The Voodoo Lab Tremolo re-creates the buttery, seductive tone of a vintage tube amp tremolo. This is accomplished by using the same lamp and photocell assembly found in many popular vintage amps.This pedal also features a slope control which lets you adjust the feel from a traditional soothing tremolo to a hard “machine-gun” stutter. Speed and intensity controls provide a wide range to include very slow and deep sounds. A volume control lets you cut or boost the output level. Now you can add warm, mind-bending trem vibes to any amp with the most versatile tremolo available.“Nicely voiced, with very slow and very fast speeds...” -Guitar Player

Ultra thick but not roughThe feed me is a BC108 type silicon fuzz, transistor present in the Fuzz Face of the 60s.The sound is massive and very thick, but the precision of its high frequencies allows it to remain perfectly intelligible in any mix.The Feed Me is made to play without asking questions, activate it, and set the beast free!

Utopia - band echo with warm and vintage analog delay modulation in the purest spirit of band echoes. The Utopia magnifies your sound by reproducing an Echoplex-type tape echo coupled with a customizable modulation.The pedal can be used for sublime slapback as well as for long repetitions.2 signals are worked in parallel, the input sound is preserved and then mixed with the delay effect, so you keep all the definition of your analog sound, while adding echo.

element analog spring reverbSince 2017, at Anasounds we have been challenging ourselves to offer you a reverb that reproduces the sound of the spring built into the legendary Fender Twin Reverb, a convenient way to get that unique sound without having to buy such a beast.To do so, we worked on several technologies, using dedicated digital processors, FV-1, BTDR from Belton... We tried everything! We finally came to this conclusion: there are very few 100% analog reverb solutions.

elementanalog spring reverbDepuis 2017, chez Anasounds nous nous sommes lancé le défi de vous proposer une reverb reproduisant les sonorités du ressort intégré au légendaire Fender Twin Reverb, un moyen pratique de retrouver cette sonorité unique sans pour autant acquérir un tel bestiau.Pour ce faire, nous avons travaillé sur plusieurs technologies, en passant par des processeurs numériques dédiés, des FV-1, BTDR de Belton… On a tout essayé !Nous sommes finalement arrivés à ce constat : il n’existe que très peu de solutions de reverb 100% analogique.La Brute, c’est le juste milieu, assez costaud pour offrir des shpouing à gogoet rendre fou la plupart des musiciens. Sa taille moyenne permet de l’insérer facilementsous un pedalboard, juste à côté du bloc d’alimentation ou sur la table du clavier,tout en procurant davantage d’harmoniques que son ami Le Bon.23.5 x 8.4 x 4 cm.

Classical string set 520R

Guitar ukulele. Body and neck in sapele. Fingerboard in "rosewood compound". Gold plated action. Aquila strings. Size 432mm. Cover included.

An evolution of the popular Korg Pitchclip tuner, the Pitchclip 2 is an all new clip-on tuner with a compact body and a simple user interface that lets you tune quickly and easily. Just attach it to the head of your instrument, turn it on, then play a string and the tuner tells you the exact pitch difference. The Pitchclip 2 offers great tuning precision with excellent visibility, an improved clamp for better grip, and an inverted display feature that will be appreciated by left-handers.

Composed of an "Aluminium, Nickel, Cobalt" alloy for a palette of warm, full and precise tones and to optimize the vibration of the string and thus obtain more sustain.ALNICO pickups are made up of 6 separate magnets for precise tuning.

The LX1E acoustic folk guitar is made of mahogany and has a more compact size than a standard guitar. Perfect for travel or students. The range is a combination of traditional woods and compressed fibers, making them affordable, comfortable and offering the "Martin sound". This electro-acoustic version can also be plugged into an amplifier or a small PA system to combine small size and small concerts. Natural color. Delivered in a bag

With 720 seconds (12 minutes) of stereo recording time on 10 independent loops and unlimited overdubbing, the compact 720 Stereo Looper provides guitarists with an intuitive tool that’s perfect for practice and live performance.

Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.

With your choice of either one or two octaves mixed with your original signal, NETHER OCTAVER can beef up even the thinnest sounding rig. You can even adjust the volume levels of octave 1 and 2 individually to dial in the perfect amount of girth. The Dry knob lets you either eliminate your input signal completely for straight synth tones, or boost it for your ultimate solo sound.

The MARTIN Road Series 000-10E acoustic guitar is an Auditorium-style folk guitar with a solid Sapele top, back, sides and Richlite fingerboard.It features a Fishman® MX-T system with a tuner built into the rosette (automatically mutes the signal for silent tuning).This is a high quality guitar that will not disappoint the brand's fans.Fingerboard and bridge are made of Richlite, a composite material made from recycled paper and resin heated at very high temperatures, with acoustic performance close to that of Ebony.Martin case included.

The maque Sire who makes the basses for Marcus Miller offers us its second, second generation of basses with new finishes. Here, the V7 Alder 4 model, alder body in Burgundy finish, always more funky!

Thanks to his encounters with artists from all over the world, Takamine has been making guitars of recognized quality for fifty years. Notably this G series which presents a vast choice of models, from the acoustic dreadnought to the 12-string electroacoustic jumbo, at prices accessible to all.A very warm sound due to the solid cedar top which, combined with a mahogany body, delivers a rich and precise sound regardless of the size of the body.

The Yamaha F310 guitar is an acoustic guitar of incredible quality. The quality to price ratio is excellent. The spruce and meranti body gives it a warm and clear sound. Close to the FG range. His small body and his intermediate pitch will be particularly appreciated.There is an amplified version, the FX310.

The SE Paul's Guitar offers a lot of "PRS", starting with tone and versatility. The TCI "S" pickups for treble and bass offer a very pure vintage sound. The SE Paul's Guitar also features two mini toggle switches between the volume and tone knobs. This configuration allows players to put either or both pickups in true single-coil mode, which offers the clarity and uniqueness of vintage single-coil sounds in either the single-coil or humbucking position. This is the first model to offer this style of electronics outside of the Private Stock and Core lines.

La Multiac Encore est équipée d’un système électronique custom par EPM. Ce système à Double Source Réglable comprend un micro de chevalet et un micro acoustique sous la table d’harmonie qui peuvent être facilement mixés simultanément. C’est la guitare idéale pour ceux qui recherchent un son à cordres de nylon amplifié dans un environnement de scène fort sans effet Larsen. La Multiac Encore comprend aussi un diapason de 65 cm et un sillet de tête plus mince, ce qui facilite la transition aux cordes de nylon pour des musiciens de cordes d’acier. Ce modèle met en vedette un corps en érable argenté chambré avec une table d’harmonie en cèdre massif, en plus d’un préampli à double source avec réglages coulissants du volume, des aiguës, mi-graves, graves et de la fonction blend. 

