Studio | PA

Public address system and equipment for your studio/home studio.






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Very good status


Professionnal complete soundsystem (2x 12XT + 2x SB118 + 2x LA4)

This complete L.acoustics sound package is the essential system you need to get the most out of your venue.With the two LA4 L.acoustics amps accompanied by two 12XT outputs and two SB118 subs from the same brand, your stage sound will receive an unprecedented boost.12XT :The frequency response can be extended to 32 Hz. The loudspeaker comprises a coaxial assembly of a 12" LF driver tuned in a bass-reflex enclosure, and a 3" diaphragm compression driver loaded by the 12" cone. In the passive configuration, the filtering between the transducers is third order. The active linearisation of the transducers and their protection results from a combination of parameters administered in the amplified controllers.SB118 :The L-ACOUSTICS® SB118 loudspeaker is a recommended subwoofer complement for KUDO®, dV-DOSC, ARCS®, KIVA and XT systems.It extends the system bandwidth to 32 Hz.The cabinet consists of an 18" driver assembled in a double tuned bass-reflex cabinet.This specially designed driver for the SB118 combines extremely low distortion and thermal compression even at the highest sound levels.The adoption of the dual bass-reflex tuning principle allows for a combination of impact and high sensitivity.These properties contribute to the SB118's sonic qualities, including precise bass definition and excellent musicality.Thanks to its small front dimensions and the damping of its tuning that makes it suitable for coupling, the assembly of several SB118s allows the creation of visually and acoustically optimised front-of-house systems.The SB118 loudspeaker is driven and amplified by dedicated L-ACOUSTICS® LA4 or LA8 controllers.Digital filtering provides system equalisation, bandwidth framing, while the L-DRIVE servo process provides thermal protection and manages the excursion limits of the loudspeaker drive unit.LA4 :The LA4 is the latest generation of high-end integrated controllers fully dedicated to driving L-ACOUSTICS® loudspeaker systems. The LA4 combines the resources of a 2 x 4 DSP driving four amplifier channels delivering up to 1000 watts each, a comprehensive library of factory presets, an intuitive user interface, two Ethernet connection ports for network control, a connection panel for audio inputs and speaker outputs, and an optional AES/EBU input card slot in a 2U form factor.


Very good status



Yamaha's touch panel-based Centralogic interface simplifies digital operation to the point where it's actually as intuitive as analog... if not more so. All mixing controls other than the individual motorized faders provided for each channel are accessible via just two displays: Overview or Selected Channel.The Overview screen - the console's default screen - gives you a standard view of the 8 channels selected via the Centralogic navigation buttons. These buttons, arranged in an exact replica of the console's 8-channel groups, allow you to instantly bring any 8-channel group to the central controls at the touch of a button. You can then touch any row of controls on the display to focus on them - pan, or bus send, for example - and adjust them via the corresponding multi-function encoders just below the display. You should be able to perform a basic mix on the M7CL without even having to open the manual.To adjust the panning of a channel, for example, simply press the channel's [SEL] button and turn the console's physical PAN control. The same applies to preamp gain, dynamics, high-pass filter, EQ and bus send control. Settings are clearly displayed on the screen as you make them, as is the status of all mix parameters for the currently selected channel. You can zoom in on any parameter on the screen for further control by simply touching the parameter on the screen. When you focus on a parameter, the multi-function encoders below the screen adjust the corresponding parameters on the screen.Translated with (free version)


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Beta 91

The BETA 91A is a surface effect microphone for bass drums, pianos and other low instruments. But it is thanks to its performance that it has made a name for itself!Surface effect ?This type of microphone uses the surface on which it is placed to capture, in addition to the direct acoustic wave, the wave reflected from the sound source. Thanks to this acoustic reflection, the surface effect microphone provides excellent results in terms of sensitivity and dynamics. Resistant for the bass drum.The Beta 91A is particularly well suited for use on bass drums, preferably in front of or inside the drum. Its static hemi-cardioid capsule withstands high sound pressure levels and allows maximum gain before feedback. Its frequency response, optimized for low frequencies, facilitates its use in high volume environments. To bring out the attack and dynamics of the sound, the Beta 91A features a switchable frequency-correction filter that neutralizes the low mids and enhances the bass and treble. The XLR mic preamp is built into a rugged, low-profile design that takes up very little space on stage, and is extremely durable. The nuances of the piano.Inside, on the soundboard, or tucked under the lid above the strings, the Beta 91A offers a different sound and acoustic aesthetic depending on what you're looking for. Its high-dynamic capsule will perfectly reproduce the nuances of the piano, regardless of its position. This makes it an extremely versatile microphone, whether it's for upright or grand pianos, or for close miking. The Beta 91A offers musicians and sound engineers a different way of capturing the source, with a surface effect mic for close miking at high pressures, especially for low frequencies. A real asset for drummers and pianists!Electrostatic hemi-cardioid surface effect microphone for bass drums and other high-level bass instruments. Maximum pressure 160 dB SPL. Successor of the SM 91A. No external mounting required and can be placed on a cushion or any other surface inside a bass drum. Delivered with thick cable C98D and detachable preamp RPM626.Hemicardioid.Their extraordinary performance and the talent of the greatest artists have made Beta microphones true "stage beasts," now available in wired and wireless versions. Their legendary warmth, presence and sensitivity, optimized response curve, and multiple configurations of Beta capsules have won over those who seek perfection. All models feature optimal isolation and minimal off-axis coloration.The Beta Series represents the highest level of technology developed by Shure. With its cutting-edge design and unmatched performance, the Beta Series is truly the standard for live performance. High-quality, high-sensitivity stage microphones capture every nuance of sound, even in demanding environments.- Optimized cardioid, supercardioid or omnidirectional polar patterns.- High sensitivity for studio quality at high sound pressure levels- Pneumatic anti-shock system.




VideoMic Pro

The RØDE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.At the heart of the VideoMic Pro is an all-new 1/2" condenser capsule that provides broadcast-quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels) with an incredibly low self-noise of just 14db. A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera.The integrated Rycote® Lyre® based shock mounting system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras, allowing the user to reduce the camera's preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera's comparatively low quality audio circuitry.The microphone uses a standard sized shoe mount for on camera use, and features a 3/8" thread in the base of the mount for easy boom pole mounting.The VideoMic pro is battery powered, and provides over 70 hours recording from a single 9V battery.The RØDE VideoMic is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.