IMPEDANCE) for unamplified electric guitars or electric basses ("Fender" normal for example, high impedance).You've been dreaming of performing on stages around the world playing an instrument that is wirelessly connected to its amp. But you are discouraged in advance by the system's start-up, sound losses and cumbersome accessories. In that case, the WL-20 series is for you! Powered by a new lightning-fast wireless transmission technology, these ultra-compact music accessories provide premium sound for Plug & Play operation that eliminates all the drawbacks of traditional wireless systems. Once you experience the independence of the WL-20 series, you'll never be able to plug a normal cable back into your instrument again! You will be able to move freely without worrying about the position of your cable when you play at home, in rehearsal or on stage. During the sound check of your concert, you can come and listen to your sound from the front and make the best possible adjustments with full knowledge of the facts. On stage, you have more freedom than ever to get closer to the musicians in your band, making your show even more dynamic.

Handmade analog delay

Voodoo Lab presents this pedal as a preamp that can change the overall tone of a guitar amp.

The Sparkle Drive MOD offers all the overdrive tones of the original Sparkle Drive, but with a twist.

Mooer's Micro series electric guitar multi-effect.

Tube Compressor Pedal For Electric Bass

The OMEC Teleport is an audio interface for guitar or other instruments that works with any type of device (iOS, Android, Mac and PC) without requiring a driver or software. It features high-quality AD/DA converters and a USB B connector, all packaged in a small pedal-sized box.

Saturation Pedal

Koch PedalTone II all tube guitar preamp

Ibanez BP10 Bass Compressor/Limiter

Overdrive Preamp

Distortion and Overdrive Together At Last!The OS-2 gives players a choice of overdrive or distortion or lets them combine both--all in a single compact pedal. Its distortion maintains the subtle nuances of single-coil guitar pickups.

The Ibanez CP9 Compressor/Limiter is one of the '9' series of effects, manufactured in Japan by partner company Maxon between 1981 and 1984. The CP9 was introduced to replace the Ibanez CP-835 Compressor II, which had the familiar square foot switch of the '0' series pedals. In the early 1980s, the CP9 faced stiff competition from pedals like the MXR Dyna Comp and the BOSS CS-1.

Carl Martin Contour'n Boost is specifically designed to boost and modify the sound (contour) of electric guitar/bass.The Contour'n Boost circuit is a linear phase design, using high quality components. This ensures sonic clarity and midrange emphasis, which is so important for the electric guitar.The Contour'n Boost is designed as a high-pass (low cut) and low-pass (high cut) filter, with a fixed X-over frequency of 440Hz. The high-pass filter operates from 65 Hz to 440 Hz and the low-pass filter from 440 Hz to 8 kHz. Both filters are individually sweepable, with an amplification range of up to 12 dB. With these two filters, it is possible to modify the sound (contour) as your creativity allows.The Carl Martin Contour'n Boost has a built-in, regulated power supply (+-12 V) that allows us to design the highest quality circuits with maximum headroom.Please note that when using this device with other effects devices, always place the Contour'n Boost after the distortion units, otherwise the distortion unit will limit what you can achieve with the Contour'n Boost.

Equip Your Bass for Deep Space Bass players looking to expand their tone palette won’t want to miss Roland’s new GK-3B pickup, designed for driving synth-bass rigs such as the popular Roland V-Bass and GR-55 guitar synthesizer. Much smaller and thinner than its GK-2B predecessor, the GK-3B is similar to its guitar counterpart, the GK-3, but catered for bass players.

A REPLACEMENT TRANSMITTER FOR THE WL AND KATANA-AIR RANGE The WL-T Wireless Transmitter is compatible with the wireless systems of the WL range, and with the Katana-Air wireless guitar amplifier. It is a replacement transmitter in case the original transmitter is lost or damaged. When preloaded, it can also be used as a back-up transmitter during your concerts. To charge the WL-T's built-in battery and establish a connection with your BOSS wireless receiver, simply follow the same procedure as with the original transmitter supplied with your system.

From fat crunch to ultra high-gain distortion, the ST-2 Power Stack delivers famous BOSS distortion with a stunning amount of power that’s akin to coveted tube amps and professional amp stacks. The SOUND knob simultaneously blends gain amount and sound character, so you can quickly dial up anything from vintage crunch and punchy drive to full-assault distortion. To add further detail to your tone, simply tweak the onboard two-band EQ to taste. The ST-2 is one very unique distortion pedal, calling on BOSS’ years of amp modeling research to bring you real stack sounds in a compact stompbox.