The 5th Avenue CW Kingpin features a cutaway body and two Godin Kingpin P90 single-coil pickups that produce a classic tone with presence, clarity and character! With its 1950's archtop look, the 5th Avenue truly evokes that old-time jazz spirit but with a modern design. Plus, the 5th Avenue resonates with more volume and projection in the bass and midrange than a traditional archtop, making it a very dynamic and playable guitar at a price that won't break the bank. The Godin 5th Avenue series makes it easier than ever to get a quality North American archtop at an affordable price. Whether you're playing Alt-Country, Delta Blues, Slide, Jazz or Rock, the 5th Avenue stands out both acoustically and electrically. Made from Canadian birch, the 5th Avenue features a vaulted top and back, adjustable bridge, classic aesthetic with F-holes, glossy threaded headstock, floating pickguard and cream binding. In addition, the rustic beauty of the Custom Polished Finish creates a superb satin sheen worthy of 19th century polishes. 

The Godin 5th Avenue takes you back to a time when the archtop was the undisputed choice. With its 1950's archtop look, the 5th Avenue truly evokes that old-time jazz spirit but with a modern design. Plus, the 5th Avenue resonates with more volume and projection in the low and midrange than a traditional archtop, making it a very dynamic and playable guitar at a price that won't break the bank. The Godin 5th Avenue series makes it easier than ever to get a quality North American archtop at an affordable price. Whether you're playing Alt-Country, Delta Blues, Slide, Jazz or Rock, the 5th Avenue stands out both acoustically and electrically. The Godin Kingpin P90 single-coil pickup produces a classic tone with presence, clarity and character! Made from Canadian birch, the 5th Avenue's body features a vaulted top and back, adjustable bridge, classic aesthetic with F-holes, glossy threaded headstock, floating pickguard and cream binding. In addition, the rustic beauty of the Custom Polished Finish creates a supeb satin sheen worthy of 19th century polishes. 

Traditional in the best sense of the word, the SIRE Larry Carlton H7 semi-hollow body electric guitar has been supervised from A to Z by Mr 335 himself. Each of its components has been rigorously selected, and its impeccable manufacturing quality leaves you breathless compared to the price it is offered at.

Erica Synths Fusionbox is a distinct multifunctional analogue effects unit that combines BBD chip based effects – delay, flanger, chorus – with tube overdrive in the delay output and feedback path for extra thickness of sound.Fusion Box lowpass filtering is fully adjustable from none to extreme for a really deep bass sound. A special feature, not found in other contemporary stompboxes or effect units, is the Vintage Stereo Ensemble.The Vintage Stereo Ensemble provides the classic “stereo ensemble” effect, found on many vintage synthesizers from almost any brand and make. In stereo ensemble effect, the delayed, processed and filtered sound is added back to the dry (mono) audio with inverted phase for one channel, and direct phase in the other. This gives it the distinct and unique moving character, different from that obtained with chorus effects. However, use of inverted phase in stereo field also adds certain peculiarities to watch out for. For example, when such stereo audio is played back on an older “surround” decoding sound system, ensemble effect sound may move to the rear sound channel. Also, if the output gets mixed back to mono, the effect may disappear. This also applies to mono subwoofer systems, or speakers that are placed too close. This is normal, and occurs with any similar vintage stereo ensemble processing. In this case and if such oddities are undesirable, to avoid mono mixing issues, you can choose to use only one of the output channels, or use two separate ensemble processors for left and right channels.Fusionbox has adjustable input gain, therefore it works with various sound sources – guitars, units with line level signals (synthesizers, grooveboxes, etc.) and modular synths. Footswitch allows to switch on or bypass effects making Fusionbox ideal for guitar players.

This Folk acoustic guitar is true to Martin's quality ethic! This beautiful guitar offers a rich and round sound projection while being light and very pleasant to play. The chords resonate, the arpeggios rain down with an early 20th century, no-frills, all-mahogany look.

In 1999, Martin ventured into the world of alternative materials and created a whole new line of high quality guitars: the X-Series. Over the next 20 years, the X-Series has evolved to include multiple design changes with the help of these alternative materials. In 2020, building on its 187-year history of major innovations in modern guitar making, Martin introduces the new X-Series, which combines alternative and traditional materials while offering a wide range of finishes in this quality standard at an attractive price. The 6-string X-series guitars all have the scalloped bracing, the Fishman MX preamp and come with a gig bag. In addition, the X2 series models feature a solid top, neck, fingerboard and bridge. Martin has re-imagined the 000X1AE into the 000X2E. This Auditorium size model has a Sitka Spruce top and figured Mahogany composite (HPL) back and sides. New mother-of-pearl inlays on the rosette and fingerboard give the 000X2E Mahogany a richness, making it as impressive to look at as it is to play. With a Performing Artist neck, selected solid wood fingerboard and bridge, the sound transfer of this model has been greatly improved. It is equipped with Fishman MX electronics and fitted with Martin Authentic Acoustic Lifespan 2.0 strings. With a new soft padded case, headstock, bridge and strap protectors, and a durable waterproof exterior, this model will go anywhere.

The X series is the perfect entry into the great world of Martin guitars. Like its predecessors, the Martin Guitars LXK2 Koa is built with the same high quality craftsmanship. The goal of the Martin luthiers was to create a guitar with a small 3/4 body, but capable of carrying the signature big Martin sound. The result is the Martin LXK2.The special features of the Martin Guitars LXK2 Koa:The high-pressure lamination (HPL ) process with the Koa coating applied results in a big, punchy sound. The top, sides and back are largely unaffected by temperature differences and humidity. This makes the LXK2 perfectly roadworthy and can be used on any jam at home or on the road. Finally, a well-padded bag is already included.

The G&L S-500 debuted in 1982 as Leo's own evolution of the traditional bolt-on, double-cutaway axe, offering innovations such as Dual-Fulcrum vibrato and Magnetic Field Design single-coil pickups, each designed by Leo Fender himself. These MFD pickups offer a bright, shiny top end and a robust bottom end, all without losing midrange focus.You'll find plenty of punch in the MFD pickups, but what's surprising is how glassy and detailed they become when you turn down the volume and bass controls, the latter of which is part of the S-500's PTB (Passive Treble and Bass) system that works on all three pickups. In addition, the G&L Tribute Series S-500 includes a push-pull extension switch on the treble knob to allow neck + bridge or all three pickups together. In a pinch, the neck + bridge combo makes a convincing faux ASAT Special. Talk about versatile!The new G&L Tribute Series S-500 features one of Leo's favorite pairings: the power of MFD pickups softened by the high porosity of a nato body. Making the most of this delightful combo is Leo's Dual-Fulcrum vibrato, a work of art that allows you to bend up or down with unparalleled stability, while offering a silky smooth feel thanks to its sturdy aluminum vibrato arm.

