The Unami by AMI Effects is handcrafted in France. This boost/overdrive pedal has the ability to produce different sounds through the interaction of its settings. Its design is simple and uncluttered. It is a high quality pedal at a very affordable price.   Discover the sound of Umami in this video demonstration. The full version is available on the YouTube Overdrive Family channel.

Emulate Fender, Marshall, Mesa Boogie, etc. amps and effects without having to move around and put a mic on a real amp. Ideal for the studio: recording, demos.  

THE PERFECT SOUND FOR THE BLUES The sound of a "bluesy" and "vintage" tube amp in the form of a pedal. From warm saturation to infernal twist, this trans pedal faithfully brings out every nuance of sound. The BD-2 is more aggressive than the OD-3 and has a wider gain range, which explains its success with rockers.

Pédale d'effet Talk Box pour guitare ou clavier de MXR modèle M222

The Blue Label series has been specially developed in collaboration with studio guitarists, for guitarists! Simple to integrate into a pedalboard thanks to their compact size and the recessed jacks in the chassis, they are perfect for studio and stage guitarists. Although originally developed for guitarists, they can be used by bass players to enhance the sound of their instrument. The famous EBS OctaBass was the first effect pedal ever made by EBS in 1992, and is now available in a compact Blue Label version. This octaver is famous for its fast and precise tracking and for a fat and natural sound. When you play your instrument, it "tracks" the note you play and produces a sound one octave lower to blend with the note being played.  The Blue Label model offers new features that improve the range of note tracking with the Rank switch, which allows you to best track the notes played according to their pitch on the neck.

A versatile preamp designed for the most demanding bassists but also suitable for all bassists thanks to its ease of use. Equipped with a 4-band equalizer with 4 selectable frequencies on the midrange and deep and bright filters. The Pure Drive is also completed by an Overdrive section which, with its volume and dedicated discs, will allow you to get saturations up to massive distortions. The Pure Drive is also a professional tuner with display and DI. All components are carefully selected to offer a superior quality product. Entirely made in Italy This case is designed and built by a bass player for bass players.

Sustain and sample effectController for effect levelSwitches for fast / slow latchDimensions (W x D x H): 70 x 115 x 55 mmIncl. power supply (96DC-200BI)

Stereo Looper from EHX for guitar, bass or keys

The legendary Fuzz pedal by Electro-Harmonix : the Big Muff PI

The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility. The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.

Same silky smooth violin-like sustain and creamy tone that made the legendary 1970 Big Muff Pi famous. This little brother displays its heritage proudly. Same circuitry in a compact die-cast box.

NANO LOOPER 360 is a compact, affordable, pedal looper with 360 seconds of loop recording time and 11 storable loops!

The circuitry of the Op-Amp Big Muff – sometimes also referred to as the IC or V4 Big Muff – differs from the traditional transistor-based Big Muff circuit in that it uses operational amplifiers (op-amps) to achieve its signature sustaining distortion sound. With widely-sweeping tone controls and a character all its own, the Op-Amp Big Muff will surely be a formidable addition to your sonic arsenal.

Divine reverb for mere mortals. Down from the heavens comes the Holy Grail, a compact digital reverb guitar pedal that is priced so low thou shalt not covet thy neighbor's reverb tank any longer. The Holy Grail will make you a believer with its emulation of classic Spring reverb so faithful that even Dick Dale couldn't tell the difference. Next, get lost in the lush spaciousness of the Hall reverb and ask yourself, "how did they fit Notre Dame into such a small package?" Finally, reach enlightenment with the haunting Flerb.

Back by overwhelming demand... in a mini package! The cult classic Green Russian Big Muff first shook the ground in the mid-1990s. Since then it has been heralded by guitarists and bassists for its devastating low-end and unique sludge and sizzle. The Green Russian Big Muff creates a huge tone that is all its own, but is undeniably Big Muff.