Transmitter for the WL-60 Wireless System The WL-60T Wireless Transmitter is compatible with the BOSS WL-60 Wireless System. It allows you to outfit a second instrument for quick changes on stage, and also provides a spare if your original transmitter is lost or damaged. The rugged integrated clip securely mounts to your strap or belt, and its orientation can be reversed to suit your playing preference. A short standard cable (included) provides the instrument connection, so the WL-60 works with nearly any guitar or bass. And thanks to BOSS’s advanced wireless technology, you’ll enjoy best-in-class runtime of up to 25 hours with two standard AA alkaline batteries. Note: The WL-60T has no audio functionality as a standalone device. To transmit sound, it must be used in conjunction with the wireless receiver in the WL-60 system.

Three Hours of Stereo Recording in a Stompbox The RC-3 is powerfully equipped yet conveniently housed in a compact pedal. Enjoy up to three hours of stereo recording time, storage for 99 loops, a “real drums” rhythm guide, and USB 2.0 compatibility all in a small BOSS stompbox.

PROFESSIONAL SOUNDS AND COMPACT DESIGN Fully analog, the PW-3 delivers pro-grade wah-wah sounds in a compact, rugged package that will take up minimal space on your pedalboard. Recently developed by BOSS, the PW-3's Rich mode delivers a unique wah-wah sound, full of the roundness of low frequencies often lost in traditional wah circuits. Looking for a more classic sound? Switch to Vintage mode with the rear switch. Unlike other pedals, which often sacrifice playability to reduce their size, the PW-3 achieves the perfect balance between compactness and playability. Its cast aluminum chassis is strong and comfortable underfoot, and the pedal's long and smooth travel responds perfectly and smoothly. Another problem with very compact pedals is the difficulty of knowing whether the effect is on or off when the foot is placed on it. The PW-3 solves this with its LEDs on either side of the pedal. This makes it easy to know if your wah-wah effect is active or not.

THE TRANSFORMED CLASSIC FLANGER The best stereo flanger sounds ever offered by a BOSS pedal. Ultra mode produces maximum intensity flanger effects, while Gate/Pan offers a full flanger with a super-cool "Slicer" effect that seems to "swirl" around your audience.

THE ORIGINAL CHORUS From the soft, natural chorus to the enveloping stereo chorus - an effect that is omnipresent in music. The CE-5 covers a wide bandwidth and features high-pass and low-pass filters.

A VINTAGE-STYLE DISTO SHOT The FZ-5 is a fuzz pedal for the contemporary guitarist with a pure retro sound. Thanks to COSM® technology, the FZ-5 brings you the beautiful rock sounds of the '60s and '70s with an extraordinary vintage fuzz. Try legendary pedals like the Maestro FZ-1A, Fuzz Face and Octavia and make them even more brutal with the FZ-5's BOOST control. BOSS COSM technology perfectly simulates the effect of the BOOST control on classic fuzz pedals. The FZ-5 is the perfect weapon to enhance stage artillery with good old-fashioned fuzz.

IMPROVES YOUR OVERALL SOUND Compresses high levels and amplifies low signals. Produces a smooth sustain that retains the full richness of the sound. The internal equalizer allows precise sound adjustment and reduces noise to a minimum.

A very wide range of distortion sounds with 3-band EQ and strong sustain. The MT-2 Metal Zone is one of BOSS' most popular pedals. This stompbox provides some of the most over-the-top, insane distortion tones in the world—with huge mids and lows and an ultra-saturated sound.

NATURAL ACOUSTIC SOUND WHEREVER YOU PERFORM With the AD-2 Acoustic Preamp, electro-acoustic guitarists can now enjoy natural, studio-quality sound on stage. Featuring an advanced BOSS sound processor, this compact pedal combines advanced technology, an intuitive interface, and a small footprint. The Acoustic Resonance Processor reproduces the complex resonance characteristics of your acoustic sound, while the Ambience Effect provides professional-quality reverberation, perfectly optimized for acoustic guitars. The AD-2 also provides you with essential tools for the stage, such as a notch filter for feedback control, a balanced DI output for direct connection to a sound system, and a Mute function for tuning or changing guitars.