The Peavey Envoy 110 guitar combo gives you 40 watts of power and a convincing tube amp simulation. This model is part of the successful TransTube series. The goal of this series is to offer transistor amps that sound as close as possible to a tube amp. The preamp produces a clear, transparent sound and a warm, round sustain. At high volumes, the amp provides the natural compression characteristic of tubes. Delivering a warm and very dynamic sound, this rehearsal amp can tackle a variety of styles, from jazz to metal!

A warm and powerful overdrive inspired by the legendary Centaur and redesigned by our engineers.Still powerful and formidable, we chose to keep the original electronic structure to maximize the warmth and dynamics of the sound.Versatile overdrive, suitable for all situationsAs a boost to get your solo out of the mix, or permanently activated to gain grit and sustain.Compared to dozens of current clones, we've rebuilt the filtering and gain stages to match our vision of the Centaur. Hear the difference!

More than just a boosterWe all know the Tube Screamer, it's not like we all have one at home!We were always told that it was the best tool to boost an already crunched amp.The gain at 0, the volume at full and here we go!You break through the mix, you're on the front of the stage and you avoid drooling on the spectrum of the other instruments.There are of course other combinations and sounds to exploit from this scheme, and that's what we're going to study!Over the past several years, our team has analyzed more than 100 patterns inspired by the OD 808.With this knowledge base, we have created a new pedal, the Ego Driver.It is capable of reproducing all of these vintage sounds, and to go further by creating new ones!To achieve this it's quite simple, we focus on the saturation stage and,we reveal all the keys of its conception.Moreover, with the Ego Driver and the FX Teacher project, you will be able to create your own Tube Screamer, customize it and understand how to set it up to optimize your sound!Even more possibilitiesThe FX Teacher project allows you to go even further in your quest for sound.Indeed, you still have the easy-to-access controls on the front panel, which allow you to quickly adjust your pedal.Inside, you know our trimpots, we're big fans of them at Anasounds.They are very fine adjustments that offer a sound precision worthy of the creator.But this time, on top of all that, we added terminal blocks!They allow you to easily add and remove components with a simple screwdriver.So if you want to change a clipping diode or a filter capa, you can!It's as if in the end... you've created your own pedal!

Cerberus - the custom overdrive - the real Swiss army knife for guitaristsPowerful and flexibleYou like to change overdrives like you change shirts? Why not integrate them all in one box?It has three voicings in order to obtain extremely different grains and thus, a large sound palette, a soft and open clipping, and a warmer and sharper sound.Thanks to the three internal settings, become the architect of your sound!Years of research and prototyping to determine the common thread that links all the overdrives.We finally focused on two things:- the Anasounds voicing technology allowing to change the saturation density from a soft and creamy overdrive to a modern and sharp one.- the second point concerns compression and clipping to determine 3 saturation changing sounds, independently of the gain pot.

AC/DC high voltageAs Malcolm Young said, "Nobody would pay attention to anything that was going on until you kicked them right in the teeth with it. "It is in this spirit that the High Voltage distortion was conceived, to slam in the face of the audience. Thanks to its bass killer switch, the rhythms are powerful and they easily break through the mix! No more sticky, gain-laden distortion that spills everywhere. Only sound, dynamics and energy.With this in mind, the Anasounds team, advised by AC/DC fans, developed this new pedal. At first, the idea was to get close to a Marshall Plexi pushed to the limit, and then finally to do a frequency analysis of "It's a long way to the top (if u wanna rock'n'roll)" from the High Voltage album. The chords of the intro are so powerful, so clear and so recognizable, that it was time to get out a pedal to find their grain more easily.Don't get me wrong, with all the settings available, it's also very easy to create your own grain. But that's the spirit in which Anasounds created the High Voltage.

Ultra thick but not roughThe feed me is a BC108 type silicon fuzz, transistor present in the Fuzz Face of the 60s.The sound is massive and very thick, but the precision of its high frequencies allows it to remain perfectly intelligible in any mix.The Feed Me is made to play without asking questions, activate it, and set the beast free!

"fuzz is life"What's better than a great fuzz? Two great fuzzes, of course.The spark came from plugging the Feed Me into the prototype of a Super Fuzz, and the Bitoun Fuzz circuit was born.As Confucius wisely said to his concierge, "Fuzz is life". Few guitarists have applied this maxim with as much conviction as Julien Bitoun, famous French fuzzophile, author of the reference book "In search of the lost fuzz".Since the appearance of this magical effect at the dawn of the 60's, the quest for the ultimate fuzz has inspired many designers and musicians who were trying to achieve this precarious balance between the fluidity of the incandescent magma and the rocky sputtering of an amp that lives its last moments. Or, to put it more simply, it's not easy to find a fuzz that's both huge, brutal, musical and easy to play. Or to put it even more simply, graouh, groooou and lalala.It took Anasounds and Julien Bitoun years of research to come up with the result you're holding in your sweaty, anticipatory hands. The original idea was to make the best possible version of the Super Fuzz. Super Fuzz is the name of an Italian-American movie released in 1980 in France under the name "drôle de flic". But it's also a fantastic Japanese pedal from the late 60's that has a huge sound, wandering on the side of the ring modulator at times.The problem is that it's a very unglamorous and treacherous sound to play, between the very abrupt sustain and the unfluid gain. On top of all that, the Super Fuzz sounds very big when played alone but in a band, its pronounced midrange dip makes it very easy to disappear behind the rest of the mix.Anyway, there was a better solution to be found, and here it is: the only thing better than one excellent fuzz? Two great fuzzes.Plugging the Anasounds Feed Me into the Super Fuzz prototype was the spark, and the Bitoun Fuzz circuit was born. The Bitoun Fuzz is not a "double fuzz" in the sense of other brands, which simply put two circuits in one pedal and allow to choose between two different fuzzes. The Bitoun Fuzz combines two circuits that have been designed to work together to provide the ultimate fuzz, the one you've been looking for until now.It's time to plug the thing in. Prepare yourself psychologically, the shock can be considerable.As far as settings are concerned, you shouldn't be lost: the tone (cookies) goes from a big and deep sound to an aggressive discharge that is not to be put in all hands. The volume (tea) can severely boost your poor traumatized amp, so start with a low setting and go up very gradually.Take a deep breath and strum your first note: welcome to the wonderful world of the Bitoun Fuzz, where you'll never have to look for the fuzz of your dreams again. It's right here, at your feet. Make good use of it, because as Gandhi said to his sister-in-law, "With great fuzz comes great responsibility".

Freq up - customizable boost the ideal pedal to get out of the mixoverdrive and boostAn amp that's a little too weak? An overdrive to enhance? Do you want to get out of the mix by slamming a great solo? Loss of lines?The Freq Up is made for you, in front of your pedalboard, or your amp!2 circuits developed in-house: the first is the 2nd voicing of the cerberus, a creamy overdrive reminiscent of the tube screamer of yesteryear,the second one is a clean boost with adjustable frequencies to add the necessary gain to get out of the mix (+25 db).A simple switch on the front panel allows you to emphasize the bass, the midrange or the treble.

