The 7A, a thin and light rod. The 7A models are absolutely perfect if you are looking for a light, thin and exquisitely expressive cue. This model is very popular in the world of jazz, but also in funk and pop. All manufacturers, and of course Vic Firth, offer similar characteristics: a handle that fits well in the hand, a balanced weight, a profile cut for all types of electric or acoustic music and a tear-shaped olive that is suitable for all types of cymbals and skins.  Undeniable quality. With the 7A range, we are dealing with a hyper accomplished production. Is it useful to specify that at Vic Firth, the quality of the wood is never lacking, that the sticks are perfectly straight, and above all, that they are matched with non-negotiable criteria of requirement and precision?  A musician above all. Prior to directing the brand that still bears his name today, the late Vic Firth was first and foremost an accomplished percussionist who practiced his art under the guidance of the greatest conductors in the Boston Symphony Orchestra. His first pair of sticks was designed to meet the needs of a piece of music for which he wanted a special sound and feel. Assisted by the world's greatest drummers, the brand's designers have maintained this requirement in order to market - among others - the American Classic series, which includes the basis of models designed to adapt to each hand and, above all, to each musical context.

Signature models, designed with the best drummers in the world. The Signature models you find at Vic Firth each have different characteristics. Indeed, each drummer has brought his personal touch, whether it is the length of the stick, its diameter, the size and type of olive and finally the colour. And it was some of the biggest names in drumming who created their own model: Steve Gadd, Jojo Mayer, Gavin Harrison, Aaron Spears, Carmine Appice, Dave Weckl, Peter Erskine... Like the other Vic Firth models, each Signature stick has the characteristics that are dear to the brand: a handle that holds well in the hand, a balanced weight, a profile cut for all types of electric and acoustic music and an olive that is suitable for all types of cymbals and skins. A hyper accomplished production. Needless to say that with Vic Firth, we are dealing with a hyper accomplished production. Indeed, the quality of the wood is never lacking, the sticks are perfectly straight, and above all, they are matched with non-negotiable criteria of requirement and precision! A series for all musicians. Prior to conducting the brand that still bears his name today, the late Vic Firth was first and foremost an accomplished percussionist who practiced his art under the guidance of the greatest conductors in the Boston Symphony Orchestra. His first pair was designed to meet the needs of a piece of music for which he wanted a special sound and touch. Assisted by some of the world's greatest drummers, the brand's designers have maintained this requirement in order to market drumsticks of undeniable prestige.

Express your artistic talent with Vic Firth. Let's face it, you can practice all sorts of things with chopsticks, but some joints or sound textures are simply impossible to achieve. Some music requires precise tools to bring the emotions that the musician is looking for. This is why Vic Firth collaborates with the best musicians in the world to create new means of expression that will transport you to new artistic horizons. Different models with unique characteristics. Vic Firth offers a variety of brooms (or brushes, as our Anglo-Saxon cousins call them), designed to deliver traditional sound or to create innovative and daring sound textures. Each model offers its own musical characteristics and thus the possibility to open up your sound palette. Try something new and see where it takes you. 

Another pair of sleeves. All the drummers who've played with them will tell you: playing broomsticks is a different story! And it's precisely in the history of drumming that we find the genesis of these strands of steel that were born to help drummers play softer in certain contexts. It is of course jazz that gave the brooms their letters of nobility and mastering them not only brings another sound colour, but also makes it possible to use the sticks even more easily. Designed for tradition. The brooms do not bounce off the skin or the metal of the cymbals. In order to satisfy a wide variety of uses, many models exist today. The thickness of the handle can vary, as can the material (wood, hard plastic, rubber...), but it is mainly the quality and the number of strands that will determine the sound produced. The Vic Firth HB brushes are both traditional in terms of fineness and number of strands, and quite modern, as the handle offers a very ergonomic grip. The metal is soft enough to perform all the tricks without too much force and the rubbing is easy to achieve without pressing too much on the skin. Retractable and durable. The Vic Firth HB are of course retractable with two possible positions, depending on the desired length. Once they have been adjusted, connoisseurs can choose to store them directly in the tube provided, without ever having to tuck them into the handle again. This will increase their lifespan, even though this model is not fragile in any way. The small ring can be used to mark glissandos on the surface of your cymbals or small figures on their bells, if necessary... In any case, it will be quite an art, all in delicacy.

Express your artistic talent with Vic Firth. Let's face it, you can practice all sorts of things with drumsticks, but some joints or sound textures are simply impossible to achieve. Some music requires precise tools to bring the emotions that the instrumentalist is looking for. This is why Vic Firth collaborates with the best musicians in the world to create new means of expression that will transport you to new artistic horizons. Different models with unique characteristics. Vic Firth offers a variety of brushes designed to deliver traditional sound or to create innovative and daring sound textures. Each model offers its own musical characteristics and thus the possibility to open up your sound palette. Try something new and see where it takes you.