The BCB-30 is a convenient way for guitarists and bassists to carry and use their compact BOSS effects pedals. Made of high quality molded resin, this case is perfect for small pedalboard configurations.

A DIVERSE RANGE OF SOUNDS, MAXIMUM POWER Introducing the DD-8, the most complete delay in terms of sound and features in the BOSS compact pedal family. This pedal offers more of everything: more high-quality sounds, more delay times, more control options and more connectivity. And it's all in a standard BOSS pedal that slips easily into any mono or stereo configuration. Eleven modes provide delay colors ranging from basic to exotic, and the Looper has unlimited overdub capabilities with the ability to control it externally. For maximum versatility in a minimal footprint, there's no better compact delay than the DD-8.

The Iconic Digital Delay, Enhanced for Modern Players BOSS’s iconic DD-3 Digital Delay has been a pedalboard staple since 1986, loved everywhere for its great sound and simple operation. With the DD-3T, we’ve updated the classic stomp with enhanced functionality while fully retaining the original’s sound and control layout. It’s now possible to tap in delay tempos using the onboard switch or an external one, with your choice of three beat subdivisions. And the direct output jack has been moved next to the main output, providing easier connectivity for wet/dry setups.

Special Edition BOSS Pedal with Premium Tone The OD-1X launches the famous BOSS overdrive into a modern era of expression, delivering an unmatched level of performance for guitarists with an ear for tone. This next-generation stomp combines over 35 years of innovation in pedal design with the most advanced technologies, bringing you a completely new tonal experience that’s only possible with the legendary expertise of BOSS. Prepare to be amazed—the inspiring and ultra-responsive OD-1X will change your thinking about overdrive pedals forever.

EVOLUTION OF PEDALBOARD INTEGRATIONThe MS-3 Multi-Effects Switcher is a new pedalbopard solution. It maximizes your creative options by combining a world-class multi-effects generator and a multi-pedal in one compact unit. Now anyone can assemble an incredibly compact, ultra-lightweight professional effects system that's versatile enough to produce virtually any sound possible. The MS-3 is a powerful machine capable of simultaneously controlling six internal effect pedals while integrating three of your favorite external pedals. It also provides precise control over the various parameters of your equipment, including switching amplifier channels, adjusting effects in real time, and communicating with MIDI devices... With the MS-3, it's easy to create an uncompromisingly portable pedalboard by combining a looper and a multi-effects box.

ADVANCED SIMULATION OF AN ACOUSTIC SOUND ON AN ELECTRIC GUITAR. How many times have you regretted not taking an acoustic guitar on stage or in the studio? If you like to travel light, an extra guitar can be a pain in the ass. Take the BOSS AC-3 pedal instead! This new pedal uses COSM® modeling technology to turn your electric guitar into a fabulous acoustic guitar.

TWO DISTORTIONS FOR THE PRICE OF ONE Two modes expand the range of distortion, from blues-rock beats to the heartbreaking solos of a pedal press or turn. You can easily activate Turbo mode with an optional switch (FS-5L).

FEET ON THE GROUND Two switches in one, the FS-6 combines switch types FS-5L (latching effect) and FS-5U (momentary effect). With two switches side-by-side, the FS-6 lets you select either Latch or Momentary mode for each switch. Choose the system that best suits your style of playing and setup.

The BOSS AB-2 is a 2-way switch that allows fast switching of inputs or outputs. Simply press it to switch between guitars, amps, or effects. With BOSS' legendary ruggedness, it will stand the test of time.

SNAZZY BOSS introduces the 200 Series, a new generation of pedals that combine advanced sound and versatility in a format designed to save space on a pedalboard. Easy-to-access controllers and multi-function switches make operation simple and intuitive, and the integrated storage memory allows many configurations to be saved. All 200 Series pedals feature 32-bit AN/NA sound quality, internal 32-bit processing, 96kHz sample rate, and the ability to add external switches or expression pedals, as well as MIDI. The EQ-200 is the most versatile compact EQ pedal ever created for guitar and bass. It features two 10-band EQs, as well as a graphical display for at-a-glance visualization of the selected EQ curve. Selectable signal flow structures configure the two channels for stereo, parallel or serial operation, and even external pedals can be connected for even more pre/post sound shaping. To take it one step further, the frequency ranges of the 10 bands can be selected from three different types, allowing you to optimize the performance of the EQ-200 to suit your instrument. Version 1.1 Update: User Memory Expansion This free Version 1.1 software update brings greater versatility to the BOSS 200 Series, greatly increasing the ability to save and recall sounds. 128 User Setups are now available. Memories can also be recalled directly via MIDI Program Change. The Version 1.1 update is now available for download for each of the 200 Series pedals.