A new sound journeyThe harmonic tremolo is one of the rarest and most interesting effects to customize your sound.It brings a more lively movement than a simple tremolo, it doesn't have the dated character of a chorus, and it doesn't take up as much space as a delay or a reverb.Whether you're looking to add a hypnotic edge to your arpeggios or add thickness to your melody lines, the Ages offers a new perspective on modulation.Historical but misunderstoodThe harmonic tremolo exists under many names:vibrato, harmonic vibrato, harmonic tremolo, vibe, univibe, and so on.In all cases, the stated goal is the same: to cyclically vary the pitch of your notes (rather than their volume as a normal tremolo does) by shifting the phase of the bass and treble.This separation of the two frequency ranges is reminiscent of how Leslie's cabs work, and it's no accident:the first harmonic tremolos, including the Univibe or the vibrato of the Magnatone amps, were intended to reproduce the effect of the Leslie. But these references have of course imposed their own sound color,and some manufacturers have since proposed their own version.A new eraA new level of live interaction. Give the pick a big thump and the effect will know exactly how to respond to you. Shoot the spinner and trigger a tremolo explosion!Always louderThe Ages' built-in attack sensor works in two different ways: it can allow you to vary the speed or depth depending on the strength of your attack.The secondary settings allow you to adjust all parametersparameters in the finest way possible for unprecedented results:you can for example accelerate the effect on your most violent picks to emphasize the most intense parts (and the speed automatically returns to the one chosen at tap tempo), or lower the depth of the effect when you play louder so as not to drown out your rhythms.

Phase lagOrganic, psychedelic and atmospheric phaserVintage phaserThe phase lag is an organic, psychedelic, atmospheric phaser that musically encompasses and compresses the signal.The 100% analog modulation uses OTA technology for a sublime vintage sound, and a great stability of the effect!The modulation sweeps through all the frequencies of your playingA slow speed will result in a spatialization of your sound, while a faster speed will result in a vibrato.The pedal in our effects lineup with the least amount of internal controls, we wanted to create a simple phaser.The phase lag offers 100% analog modulation using OTA technology, for a beautiful vintage sound and stability of the effect.Play around with the two front panel controls to hypnotize the crowd!

Lazy comp - optical compressordiscover a subtle blend of compression and dynamicsyet another compressor ?Are you tired of spending hours fiddling with thresholds, ratios, attacks, releases...?We wondered if it was possible to combine compression, dynamics and harmonics in one box with few settings, and the Lazy Comp was born. The Lazy Comp is an optical compressor, fully customizable.On the front panel, a single setting: the mix (dry/wet), it manages the mix between the clean sound and the compressed soundThe lazy side of the pedal refers to the fact that it's a plug&play compressor, you just have to turn the mix knob to find your happiness.Despite its simple appearance, this high quality analog compressor contains a very specific circuitry that delivers a natural compression, and preserves the dynamics necessary for a warm and powerful sound.The sound entering the Lazy Comp is duplicated in two branches: "clean" and "comp".- The mixture of the two is controlled by the blend potentiometer- The "comp" is preceded by an analog preamp, ideal for a warm sound and for piercing the mix- The compression is optical

Bumper - buffer - the guardian angel of your pedalboardPlace this mini pedal directly after your guitar to never be bothered by line loss again.And adapt, without difficulty, the resonance peak of your pickups.Small but effective So small that it fits in the palm of your hand, place it directly after your guitar to recover the purity of your sound.The little extra? A switch that allows you to adjust the pickups of your guitar.Indispensable on most pedalboards, it allows you to :- cancel line losses (jacks, patches, true bypass...)- to keep the dynamics, the harmonics and the highs of your signal- to adapt the impedances between each pedal

Utopia - band echo with warm and vintage analog delay modulation in the purest spirit of band echoes. The Utopia magnifies your sound by reproducing an Echoplex-type tape echo coupled with a customizable modulation.The pedal can be used for sublime slapback as well as for long repetitions.2 signals are worked in parallel, the input sound is preserved and then mixed with the delay effect, so you keep all the definition of your analog sound, while adding echo.

elementanalog spring reverbDepuis 2017, chez Anasounds nous nous sommes lancé le défi de vous proposer une reverb reproduisant les sonorités du ressort intégré au légendaire Fender Twin Reverb, un moyen pratique de retrouver cette sonorité unique sans pour autant acquérir un tel bestiau.Pour ce faire, nous avons travaillé sur plusieurs technologies, en passant par des processeurs numériques dédiés, des FV-1, BTDR de Belton… On a tout essayé !Nous sommes finalement arrivés à ce constat : il n’existe que très peu de solutions de reverb 100% analogique.La Brute, c’est le juste milieu, assez costaud pour offrir des shpouing à gogoet rendre fou la plupart des musiciens. Sa taille moyenne permet de l’insérer facilementsous un pedalboard, juste à côté du bloc d’alimentation ou sur la table du clavier,tout en procurant davantage d’harmoniques que son ami Le Bon.23.5 x 8.4 x 4 cm.

element analog spring reverbSince 2017, at Anasounds we have been challenging ourselves to offer you a reverb that reproduces the sound of the spring built into the legendary Fender Twin Reverb, a convenient way to get that unique sound without having to buy such a beast.To do so, we worked on several technologies, using dedicated digital processors, FV-1, BTDR from Belton... We tried everything! We finally came to this conclusion: there are very few 100% analog reverb solutions.