A drumstick for children. Designed to make drumming easier for very young drummers, aged 3 to 8, the Kids model is a kind of 5A model for children. This model has all the features that have made the Vic Firth brand famous, i.e. a handle that fits well in the hand, a balanced weight, a profile cut for all electric music and a teardrop shaped olive that is suitable for all types of cymbals and skins. An undeniable quality. With this Kids model, and following the example of the thirty or so references grouped together in the American Classic series, we are dealing with a hyper accomplished production. Is it useful to specify that, at Vic Firth, the quality of the wood is never lacking, that the sticks are perfectly straight, and above all, that they are matched with non-negotiable criteria of requirement and precision? A musician above all. Prior to conducting the brand that still bears his name today, the late Vic Firth was first and foremost an accomplished percussionist who practiced his art under the tutelage of the greatest conductors in the Boston Symphony Orchestra. His first pair of sticks was designed to meet the needs of a piece of music for which he wanted a special sound and feel. Assisted by the world's greatest drummers, the brand's designers have maintained this requirement in order to market - among others - the American Classic series, which includes the basis of models designed to adapt to each hand and, above all, to each musical context.

A drumstick for children. Designed to make drumming easier for very young drummers, aged 3 to 8, the Kids model is a kind of 5A model for children. This model has all the features that have made the Vic Firth brand famous, i.e. a handle that fits well in the hand, a balanced weight, a profile cut for all electric music and a teardrop shaped olive that is suitable for all types of cymbals and skins. An undeniable quality. With this Kids model, and following the example of the thirty or so references grouped together in the American Classic series, we are dealing with a hyper accomplished production. Is it useful to specify that, at Vic Firth, the quality of the wood is never lacking, that the sticks are perfectly straight, and above all, that they are matched with non-negotiable criteria of requirement and precision? A musician above all. Prior to conducting the brand that still bears his name today, the late Vic Firth was first and foremost an accomplished percussionist who practiced his art under the tutelage of the greatest conductors in the Boston Symphony Orchestra. His first pair of sticks was designed to meet the needs of a piece of music for which he wanted a special sound and feel. Assisted by the world's greatest drummers, the brand's designers have maintained this requirement in order to market - among others - the American Classic series, which includes the basis of models designed to adapt to each hand and, above all, to each musical context.

Signature models, designed with the best drummers in the world. The Signature Vic Firth models each have different characteristics. Indeed, each drummer has brought his personal touch whether it is the length of the stick, its diameter, the size and type of olive and finally the colour. And it was some of the biggest names in drumming who created their own model: Steve Gadd, Jojo Mayer, Gavin Harrison, Aaron Spears, Carmine Appice, Dave Weckl, Peter Erskine... Like the other Vic Firth models, each Signature stick has the characteristics that are dear to the brand: a handle that holds well in the hand, a balanced weight, a profile cut for all types of electric and acoustic music and an olive that is suitable for all types of cymbals and skins. A hyper accomplished production. Needless to say that with Vic Firth, we are dealing with a hyper accomplished production. Indeed, the quality of the wood is never lacking, the sticks are perfectly straight, and above all, they are matched with non-negotiable criteria of requirement and precision! A series for all musicians. Prior to conducting the brand that still bears his name today, the late Vic Firth was first and foremost an accomplished percussionist who practiced his art under the guidance of the greatest conductors in the Boston Symphony Orchestra. His first pair was designed to meet the needs of a piece of music for which he wanted a special sound and touch. Assisted by some of the world's greatest drummers, the brand's designers have maintained this requirement in order to market drumsticks of undeniable prestige.

Signature models, designed with the best drummers in the world. The Signature Vic Firth models each have different characteristics. Indeed, each drummer has brought his personal touch whether it is the length of the stick, its diameter, the size and type of olive and finally the colour. And it was some of the biggest names in drumming who created their own model: Steve Gadd, Jojo Mayer, Gavin Harrison, Aaron Spears, Carmine Appice, Dave Weckl, Peter Erskine... Like the other Vic Firth models, each Signature stick has the characteristics that are dear to the brand: a handle that holds well in the hand, a balanced weight, a profile cut for all types of electric and acoustic music and an olive that is suitable for all types of cymbals and skins. A hyper accomplished production. Needless to say that with Vic Firth, we are dealing with a hyper accomplished production. Indeed, the quality of the wood is never lacking, the sticks are perfectly straight, and above all, they are matched with non-negotiable criteria of requirement and precision! A series for all musicians. Prior to conducting the brand that still bears his name today, the late Vic Firth was first and foremost an accomplished percussionist who practiced his art under the guidance of the greatest conductors in the Boston Symphony Orchestra. His first pair was designed to meet the needs of a piece of music for which he wanted a special sound and touch. Assisted by some of the world's greatest drummers, the brand's designers have maintained this requirement in order to market drumsticks of undeniable prestige.