INDUSTRIAL POWER PEDAL For 14 years, the famous BOSS FV-300 has served as an industry-standard volume pedal. The tradition continued with the FV-50 series, but today the bar has been raised with the BOSS FV-500L (stereo, low impedance) and FV-500H (mono, high impedance, inst. level) pedals. These die-cast pedals are designed to meet the needs of the most demanding customers. The pedals offer a stylish new design, road-resistant construction and comfortable, smooth action. Both models also provide expression output for use with expression-compatible amps, effects and even synthesizers.

Industrial-Strength Power Pedal For 14 years, the famous BOSS FV-300 served as an industry-standard volume pedal. The tradition continued with the FV-50 series, but today the bar has been raised with BOSS’s FV-500H (mono, high-impedance, inst. level) and FV-500L (stereo, low-impedance) pedals. These tank-tough diecast pedals are designed to meet the needs of the most demanding customers. The pedals offer a new stylish design, a road-tough build, and a comfortable, smooth action. Both models also provide an Expression output for use with expression-compatible amps, effects, and even synthesizers.

BOSS Quality in Space-Saving Designs for Your Pedalboard The FV-30H and FV-30L are compact foot volume pedals with kickin’ new designs. They’ve been specially created for saving space on your pedalboard while maintaining the trusted BOSS standard for sound quality, reliability, and durability. These pedals are 100-percent professional grade, aluminum die-cast units, and feature smooth pivot action that supports subtle changes in volume control. Thanks to their small size, the FV-30H and FV-30L offer a huge advantage for traveling musicians and gigging players who need to maximize pedalboard space. As with the other models in the FV series, two different pedal versions allow you to choose the best type for your specific application: FV-30H—A high-impedance pedal (with dedicated tuner output) that’s best for connecting directly to an electric guitar or bass. FV-30L—A low-impedance pedal equipped with stereo input/output for stompboxes, keyboards, and other digital instruments.

DUAL FOOTSWITCH compact The FS-7 is a compact dual footswitch for remote control of effect pedals and amp channel switching. It features two switches arranged in tandem, which reduces the clutter in a pedalboard. The FS-7 has two modes to choose from, to lock or momentarily allow control of a wide range of equipment.

THE NEXT-GENERATION CONTROL STATION The FC-300 sets a new standard in MIDI foot control. Thanks to the new RRC2* protocol, it enables bi-directional exchange of MIDI data with Roland's VG-99. Other features include countless memories, two expression pedals, and two control switches. Designed for the new "V-Guitar" VG-99 system, however, it will also appeal to all other MIDI enthusiasts.

A VERSATILE CRANKSET FOR ALL YOUR EQUIPMENT The BCB-60 is a small, practical and robust case that can accommodate small effect pedals as well as BOSS Twin Pedals, a PW-10 V-Wah and a tuner. Everything is pre-wired and an adapter provides power to all components. The possibilities of effect combinations are endless. With three pre-cut foam mats to hold the components in place, you can arrange your pedals any way you like. It's the most practical and versatile pedalboard in the world.

INCREDIBLE WAH 'TALKING' EFFECT! The first effect pedal in the world to produce a Wah sound with a "human" voice thanks to the "Humanizer" effect. This effect is controlled via an expression pedal (in EXP Pedal mode) and offers a bass input.

BOSS offers two types of sturdy metal pedals for different applications. The FS-5U (silver) is a momentary "unlocked" type foot switch, and the FS-5L (black) is a lock type foot switch with an LED to indicate status. Both footswitches can be connected using ordinary guitar cables. Please consult your owner's manual for compatibility.

EXTREME METAL IN A COMPACT PEDALWith its extreme gain, the ML-2 is the most powerful distortion pedal BOSS has ever dared to produce. It delivers distortion and gain at very low bass levels, perfect for Nu Metal, Grind Core, Industrial, Hard Core or any other particularly "heavy" genre. The ferocity and bite of the ML-2's sound will easily stand up to any wild rhythm section.