Back to the rootsSince 2017, we at Anasounds have set ourselves the challenge of offering you a reverb that reproduces the sounds of the spring built into the legendary Fender Twin Reverb, a practical way to find this unique sound without acquiring such a beast. To do this, we worked on several technologies, using dedicated digital processors, FV-1, BTDR from Belton... We tried everything!We finally came to this conclusion: there are very few 100% analog reverb solutions.We were surprised to see that this exceptional combination was very little exploited. The few competitors who have tried to do so have not gone to the end of the concept and propose big boxes with rather rudimentary settings. It is thus with the aim of improving this state of the art that we continued our research to propose a new way to approach the spring reverb. A Twin Reverb in a pedal and much more...And so the Element Spring Reverb was born!The Element is a pedal that takes the essence of the analog of the analog reverb, the one that is obtained by physically stimulating by physically stimulating springs with the guitar signal. Simply put. No tricks. No calculations. Beautiful mechanics coupled with analog signal processing.several sound worldsThe Element is a pedal that takes up the very essence of the of the analog reverb, the one that is obtained by physically stimulating by physically stimulating the springs with the guitar signal. Quite simply. Without artifice. No calculations.Beautiful mechanics coupled with analog signal processing.Guitar sideBack to the 60's, Californian beach, surf, guitar, mix pushed to the limit,a few notes in a loop followed by anthology riffs. That's the promise we make to you. From Dick Dale to David Gilmour to Bob Marley.Even ambient fans will put away their shimmers when they realize the richness of the sound the spring allows! Sexy and responsive layers, exhilarating shpouing, a mix that is both discreet and delightful.Synth sideA Moog, an Arturia or anything else you can think of, a good raw sequence and this reverb will round off the angles, give your sound some breadth and bring a good dose of harmonics.Turning it off would be a crime! New plug-inThis is a standard pedal, the same size as all Anasounds pedals. You can attach it to your pedalboard with velcro.It has an input jack, an output jack and a 9V power jack. So far, nothing new!What it does have is a mini jack cable that plugs into the back of the pedal. This one will connect on the other side in rca to a box full of springs that we call a tank. This tank is essential because it is the one that allows to generate a reverb effect in an analog way. Compared to other spring reverbs that use huge boxes, the tank is detached from the pedal, offset and connected by a cable. The tank can be hidden under the pedalboard or kept on top, it's up to you! Self-drilling mounting screws are provided with the tank to allow you to mount the tank anywhere on the pedalboard.

Back to the rootsSince 2017, we at Anasounds have set ourselves the challenge of offering you a reverb that reproduces the sounds of the spring built into the legendary Fender Twin Reverb, a practical way to find this unique sound without acquiring such a beast. To do this, we worked on several technologies, using dedicated digital processors, FV-1, BTDR from Belton... We tried everything!We finally came to this conclusion: there are very few 100% analog reverb solutions.We were surprised to see that this exceptional combination was very little exploited. The few competitors who have tried to do so have not gone to the end of the concept and propose big boxes with rather rudimentary settings. It is thus with the aim of improving this state of the art that we continued our research to propose a new way to approach the spring reverb. A Twin Reverb in a pedal and much more...And so the Element Spring Reverb was born!The Element is a pedal that takes the essence of the analog of the analog reverb, the one that is obtained by physically stimulating by physically stimulating springs with the guitar signal. Simply put. No tricks. No calculations. Beautiful mechanics coupled with analog signal processing.several sound worldsThe Element is a pedal that takes up the very essence of the of the analog reverb, the one that is obtained by physically stimulating by physically stimulating the springs with the guitar signal. Quite simply. Without artifice. No calculations.Beautiful mechanics coupled with analog signal processing.Guitar sideBack to the 60's, Californian beach, surf, guitar, mix pushed to the limit,a few notes in a loop followed by anthology riffs. That's the promise we make to you. From Dick Dale to David Gilmour to Bob Marley.Even ambient fans will put away their shimmers when they realize the richness of the sound the spring allows! Sexy and responsive layers, exhilarating shpouing, a mix that is both discreet and delightful.Synth sideA Moog, an Arturia or anything else you can think of, a good raw sequence and this reverb will round off the angles, give your sound some breadth and bring a good dose of harmonics.Turning it off would be a crime! New plug-inThis is a standard pedal, the same size as all Anasounds pedals. You can attach it to your pedalboard with velcro.It has an input jack, an output jack and a 9V power jack. So far, nothing new!What it does have is a mini jack cable that plugs into the back of the pedal. This one will connect on the other side in rca to a box full of springs that we call a tank. This tank is essential because it is the one that allows to generate a reverb effect in an analog way. Compared to other spring reverbs that use huge boxes, the tank is detached from the pedal, offset and connected by a cable. The tank can be hidden under the pedalboard or kept on top, it's up to you! Self-drilling mounting screws are provided with the tank to allow you to mount the tank anywhere on the pedalboard.

Back to the rootsSince 2017, we at Anasounds have set ourselves the challenge of offering you a reverb that reproduces the sounds of the spring built into the legendary Fender Twin Reverb, a practical way to find this unique sound without acquiring such a beast. To do this, we worked on several technologies, using dedicated digital processors, FV-1, BTDR from Belton... We tried everything!We finally came to this conclusion: there are very few 100% analog reverb solutions.We were surprised to see that this exceptional combination was very little exploited. The few competitors who have tried to do so have not gone to the end of the concept and propose big boxes with rather rudimentary settings. It is thus with the aim of improving this state of the art that we continued our research to propose a new way to approach the spring reverb. A Twin Reverb in a pedal and much more...Thus was born the Element Spring Reverb!The Element is a pedal that takes the essence of analog reverb, the one that is obtained by physically stimulating springs with the guitar signal. Simply put. No tricks. No calculations. Beautiful mechanics coupled with analog signal processing.several sound worldsThe Element is a pedal that takes the essence of analog reverb, the one that is obtained by physically stimulating springs with the guitar signal. Quite simply. No tricks. No calculations.Beautiful mechanics coupled with analog signal processing.Guitar sideBack to the 60's, Californian beach, surf, guitar, mix pushed to the limit,a few notes in a loop followed by anthology riffs. That's the promise we make to you. From Dick Dale to David Gilmour to Bob Marley.Even ambient fans will put away their shimmers when they realize the richness of the sound the spring allows! Sexy and responsive layers, exhilarating shpouing, a mix that is both discreet and delightful.Synth sideA Moog, an Arturia or anything else you can get your hands on, a good raw sequence and this reverb will round off the angles, give your sound some breadth and bring a good dose of harmonics.Turning it off would be a crime! New plug-inThis is a standard pedal, the same size as all Anasounds pedals. You can mount it on your pedalboard with velcro.It has an input jack, an output jack and a 9V power jack. So far, nothing new!What it does have is a mini jack cable that plugs into the back of the pedal. This one will connect on the other side in rca to a box full of springs that we call a tank. This tank is essential because it is the one that allows to generate a reverb effect in an analog way. Compared to other spring reverbs that use huge boxes, the tank is detached from the pedal, offset and connected by a cable. The tank can be hidden under the pedalboard or kept on top, it's up to you! Self-drilling mounting screws are provided with the tank to allow you to mount the tank anywhere on the pedalboard.what is included in this bundle1 element pedal1 mini jack to rca cablethe 3 tanks, le bon, la brute and le truand!6 self drilled screws to let you screwup your tank under your pedalboardthis pack was designed for people who don’t want to choose between tanks.also it’s a nice opportunity to put spring tanks everywhere in your rig!presentationthe element is a pedal that takes back the very essence of the analogue reverb,which is obtained by physically stimulating springs thanks to the guitar signal.simply. no artificials. no calculations.from beautiful mechanical coupled to analog signal processing.how to use itit’s still a classic pedal, same size as all of our other pedals.you scratch it (or not) on the pedalboard.it always has an input jack, an output jack and a 9V power jack.nothing new so far!what’s more? there’s a mini jack to plug on the back of the pedal.then, it will be connected to the box full of springs (called a tank) via rca connectors.this tank is mandatory because it is the one that allows to generate an analog effect of reverb.