What is it that makes a performance legend? Experience and design integrity make a legend. Since the early 1970’s, Electro-Harmonix has been designing analog delays featured on some of the greatest recordings and used by legendary musicians throughout the world. From the original Memory Man to the Deluxe Memory Man, still available today, our delays are desired instruments for the organic tones that deliver textures that define quality.The new Memory Boy carries the performance heritage for warm analog delays and modulations that made its ancestors the go to legends that remain today. With two years in design using new and refined, analog IC’s the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart.The new Memory Boy straps on the cape and flies with heritage into the search for amazing sound at a price that mere mortals can afford.

The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA.

The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.

The JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.

The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.

The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.

The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.

The Voodoo Lab Tremolo re-creates the buttery, seductive tone of a vintage tube amp tremolo. This is accomplished by using the same lamp and photocell assembly found in many popular vintage amps.This pedal also features a slope control which lets you adjust the feel from a traditional soothing tremolo to a hard “machine-gun” stutter. Speed and intensity controls provide a wide range to include very slow and deep sounds. A volume control lets you cut or boost the output level. Now you can add warm, mind-bending trem vibes to any amp with the most versatile tremolo available.“Nicely voiced, with very slow and very fast speeds...” -Guitar Player

Ultra thick but not roughThe feed me is a BC108 type silicon fuzz, transistor present in the Fuzz Face of the 60s.The sound is massive and very thick, but the precision of its high frequencies allows it to remain perfectly intelligible in any mix.The Feed Me is made to play without asking questions, activate it, and set the beast free!

Utopia - band echo with warm and vintage analog delay modulation in the purest spirit of band echoes. The Utopia magnifies your sound by reproducing an Echoplex-type tape echo coupled with a customizable modulation.The pedal can be used for sublime slapback as well as for long repetitions.2 signals are worked in parallel, the input sound is preserved and then mixed with the delay effect, so you keep all the definition of your analog sound, while adding echo.

element analog spring reverbSince 2017, at Anasounds we have been challenging ourselves to offer you a reverb that reproduces the sound of the spring built into the legendary Fender Twin Reverb, a convenient way to get that unique sound without having to buy such a beast.To do so, we worked on several technologies, using dedicated digital processors, FV-1, BTDR from Belton... We tried everything! We finally came to this conclusion: there are very few 100% analog reverb solutions.

elementanalog spring reverbDepuis 2017, chez Anasounds nous nous sommes lancé le défi de vous proposer une reverb reproduisant les sonorités du ressort intégré au légendaire Fender Twin Reverb, un moyen pratique de retrouver cette sonorité unique sans pour autant acquérir un tel bestiau.Pour ce faire, nous avons travaillé sur plusieurs technologies, en passant par des processeurs numériques dédiés, des FV-1, BTDR de Belton… On a tout essayé !Nous sommes finalement arrivés à ce constat : il n’existe que très peu de solutions de reverb 100% analogique.La Brute, c’est le juste milieu, assez costaud pour offrir des shpouing à gogoet rendre fou la plupart des musiciens. Sa taille moyenne permet de l’insérer facilementsous un pedalboard, juste à côté du bloc d’alimentation ou sur la table du clavier,tout en procurant davantage d’harmoniques que son ami Le Bon.23.5 x 8.4 x 4 cm.