Signature models, designed with the best drummers in the world. The Signature Vic Firth models each have different characteristics. Indeed, each drummer has brought his personal touch whether it is the length of the stick, its diameter, the size and type of olive and finally the colour. And it was some of the biggest names in drumming who created their own model: Steve Gadd, Jojo Mayer, Gavin Harrison, Aaron Spears, Carmine Appice, Dave Weckl, Peter Erskine... Like the other Vic Firth models, each Signature stick has the characteristics that are dear to the brand: a handle that holds well in the hand, a balanced weight, a profile cut for all types of electric and acoustic music and an olive that is suitable for all types of cymbals and skins. A hyper accomplished production. Needless to say that with Vic Firth, we are dealing with a hyper accomplished production. Indeed, the quality of the wood is never lacking, the sticks are perfectly straight, and above all, they are matched with non-negotiable criteria of requirement and precision! A series for all musicians. Prior to conducting the brand that still bears his name today, the late Vic Firth was first and foremost an accomplished percussionist who practiced his art under the guidance of the greatest conductors in the Boston Symphony Orchestra. His first pair was designed to meet the needs of a piece of music for which he wanted a special sound and touch. Assisted by some of the world's greatest drummers, the brand's designers have maintained this requirement in order to market drumsticks of undeniable prestige.

The Spacedrum can be played by hand or with suited sticks. The technique of playing with sticks is radically different and sensations too. Moreover, the resonance induced by the contact pads and latex attack notes bring a new dimension to the instrument varies depending on the type of buffer used. We have therefore designed several sticks to enable you to understand various playing techniques and types of stamps. The model "dual" functions include a playing technique using 4 tips. During their manufacture the sticks are equipped with soft pads. Buffers toughest independent and inter-changeable are included with each pair of sticks. Note: Be careful, the metal being sensitive to shocks we strongly recommend that you use chopsticks suitable for Spacedrum and play softly.

Drumsticks in hickory that could be described as "generalist".   

For drummers looking for a light wand. If you play jazz, pop or funk music and want to keep it light, the 8D model is the solution that will meet all your expectations! This model has all the features that have made the Vic Firth brand famous, i.e. a handle that fits well in the hand, a balanced weight, a profile cut for all electric music and a tear-shaped olive that is suitable for all types of cymbals and skins. An undeniable quality. With the American Classic series, which includes about thirty different references, we are dealing with a hyper accomplished production. Is it worth mentioning that, at Vic Firth, the quality of the wood is never lacking, that the sticks are perfectly straight, and above all, that they are matched with non-negotiable criteria of exigency and precision? Kitsch aficionados will appreciate to learn that this series includes models in exquisite black and...pink colours! A musician first and foremost. Prior to leading the brand that still bears his name today, the late Vic Firth was first and foremost an accomplished percussionist who practiced his art under the tutelage of the greatest conductors in the Boston Symphony Orchestra. His first pair of sticks was designed to meet the needs of a piece of music for which he wanted a special sound and feel. Assisted by the world's greatest drummers, the brand's designers have maintained this requirement in order to market - among others - the American Classic series, which includes the basis of models designed to adapt to each hand and, above all, to each musical context.

A programmed evolution. The 5B has not always been the standard in the hands of drummers, and it can even be said that the length and thickness of the sticks has evolved a lot since the jazz era and the beginnings of rock n' roll. There are two reasons for this. The first one is that the cymbals were thinner, and that the drummers were looking for the bounce, with a rather short length and a very tapered neck. The second is that the amplification was not yet at its peak, and the music didn't need a very high sound level for the drums. Today, the Vic Firth 5B are adopted by a large majority of musicians. A fleshy body to be desired. The relationship to the instrument having thus radically changed, the drummer demands less use of rebound, and therefore of his fingers. It is quite naturally that a manufacturer like Vic Firth, always attentive to the demands of instrumentalists, developed from the 1970s onwards models generating more power, with a shorter neck and a neck that fits well in a closed hand. The result is a hickory stick with a forward weight and a tear-shaped olive. Enough to hit a thousand times without ever having to force it. An unfailing quality. If all the quality parameters were not met, all this would be in vain. And yet, in this matter, it's a little Vic Firth who sets the tone. Whether it is the origin of the wood, the perfect size of the sticks, the varnish (neither too thin nor too thick) or the pairing, everything is done to deliver the best to the user. In terms of solidity, the blows can be delivered without fear, especially with a supple and ample gesture. Even for a hard game, these 5Bs will last a very long time! 