The Good, is the smallest of them all, small in size but resourceful. It's more than enough for most guitar-in-hand uses and will save so much space that you can leave it attached to the top of the pedalboard, while admiring the beauty of the moving springs!top of the pedalboard, while admiring the beauty of the springs in motion!This simply inimitable feature (well ok there must be 2-3 digital simulations, but still) is only possible with this analog technology.Be careful not to shoot in it all the time, the audience will quickly migrate to the bar.Moreover, rubber pads are provided with the tank in order to fix it well and to calm down the interference caused by the drummers brutalizing their bass drums, as if they had something to answer for.

La Brute is the middle ground, strong enough to offer shpouing galoreand drive most musicians crazy. Its medium size allows it to be easily inserted under a pedalboard, right next to the power supply or on the keyboard table, while providing more harmonics than its friend Le Bon.This simply inimitable feature (well ok there must be 2-3 digital simulations, but still) is only possible with this analog technology.Be careful not to shoot in it all the time, the audience will quickly migrate to the bar.Moreover, rubber pads are provided with the tank in order to fix it well and to calm down the interference caused by the drummers brutalizing their bass drums, as if they had something to answer for.

Le Truand, is simply out of the competition! It is the one that offers the richest sound, endless shpouingwingwigouing. A monstrous cavity and an extraordinary chest. You will have to find a place for it not far from the amp or next to the pedalboard because it is really out of gauge. It is the favorite of the team on the sound level. That's why we decided to propose it despite its imposing size.This simply inimitable feature (well ok there must be 2-3 digital simulations, but still) is only possible with this analog technology.Be careful not to shoot in it all the time, the audience will quickly migrate to the bar.Moreover, rubber pads are provided with the tank in order to fix it well and to calm down the interference caused by the drummers brutalizing their bass drums, as if they had something to answer for.

AC/DC high voltageAs Malcolm Young said, "Nobody would pay attention to anything that was going on until you kicked them right in the teeth with it. "It is in this spirit that the High Voltage distortion was conceived, to slam in the face of the audience. Thanks to its bass killer switch, the rhythms are powerful and they easily break through the mix! No more sticky, gain-laden distortion that spills everywhere. Only sound, dynamics and energy.With this in mind, the Anasounds team, advised by AC/DC fans, developed this new pedal. At first, the idea was to get close to a Marshall Plexi pushed to the limit, and then finally to do a frequency analysis of "It's a long way to the top (if u wanna rock'n'roll)" from the High Voltage album. The chords of the intro are so powerful, so clear and so recognizable, that it was time to get out a pedal to find their grain more easily.Don't get me wrong, with all the settings available, it's also very easy to create your own grain. But that's the spirit in which Anasounds created the High Voltage.

Express yourself at last!Until now, to extend the range of your effects, you could have added a tap tempo footswitch or an expression pedal. But in reality, what we used to call an expression pedal was just a control pedal which is exactly the same as turning a pot with your foot. Convenient, yes, but not very creative.With the Spinner, here is the first expression pedal worthy of the name.Quiet on the SpinnerThe very existence of the classic expression pedal comes from a very simple fact: when you have both hands busy with a guitar, it's very complicated to change its settings. How many of us have found ourselves impatiently waiting for the next silence to act on a button? In these situations, a foot pedal is invaluable, and pedal manufacturers have understood this from the 1969 Uni-Vibe with its pedal to the Line 6 Helix with its three pedal controls.But until now, no one has designed a pedal that really extends the possibilities of the main effect and allows for artistic expression.So here is the Spinner.A new kind of expression pedalThe idea came to us while working on the Ages pedal, as we were looking for ways to make the simple tremolo effect more lively and exciting. It took us months of research to come up with the magnetic system we used, and a close collaboration with a craftsman from Nice to make the custom metal part. The principle of the Spinner is as follows: the three-bladed boomerang-like metal star is mounted on a screw inspired by skateboard wheels. It has a magnet under each blade which the sensor detects and transmits the speed of rotation to the circuit. Thus, when you kick the star, the effect is affected according to a mode that you have previously chosen via the switch at the back (placed here so that it is not in the way of your foot!).Always under controlYou can choose to accelerate the speed of the effect until the spinner stops spinning, at which point the speed reverts to the speed you set with your classic tap tempo. You can also choose to slow down the effect in the same way. Finally, a killswitch mode allows you to cut the sound at the speed of the spinner. In the first two modes, you can even hit the star while your main pedal is off, and the Spinner will engage the effect in a punctual way until it stops spinning. Got a chord at the end of a bridge and looking to give it some drama? A good harmonic tremolo hit that goes off at full speed and stops dead should do the trick! Of course, as long as the spinner's rotation is the source of expression, you can stop it with your foot to stop the effect or return to your original speed. You can also put a magnet on the Magnet slot and make the Spinner slow down faster: its action then becomes shorter in time, and you don't have to stop it with the foot for specific passages.There are no buttons on the surface to avoid accidents, but you just have to open the pedal to control the three useful parameters via trimpots: the speed threshold at which you activate the effect if it was off, the threshold at which you deactivate this same effect and the acceleration or deceleration rate of the effect.This is just the beginningFor the moment the Spinner is compatible with our tremolo pedal and the Ages harmonic tremolo pedal, and it expands their possibilities to the point that it becomes their inseparable companion. But you know Anasounds, there are likely to be more compatible effects coming out in the future, Once you discover the pleasures of the Spinner, you'll probably want to use it on all your pedals!

Always on timeOur new tremolo range and our upcoming time pedals include this tap tempo feature. For those of you who regularly change tempo and prefer to feel it with your foot instead of the pot, you've been asking us for this feature many times and it's finally here.More simpleFrom the pedal itself, you can tap the tempo thanks to the left footswitch. But sometimes depending on the location of the pedal in question in the pedalboard, this pedal is on the 2nd row and it is not necessarily practical to use a tap tempo so far away. Or sometimes, some people wear size 46 and risk to press the 2 footswitches at the same time.More practicalIt was inconceivable for us to increase the size of the pedal because of this function. So we thought it would be more interesting to propose to those who want to do otherwise, to add this little accessory! It can be placed anywhere on the pedalboard. The footswitch is momentary so no "clack" during the tap.Immediate connectionTo use it, open your pedal and deactivate the Spinner mode to privilege the Tap playback. Connect the 2 instruments using the 3.5mm jack provided with the Tap. The Tap and the pedal communicate with each other freely thanks to our connectivity.All that's left to do is enjoy!