FINGERTIP LOOPS FOR EVOLVING MUSIC MAKERSIdeal for club performers, electronic musicians and beatboxers, the RC-202 packs the power of BOSS loops and multi-effects into a surprisingly compact tabletop machine. Based on the popular RC-505 Loop Station, the two-track RC-202 offers the same interface and look as its larger sibling, plus all-new features. Four input effects and four track effects are available simultaneously, and loops can be saved and recalled in real time for greater flexibility. Additional foot controllers and MIDI options are also included, for musicians who have their hands full with guitar, keyboards or other instruments.Two stereo tracks and 64 memorable phrasesThe RC-202 allows you to record two stereo loops with dedicated hand controllers and status indicators. You can create and store 64 phrases in memory and recall them at will on stage. They are organized in 8 different banks for quick access. You can save a loop without stopping playback, allowing you to work seamlessly, and switch between loops live to create evolving song structures and arrangements.Intensive FXEquipped with powerful multi-effects, the RC-202 has more real-time sound processing features than competing loopers. Four input FX and four track FX are available simultaneously, with many types of effects possible when creating loops and playing them back. When recording, you can transform the sound with Input FX like P. Shift, Lo-Fi, Ring Mod... Track FX like Beat, Filter, Slicer, among others, provide sampler or DJ-like effects for impressive results when playing back. These effects can be instinctively adjusted with large, easy-to-operate knobs and turned on or off at will with dedicated front-panel switches.Powerful live controllersThe RC-202's front panel is packed with buttons for maximum creative control when creating loops. A jack input also lets you connect up to two footswitches or an expression pedal. Full control is also possible from a MIDI foot controller or MIDI keyboard. This connection also allows synchronization with an RC-505 or a second RC-202, a drum machine or other instruments.Audio and USB connectionsThe RC-202 offers an XLR microphone input, stereo or mono instrument inputs, and a stereo auxiliary input. All these inputs can be used simultaneously, allowing you to build loops from multiple audio signals. It's also possible to send a click track only to the headphone output, an ideal feature for the stage. Via USB, you can connect to a computer to save your loops in WAV format, or load RC-202 loops with playbacks or other sounds for sampler-style triggers. The RC-202 also functions as a USB audio/MIDI interface, making it easy to use on stage with computer music creation software, audio recorders, MIDI sync, etc.

Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.

Erica Synths Fusionbox is a distinct multifunctional analogue effects unit that combines BBD chip based effects – delay, flanger, chorus – with tube overdrive in the delay output and feedback path for extra thickness of sound.Fusion Box lowpass filtering is fully adjustable from none to extreme for a really deep bass sound. A special feature, not found in other contemporary stompboxes or effect units, is the Vintage Stereo Ensemble.The Vintage Stereo Ensemble provides the classic “stereo ensemble” effect, found on many vintage synthesizers from almost any brand and make. In stereo ensemble effect, the delayed, processed and filtered sound is added back to the dry (mono) audio with inverted phase for one channel, and direct phase in the other. This gives it the distinct and unique moving character, different from that obtained with chorus effects. However, use of inverted phase in stereo field also adds certain peculiarities to watch out for. For example, when such stereo audio is played back on an older “surround” decoding sound system, ensemble effect sound may move to the rear sound channel. Also, if the output gets mixed back to mono, the effect may disappear. This also applies to mono subwoofer systems, or speakers that are placed too close. This is normal, and occurs with any similar vintage stereo ensemble processing. In this case and if such oddities are undesirable, to avoid mono mixing issues, you can choose to use only one of the output channels, or use two separate ensemble processors for left and right channels.Fusionbox has adjustable input gain, therefore it works with various sound sources – guitars, units with line level signals (synthesizers, grooveboxes, etc.) and modular synths. Footswitch allows to switch on or bypass effects making Fusionbox ideal for guitar players.

The Good, is the smallest of them all, small in size but resourceful. It's more than enough for most guitar-in-hand uses and will save so much space that you can leave it attached to the top of the pedalboard, while admiring the beauty of the moving springs!top of the pedalboard, while admiring the beauty of the springs in motion!This simply inimitable feature (well ok there must be 2-3 digital simulations, but still) is only possible with this analog technology.Be careful not to shoot in it all the time, the audience will quickly migrate to the bar.Moreover, rubber pads are provided with the tank in order to fix it well and to calm down the interference caused by the drummers brutalizing their bass drums, as if they had something to answer for.

La Brute is the middle ground, strong enough to offer shpouing galoreand drive most musicians crazy. Its medium size allows it to be easily inserted under a pedalboard, right next to the power supply or on the keyboard table, while providing more harmonics than its friend Le Bon.This simply inimitable feature (well ok there must be 2-3 digital simulations, but still) is only possible with this analog technology.Be careful not to shoot in it all the time, the audience will quickly migrate to the bar.Moreover, rubber pads are provided with the tank in order to fix it well and to calm down the interference caused by the drummers brutalizing their bass drums, as if they had something to answer for.