A musician first and foremost. Prior to conducting the brand that still bears his name today, the late Vic Firth was first and foremost an accomplished percussionist who practiced his art under the tutelage of some of the greatest conductors in the Boston Symphony Orchestra. His first pair of sticks was designed to meet the needs of a piece of music for which he wanted a special sound and feel. Assisted by the world's greatest drummers, the brand's designers have maintained this requirement in order to market - among others - the American Classic series, which includes the basis of models designed to adapt to each hand and, above all, to each musical context. The 5A, the flagship and versatile model par excellence. If one asks oneself the question of the choice of a pair of mallets, one will go for a 7A for a child, and a 5A for an adult. In all manufacturers, and of course in Vic Firth, this model has similar characteristics: a handle that holds well in the hand, a balanced weight, a profile cut for all electric music and a tear-shaped olive that is suitable for all types of cymbals and skins. Undeniable quality. With this 5A or its big sister (X5A, slightly longer and thicker neck) and the thirty or so references grouped in this series, we are dealing with a hyper accomplished production. Is it useful to specify that, at Vic Firth, the quality of the wood is never lacking, that the sticks are perfectly straight, and above all, that they are matched with non-negotiable criteria of requirement and precision? Kitsch aficionados will be happy to know that this 5A also exists in black and... in pink!

The 7A, a thin and light rod. The 7A models are absolutely perfect if you are looking for a light, thin and exquisitely expressive cue. This model is very popular in the world of jazz, but also in funk and pop. All manufacturers, and of course Vic Firth, offer similar characteristics: a handle that fits well in the hand, a balanced weight, a profile cut for all types of electric or acoustic music and a tear-shaped olive that is suitable for all types of cymbals and skins. Undeniable quality. With the 7A range, we are dealing with a hyper accomplished production. Is it useful to specify that at Vic Firth, the quality of the wood is never lacking, that the sticks are perfectly straight, and above all, that they are matched with non-negotiable criteria of requirement and precision? A musician above all. Prior to directing the brand that still bears his name today, the late Vic Firth was first and foremost an accomplished percussionist who practiced his art under the guidance of the greatest conductors in the Boston Symphony Orchestra. His first pair of sticks was designed to meet the needs of a piece of music for which he wanted a special sound and feel. Assisted by the world's greatest drummers, the brand's designers have maintained this requirement in order to market - among others - the American Classic series, which includes the basis of models designed to adapt to each hand and, above all, to each musical context.

A musician first and foremost. Prior to conducting the brand that still bears his name today, the late Vic Firth was first and foremost an accomplished percussionist who practiced his art under some of the greatest conductors in the Boston Symphony Orchestra. His first pair was designed to meet the needs of a piece of music for which he wanted a special sound and touch. Assisted by the world's greatest drummers, the brand's designers have maintained this requirement to market - among other things - this American Classic series, which includes the basis of models designed to adapt to each hand and, above all, to each musical context. The 5A, the flagship and versatile model par excellence. If one asks oneself the question of the choice of a pair of mallets, one will go for a 7A for a child, and a 5A for an adult. In all manufacturers and of course in Vic Firth, this model has similar characteristics: a handle that holds well in the hand, a balanced weight, a profile cut for all electric music and a tear-shaped olive that is suitable for all types of cymbals and skins. Undeniable quality. With this 5A or its big sister (X5A, slightly longer and thicker neck) and the thirty or so references grouped in this series, we are dealing here with a hyper accomplished production. Is it useful to specify that at Vic Firth, the quality of the wood is never lacking, that the sticks are perfectly straight, and above all, that they are matched with non-negotiable criteria of requirement and precision? Kitsch aficionados will appreciate to learn that this 5A is also available in black and... in pink!

Pair of 5A Hickory drumsticks, brand OQAN.

The Spacedrum can be played by hand or with suited sticks. The technique of playing with sticks is radically different and sensations too. Moreover, the resonance induced by the contact pads and latex attack notes bring a new dimension to the instrument varies depending on the type of buffer used. We have therefore designed several sticks to enable you to understand various playing techniques and types of stamps. The model "dual" functions include a playing technique using 4 tips. During their manufacture the sticks are equipped with soft pads. Buffers toughest independent and inter-changeable are included with each pair of sticks. Note: Be careful, the metal being sensitive to shocks we strongly recommend that you use chopsticks suitable for Spacedrum and play softly.