The new Laney MINI amp line includes two models, one mono (MINI) and one stereo (MINI-ST), both battery-powered and available in three iconic designs: IRON, LION and SUPERG. Perfect for the office, backstage or practice, this is a super compact solution for playing guitar anywhere! Each model is equipped with a clean & wet channel, gain and volume controls, an auxiliary input, a headphone output and a special Laney LSI - Laney Smartphone Insert. The LSI jack lets you connect your amp to your favorite app to access all your favorite guitar sounds. The LSI cable is included with the amp and works with both IOS and Android devices. Using Ultimate Guitar's "Tonebridge" app, it's super easy to make your MINI Laney sound like thousands of sounds in the "Tonebridge" database.

The Xvive U2guitar wireless system's digital technology delivers incredible audio quality and a super-reliable connection. It also fits in your pocket! The U2 boasts a full 20Hz-20 kHz frequency response, ensuring that you--and your audience--accurately hear the true sound of your instrument. The system has an unnoticeable 6ms of latency, which means that in addition to your tone, your groove will not be affected! The 2.4GHz ISM band offers crystal-clear wireless broadcast, ensuring the integrity of your signal over 70 feet of range onstage without any signal dropouts. The onboard Li-ion batteries help make the U2 wireless system environmentally friendly, and they last up to 5 hours per charge. The chassis is made out of durable ABS plastic that can withstand the rigors of touring and the harshest of climates. If you use effects,not only can this wireless unit run from your guitar / bass to your pedalboard, you can also use a second U2 system to run from your pedalboard to your amp! No more dodging cables on stage! 

The Xvive U2guitar wireless system's digital technology delivers incredible audio quality and a super-reliable connection. It also fits in your pocket! The U2 boasts a full 20Hz-20 kHz frequency response, ensuring that you--and your audience--accurately hear the true sound of your instrument. The system has an unnoticeable 6ms of latency, which means that in addition to your tone, your groove will not be affected! The 2.4GHz ISM band offers crystal-clear wireless broadcast, ensuring the integrity of your signal over 70 feet of range onstage without any signal dropouts. The onboard Li-ion batteries help make the U2 wireless system environmentally friendly, and they last up to 5 hours per charge. The chassis is made out of durable ABS plastic that can withstand the rigors of touring and the harshest of climates. If you use effects,not only can this wireless unit run from your guitar / bass to your pedalboard, you can also use a second U2 system to run from your pedalboard to your amp! No more dodging cables on stage! 

The Xvive U2guitar wireless system's digital technology delivers incredible audio quality and a super-reliable connection. It also fits in your pocket! The U2 boasts a full 20Hz-20 kHz frequency response, ensuring that you--and your audience--accurately hear the true sound of your instrument. The system has an unnoticeable 6ms of latency, which means that in addition to your tone, your groove will not be affected! The 2.4GHz ISM band offers crystal-clear wireless broadcast, ensuring the integrity of your signal over 70 feet of range onstage without any signal dropouts. The onboard Li-ion batteries help make the U2 wireless system environmentally friendly, and they last up to 5 hours per charge. The chassis is made out of durable ABS plastic that can withstand the rigors of touring and the harshest of climates. If you use effects,not only can this wireless unit run from your guitar / bass to your pedalboard, you can also use a second U2 system to run from your pedalboard to your amp! No more dodging cables on stage! 

The Xvive U2guitar wireless system's digital technology delivers incredible audio quality and a super-reliable connection. It also fits in your pocket! The U2 boasts a full 20Hz-20 kHz frequency response, ensuring that you--and your audience--accurately hear the true sound of your instrument. The system has an unnoticeable 6ms of latency, which means that in addition to your tone, your groove will not be affected! The 2.4GHz ISM band offers crystal-clear wireless broadcast, ensuring the integrity of your signal over 70 feet of range onstage without any signal dropouts. The onboard Li-ion batteries help make the U2 wireless system environmentally friendly, and they last up to 5 hours per charge. The chassis is made out of durable ABS plastic that can withstand the rigors of touring and the harshest of climates. If you use effects,not only can this wireless unit run from your guitar / bass to your pedalboard, you can also use a second U2 system to run from your pedalboard to your amp! No more dodging cables on stage! 

The Xvive U2guitar wireless system's digital technology delivers incredible audio quality and a super-reliable connection. It also fits in your pocket! The U2 boasts a full 20Hz-20 kHz frequency response, ensuring that you--and your audience--accurately hear the true sound of your instrument. The system has an unnoticeable 6ms of latency, which means that in addition to your tone, your groove will not be affected! The 2.4GHz ISM band offers crystal-clear wireless broadcast, ensuring the integrity of your signal over 70 feet of range onstage without any signal dropouts. The onboard Li-ion batteries help make the U2 wireless system environmentally friendly, and they last up to 5 hours per charge. The chassis is made out of durable ABS plastic that can withstand the rigors of touring and the harshest of climates. If you use effects,not only can this wireless unit run from your guitar / bass to your pedalboard, you can also use a second U2 system to run from your pedalboard to your amp! No more dodging cables on stage! 

Turn your favorite dynamic microphone into a wireless mic!Designed to make dynamic microphones wireless, the U3 features audiophile sound quality, compact size and stable, reliable wireless transmission. The U3 is suitable for live music performance, recording sessions, theatrical productions, public speaking, outdoor applications and more. It even works as a wireless unit for active loudspeakers, and as a wireless extension for XLR cables!PLUG-AND-PLAYIt's small and light enough to fit in your pocket, and sets up in seconds. Plug it in, turn on the power, set the channel, and your microphone is wireless!For Home StudioXvive’s state-of-the-art A-D/D-A audio conversion technology conveys the true sound of your voice. Whether in live performance or a studio session, the U3 uses high-resolution digital audio and stable wireless transmission, so everyone can hear the real you!Live PerformanceExperience the freedom of live singing, public speaking, video interviews, music recording and more without being constrained by cables!Make any Active Loudspeaker WirelessThe U3 wireless system is like using 90 feet of audio cable—without the cable! You can send audio from any mixer or DJ rig to any active loudspeaker—wirelessly and reliably—without worrying about how to run your cables. This stealthy, invisible method is faster to set up than using cable, and you don’t have to tape down cables to the floor or run them around your audience!For DSLR Camera Dynamic MicrophonesAnyone shooting personal or professional videos with a DSLR will appreciate the freedom of wireless! The U3 system sends your audio signal directly to your audio recorder or mixer through the air—allowing you to take the camera wherever you need it to go!

The PRS SE Custom 24 2021 is more than ever the ideal guitar between the two American solid body electric guitars.The PRS Custom 24 has been the flagship of PRS guitars since its introduction in 1985, as this sublime guitar has been the source of its success. It has found its way by combining the best features of the two iconic models mentioned above.Even in this consumer version, the SE Custom 24 is staggering in its quality: the essences are magnificent, the electronics are deep and expressive, and the luthiery is almost irreproachable (insofar as perfection is not of this world). You want your money's worth? the SE Custom 24 will not disappoint you.The 85/15 S pickups (split in single/double coil via push/pull tone control) are of almost the same quality as the US versions.The 2021 model is similar to the previous one, just new finishes, here in a sumptuous Bonnie Pink finish for 2021.