CLASSIC TREMELO SOUNDS! Recreates the tremolo effects of 1960s amps via a low frequency oscillator (LFO). The LFO's waveforms range from triangular to square waves and therefore offer a wide variety of tonal diversity.

Second hand Dunlop Cry Baby effects pedal for guitar, second hand model. The name "Cry Baby" is synonymous with the Wah pedal. Arriving on the market in the 60's, this pedal model is the best-selling pedal of all time.   

BOSS QUALITY AND COMPACT DESIGNS FOR YOUR PEDALBOARD The FV-30H and FV-30L are compact volume pedals with striking new designs. They have been specifically designed to take up the least amount of space possible in your pedalboard while meeting BOSS standards for sound quality, reliability and durability. Made entirely of cast aluminum, these pedals feature professional-level features, including a flexible pivot that allows for very subtle changes in sound volume. Thanks to their small size, the FV-30H and FV-30L are the pedals of choice for all musicians looking to maximize storage space on their pedalboards. As with the other models in the FV range, two different versions of the pedal allow you to choose the most suitable for your use. FV-30H: high-impedance pedalboard with dedicated tuning input for direct connection to a guitar or bass amp. FV-30L: low-impedance pedal with stereo input and output for effect pedals, keyboards and other digital instruments.    

Wireless Freedom for Pedalboards With the WL-50, it’s never been easier to bring wireless freedom to your pedalboard. Driven by new BOSS technology, the WL-50 delivers premium sound and a plug-and-play experience that eliminates all the hassles normally associated with wireless systems. The stompbox-sized receiver fits right alongside your other pedals, and includes a docking port for charging the transmitter and automatically setting the best wireless connection. There’s even a handy DC output, allowing you to distribute power to multiple pedals on your board. Once you experience the wireless independence provided by the WL-50, you’ll never go back to using a standard cable again! Setup is quick and simple, and you’re able to move about freely while playing at home, jamming with friends, and performing on stage. During sound check at a gig, you can listen to your tone out front and dial in the best sound for your audience. And with the ability to roam and interact with other musicians, your live shows will be more dynamic and entertaining than ever.

The GKC-5/10 are 13-pin cables for connecting GK-compatible guitar gear, including the VG-88 V-Guitar System and the GR-55 Guitar Synthesizer. These cables are available in lengths of 15 feet (GKC-5) and 30 feet (GKC-10). This is the 30 feet/ 10 meters version.

BOSS AND JHS PEDALS JOIN FORCES TO CREATE A NEW DRIVE PEDAL WITH IMPRESSIVE TONAL POSSIBILITIES To celebrate the 40th anniversary of its compact pedals, BOSS is partnering with manufacturer JHS Pedals, initiating a historic collaboration between two industry leaders. Featuring the classic BOSS compact pedal design, the JB-2 Angry Driver combines the sounds of BOSS' famous BD-2 Blues driver and JHS Pedals' popular Angry Charlie. After working closely together, these two effect pedal innovators have designed a completely new combination circuit that produces sounds and works ideally for dual mode overdrive use. The JB-2 Angry Driver features three concentric dual knobs that allow control of overdrive, tone and volume for each type of effect available. With the six-position mode knob, you can use each overdrive independently, or use them together in series or parallel. With the ability to blend the famous low-to-mid sounds of the Blues Driver with the aggressive rock sounds of Angry Charlie in any way possible, the JB-2 Angry Driver provides unparalleled sound range and versatility in a single Overdrive pedal.

PRECISE TONAL CONTROL Thanks to its bandwidth of 50Hz to 100kHz, the GEB-7 is perfectly suited for any bass guitar, including 5-stringed guitars. The 7-band EQ provides increased control over the crucial midrange.

BOSS offers two types of sturdy metal pedals for different applications. The FS-5U (silver) is a momentary "unlocked" type foot switch, and the FS-5L (black) is a lock type foot switch with an LED to indicate status. Both footswitches can be connected using ordinary guitar cables. 