Le Truand, is simply out of the competition! It is the one that offers the richest sound, endless shpouingwingwigouing. A monstrous cavity and an extraordinary chest. You will have to find a place for it not far from the amp or next to the pedalboard because it is really out of gauge. It is the favorite of the team on the sound level. That's why we decided to propose it despite its imposing size.This simply inimitable feature (well ok there must be 2-3 digital simulations, but still) is only possible with this analog technology.Be careful not to shoot in it all the time, the audience will quickly migrate to the bar.Moreover, rubber pads are provided with the tank in order to fix it well and to calm down the interference caused by the drummers brutalizing their bass drums, as if they had something to answer for.

The PRO CO RAT 2 is a high quality distortion/fuzz pedal with a strong personality and a reasonable budget.If you're looking for a radically different sound, a distortion sound you've never heard before, the PRO CO Rat 2 is a very versatile pedal with a range of sounds from big distortion to simple overdrive and even a fuzz sound. Just three controls, disto, filter and volume, allow you to control the amount of overdrive, tone and presence without loss of treble and with a very punchy output volume.

Folk guitar from Naderman.

You're going to need help to try and stop the unleashing of this infinite wall of fuzz! This circuit explodes the nastiest distortion to make you the master of the fuzz universe! This pedal has a hand-painted enclosure that packs in plenty of components and sound to give you a high-tech fuzz mutilator at a punk price! With only 3 settings, it can create a multitude of fuzz, boost, overdrive and distortion sounds. Listen for yourself and you'll understand, this is the biggest fuzz pedal we've ever heard!

In coming up with the Futura concept, Foxgear engineers drew on the lessons and successes of their research and development on the brand's previous models to create a pedal whose heart is focused on an ambient sound." The Futura's impressive ambience comes from its ability to make repeats disappear while you play. The Futura combines 3 circuits to create a reverb AND a delay that can be mixed as desired, and allow for a slapback echo with reverb, for example, or to be able to play an arpeggio without having to change settings."

The Knee Trembler is a unique LFO tremolo pedal designed in direct collaboration with Guy Pratt of Pink Floyd, perfect for his famous intro on One of These Days", especially when paired with an Echosex Baby. If you miss the amps that were made with a tremolo, you'll love the Knee Trembler. It can be as soft or as incisive as you like. And to be true to the excellence of Foxgear pedals, it's absolutely transparent and noise-free."

The Kolt 45 is a powerful guitar amp in an ultra-portable pedal format. It produces 45 true RMS watts into 4 Ohms with sensitive treble, midrange and bass controls, as well as volume, all in an ultra-compact case that fits in your pocket. Just plug your guitar into the input and your cabinet into the output and prepare to be surprised by its clear, rich sound, with enough power for practice, rehearsal and live performance.

A reissue of the 60's analog flanger sound, the Maitresse is an analog flanger pedal built around the MN3207 like the old Electric Mistress. It takes its inspiration from the 60's where the flanger effect was created by music pioneers like Les Paul or Jimi Hendrix, using tapes and varying their speed to get a particular sound between chorus and flanger. This same sound was used in the following decades by musicians like Andy Summer of the Police or David Gilmour of Pink Floyd and many others. The Maitresse is absolutely silent and respects the original sound of your instrument thanks to its bypass system which allows for no frequency loss and no noise on switch-on. Feedback: sets the amount of feedback, up to the oscillation. Depth: sets the depth of the effect. Rate: sets the speed of the flanger.

Guitarists need to be able to get out of the mix and back in easily. As the name implies, the QBoost is a semi-parametric booster that allows the musician to precisely choose the frequency to boost in order to bring out the guitar, or to push a preamp with certain frequencies. The frequency range of the QBoost's unique filter is similar to that of a wah-wah. Boost midrange frequencies for an incisive sound, push a preamp with specific frequencies, or keep the pedal on at all times for a custom sound... With the QBoost.