The SE Paul's Guitar is an excellent example of design, engineering and teamwork. It's as close to the SE series as you can get, and I'm very proud of it," said Paul Reed Smith.The SE Paul's Guitar offers a lot of "PRS," starting with sound and versatility. The TCI "S" pickups for treble and bass deliver a very pure, vintage sound. The SE Paul's Guitar is also equipped with two mini-switches between the volume and tone knobs. This configuration allows players to put either or both pickups in true single coil mode, offering the clarity and uniqueness of vintage single coil sounds in both single coil and humbucking positions. This is the first model to offer this style of electronics outside of the Private Stock and Core lines. Similarly, the PRS bridge is the same as the Core Paul's Guitar, but with brass bridges."The Paul's Guitar, like the Modern Eagle before it, has always represented Paul's latest guitar building discoveries. To incorporate this guitar into the SE series, we knew the sound, functionality and playability had to be perfect and consistent," said Jack Higginbotham, COO of PRS Guitars. "We think this guitar offers a lot of possibilities for players."

Enjoy reliable performance without batteries with the D'Addario 9 Volt AC-DC Adapter. This adapter converts AC power from an outlet to 9V DC to power most instrument pedals and other devices with a 9V battery. The power supply with negative hot spot and positive ground can power all your most power-hungry devices up to 500 mA. 

DreadnoughtTakamine has been making guitars of renowned quality for over fifty years, meeting with artists from around the world. This G series offers a wide range of models, from the acoustic dreadnought to the electroacoustic 12-string jumbo, at prices affordable to all.A very warm sound due to the solid cedar top which, combined with a mahogany body, delivers a rich and precise sound whatever the size of the body.

Breedlove introduced the Atlas Series in 2003 with the intention of bringing the upscale tonewoods and features to the range of affordable guitars. The traits of this series are: mahogany made necks with dovetail joints, TUSQ string nuts and L.R. Baggs amplification. The Atlas Stage C25/SRe starts off with a concert cutaway body made of spruce top and rosewood back and sides. This guitar is available in natural gloss finish with a flat top bound in white. The bridge is made of rosewood with black pins. The amplification of this model is entrusted to the L.R. Baggs Stage Pro pickup with EQ, volume controls, notch filter, phase, and chromatic tuner with in-line mute. Mahogany neck has a dovetail joint and rosewood fingerboard with 20 frets and abalone inlays. 

A versatile and beautiful electro.The GN10CENS is a true workhorse of the brand, a versatile and beautiful guitar in its simplicity. This quality guitar at a modest price is a timeless classic of the brand which benefits in addition from a cutaway, a TP-4T preamp and a superb satin varnish.A wise choice of woods.The choice of wood for the Takamine GN10CENS mixes classicism and originality. The top is made of spruce, the body and the neck are made of mahogany: a combination that has proven itself to deliver a warm, round and precise sound.A perfect preamp.Takamine has built its reputation on the excellence of its electroacoustic systems, and the GN10CENS is no exception. The built-in TP-4T preamp includes a highly functional tuner, as well as three volume, tone and mid-cut controls that eliminate feedback. All you need is a strap and pick to hit the bars, cafes and theaters of the world. And because it's a Takamine, you can always count on it.

The Takamine GD10CE-NS electro folk guitar is a pre-amped acoustic Dreadnought style cutaway with a laminated spruce top and laminated mahogany body.Functionality is assured thanks to its on-board pre-amp with tuner and its cutaway.

The LA10 acoustic amplifiers delivers a natural acoustic sound to complement your acoustic instrument. LA10's instrument channel features a 2 band EQ for tone shaping plus a Shape switch – this provides a great sounding “go to” setting from a single button press. The mini-jack AUX input allows for connection of a playback device such as MP3/iPod/CD for jamming along to songs or backing tracks, plus there is a headphone socket – a great feature for private practice or silent late-night sessions.A shape switch applies a pre-determined EQ curve to the input signal. Applying a Mid cut, Bass & Treble boost pre the EQ tone stack of the amplifier.This socket allows you connect an external sound source of your choice and can be used for playing backing tracks into your unit. Please not the volume of music/backing track is controlled by the volume on the external sound source itself.

A dreadnought, "handmade in Canada" with a solid top for the price of a beginner's guitar?What sounds incredible, however, is true and has long been the concept that Robert Godin and his company, which also includes Art & Lutherie, swear by.The program includes guitars made with 95% Canadian wood from sustainable forestry, with solid wood tops and technical equipment that can otherwise only be found on much more expensive instruments.All Art & Lutherie guitars feature solid spruce or cedar tops and fully compensated TUSQ saddles and bridge inlays from Graphtech.The back and sides are laminated from 3 layers of birch and not, as usual, from veneer panels.This version also includes the Godin Quantum I pickup.Finally, the instrument is painted with a beautiful satin finish and guarantees the best sound development and maturation of the sound with the duration of playing.Features: Dreadnought body shape back and sides: cherry, 3-ply laminated top: cedar, solid top (pressure tested solid top), neck: maple (light silver leaf maple), fingerboard and bridge: rosewood bridge and saddle: Tusq bridge pegs: Cream Plastic Length of scale: 24.84'' (631 mm) Width of saddle: 1 7/8'' (43.6 mm) Machine heads: Chrome plated tuners, closed pickups: Godin Quantum I Body Binding Cream Plastic Rosette Tortoise Pickguard Inlays Finishes back, sides and neck: Satin Finish Top: Satin, BlackMade in Canada!

Based on the famous Acoustic Radiator series, Ashdown launches its brand new ACOUSTIC range in 2013. Ashdown established itself as a major player in the world of acoustic amplifiers in the 90s and even before that, with another company in the early 80s, when Ashdown founder Mark Gooday initiated the "unplugged" revolution. With over 30 years of experience in building these specific amps, Ashdown knows what it takes to build a first class acoustic amp!acoustic amp!

The PRO CO RAT 2 is a high quality distortion/fuzz pedal with a strong personality and a reasonable budget.If you're looking for a radically different sound, a distortion sound you've never heard before, the PRO CO Rat 2 is a very versatile pedal with a range of sounds from big distortion to simple overdrive and even a fuzz sound. Just three controls, disto, filter and volume, allow you to control the amount of overdrive, tone and presence without loss of treble and with a very punchy output volume.

InformationLoops are very popular in the guitar world. To meet the demand, Roland has developed the RC-300 Loop Station. This loop pedalboard has three synchronized stereo tracks, each with its own volume fader. In addition, the RC-300 features professional effects, an expanded control panel, and an expression pedal.Boss RC-300: Ap