A SMALL CASE FOR A LOT OF EXPRESSIVITY For professional expressive control, there is no better choice than the EV-30. Its small footprint is ideal for even the busiest pedalboards, and its cast aluminum chassis offers perfect stability and the famous BOSS ruggedness. The EV-30's main feature is an innovative internal mechanism that allows ultra smooth movement and precise control of the affected parameters, making it as convenient as a standard-sized pedalboard. And thanks to its two Expression outputs, you can save even more space by controlling two different devices from a single pedal. These outputs are electronically isolated, eliminating the risk of noise loops from floor vibrations. The EV-30 gives you powerful real-time control of a variety of parameters from compact BOSS pedals equipped with an expression pedal input. It's also an ideal accessory for BOSS multi-effects and effects switchers. A polarity switch ensures compatibility with many devices, allowing you to use the EV-30 with most expression pedal-compatible devices.

WARM AND NATURAL DRIVE SOUNDSIts unbalanced overdrive circuitry produces a smooth, warm sound that reflects your playing style like a tube amp. The Tone control allows you to get the perfect sound.

Twin Stereo Tracks, Built-In Effects, & Pro I/O BOSS celebrates the 10th anniversary of the LoopStation with an exciting new lineup of RC-series loopers! First out of the gate is the RC-30, a Twin Pedal multitrack looper with two synchronized stereo tracks and built-in loop effects. Plug in your instrument of choice, or even a microphone; an XLR input is provided, complete with phantom power. Record for up to three hours direct to internal memory, adding effects as you go. The USB 2.0 port lets you save your loops externally, and import/export WAV files.

BOSS introduces the 200 Series, a new generation of pedals that combine advanced sound and versatility in a format designed to save space on a pedalboard. Easy-to-access controllers and multi-function switches make operation simple and intuitive, and the integrated storage memory allows many configurations to be saved. All 200 Series pedals feature 32-bit AN/NA sound quality, internal 32-bit processing, 96kHz sample rate, and the ability to add external switches or expression pedals, as well as MIDI. The DD-200 Digital Delay brings together sounds and features inherited from our flagship DD-500 in an even more compact volume. Twelve different modes offer a wide variety of effect colors, from modern digital delays to classic analog, allowing you to have basic echoes as well as rich ambience pads, with all the effects in between. A looper is also built in, and the Carryover feature allows smooth transitions between effects. Version 1.1 Update: User Memory Expansion This free Version 1.1 software update brings greater versatility to the BOSS 200 Series, greatly increasing the ability to save and recall sounds. 128 User Setups are now available. Memories can also be recalled directly via MIDI Program Change. The Version 1.1 update is now available for download for each of the 200 Series pedals.

Special Edition BOSS Pedal with Premium Tone The DS-1X launches the famous BOSS distortion into a modern era of expression, delivering an unmatched level of performance for guitarists with an ear for tone. This next-generation stomp combines over 35 years of innovation in pedal design with the most advanced technologies, bringing you a completely new tonal experience that’s only possible with the legendary expertise of BOSS. Prepare to be amazed—the inspiring and ultra-responsive DS-1X will change your thinking about distortion pedals forever.

NATURAL OVERDRIVE WITH INFINITE SUSTAIN!The two gain circuits produce a tower-like saturation of tube amps, with an abon dant midrange and bass and almost infinite sustain. Make your guitar roar with the 3-band EQ.

Next-Generation Guitar Compressor for Expressive PlayersPowered by BOSS’s MDP technology, the CP-1X is a new type of multiband compressor for guitar that preserves the character of your instrument and technique for unlimited musical expression. Intelligent processing analyzes your signal in multiple dimensions as you play, providing advanced dynamics control that never colors or muddies your tone like typical stompbox compressors can. The simple, four-knob interface makes it easy to dial in sophisticated results, while the handy gain reduction indicator always shows you how much compression is being applied. Optimized for all types of guitars, the CP-1X offers next-generation performance for every style of music.

THE FIRST POLYPHONIC OCTAVE PEDAL Thicken your sound with two additional sounds - one two octaves and the other one octave below the original note. Each sound has an independent volume control and exceptional reproduction quality.

THE REFERENCE IN DISTORTION FOR GUITAR The Distortion DS-1 has become a true icon in the world of guitar effects. Released in 1978, the first BOSS distortion pedal defined a new sound with a sharp attack and smooth sustain that has become a benchmark for generations of musicians. The DS-1 remains BOSS' best-selling compact pedal, and its original and enduring design continues to contribute to the creation of great music around the world. The classic DS-1 sound is a part of the overall sound of many rock legends, and it is still ready to power your own sound today.