The Synister is a powerful metal distortion pedal. Thanks to Foxgear's innovative distortion circuitry and Class-A FET, the Synister is capable of incredible levels of gain. However, it can keep your sound very precise even in the lower frequencies. The Synister generates amp-like distortion that easily reaches rich harmonics. With the Synister's EQ, musicians can quickly create their own metal sound, from a brown" sound to extreme metal sounds, the Synister delivers it all!"

DARK SIDE WORKSTATION pedal, fuzz/phaser/uvibe/rotary/flanger/delay, expression pedal input (rate/feedback), metal case, dimensions: 121 x 94 x 34 mm, 9V power supply on mains adapter not included, consumption 75mA.

Keeley Eccos Delay Looper Stereo, vintage delay and stereo looper, 3 presets, tap tempo, expression pedal input, metal case

Keeley Neutrino Envelope FilterAutomatic envelope and wah filter with filter selector, metal case, dimensions: 112 x 60 x 31 mm, 9V battery or power supply not included.

FILAMENTS pedal, hi-gain overdrive/distortion, 100% analog, metal case, dimensions: 112 x 60 x 31 mm, 9-18V power supply on AC adapter not included, consumption 10mA.

COMPRESSOR PLUS X pedal, limited series, compressor and expander/sustainer, metal case, dimensions: 112 x 60 x 31 mm, 9V power supply on battery or power supply unit not included, 10mA consumption.

Three digital effects: Chorus, Delay and Reverb; turn the knobs to get the perfect sound effects you want.The NOTCH function is used to control feedback noise; the AUX functions allow connection to a playback device such as a smartphone or MP3 player.An external mixer or sound console can be connected via the XLR or 6.35 mm output.After setting the tone controls, you can easily switch to a brighter sound by operating the NORMAL/BRIGHT footswitch.The multi-effects guitar pedal is portable in size and compact in design, making it convenient for the guitarist to carry.

Fuzzy Bear Fuzz, for a smooth vintage fuzz soundAll-metal shellVery small and exquisiteTrue bypass

Based on a classic 1970s analog circuit, the Wave Machine offers a rich, shimmering chorus that you've heard on hundreds of classic tracks over the past 40 years.We've added a level control so you can dial in the perfect amount of effect to your dry signal offering endless possibilities from a subtle watery sheen to a psychedelic vibrato.Great on a clean sound or ideal for adding a rich glow to distorted sounds!

Echosmos is a vintage sounding delay that brings back echoes of times past and future. Fold space and time into psychedelic oscillations and traverse the immensity of the Cosmos.The temporary Cosmos footswitch allows you to start the oscillations whose intensity is controlled by the Cosmos button (as it happens) ...... while the Drypass function allows you to choose whether your dry sound goes into the oscillations or bypasses the repeat circuit completely. 

After the success of the effect pedals, the popular Boss TU-3 joins the ranks of the noble Waza Craft pedals. Optically, the TU-3W with its elegant black casing and bright blue lighting sets noble accents, while under the bonnet, optimized pitch recognition allows for even more precise tuning processes. In addition, the BOSS TU-3W is equipped with an integrated signal buffer that convinces with its high quality and does not distort the sound. The buffer can also be deactivated via a switch on the rear panel, so that the pedal operates in true bypass mode.

Dunlop Manufacturing, Inc. is a small, family-owned company founded in 1965 that has since grown to become a leading manufacturer of electronic effects, picks, capos, sliders, strings and other musical instrument accessories. The Dunlop family of brands includes the MXR pedals.The Dyna Comp compressor sound is arguably one of the most iconic compression sounds in modern music history and is now available in a bass-friendly form. Specifically designed for bassists and housed in the MXR mini pedal format, the M282 offers quiet operation, superior transparency and increased dynamic range, with all the controls you need to shape your compressed sound, as well as an attack switch that allows you to toggle between a vintage-style slow attack time and a modern-style fast attack time.Like all MXR pedals, it comes in a rugged road case and features true-bypass switching to preserve the integrity of your signal when the effect is off.