Fuel Tank Junior is a lean, mean power supply that will handle virtually any 9-Volt effects pedal – and then some. It features 5 isolated outputs that deliver clean, quiet power to your pedals. And it’s switchable between 115 and 230V, so you can use it worldwide. Don’t let the compact size of this unit fool you – Fuel Tank Junior is a real powerhouse!  

Fuzz hybrid Ge/Si with vintage accents but with a resolutely modern design. Handmade in France. Discover the sound of the Old School in this video demonstration. The full version is available on the YouTube Overdrive Family channel. 

The TC Electronic multiband compression pedal has a built-in Vintage and TonePrints compressor mode   

The Carbon Copy Mini delivers a warm analog delay and is very easy to use. Well known to guitarists in its original version, the Mini also features a Mod button to simulate a tape echo and a Bright switch to make the repeats brighter for a more punchy mix.   

In line! Like its big brother the Pedalboard, the Gigboard HeadRush has an all-metal construction for extra strength and durability, but in a smaller size for even greater mobility. On the navigation side, this high-end guitar processor features 4 front foot switches with oLed displays, a state-of-the-art 7-inch touch screen, and an encoder button to scroll through menu options or adjust values, not to mention the main volume control. The creativity toolbox. The Gigboard comes with a generous supply of effects models of all kinds, modern or classic vintage amps, cabinets of various sizes and dimensions, and microphones, each one more mythical than the last. It is also possible to load third-party impulse response files for even more possibilities. In addition to this inexhaustible source of tools for creating powerful sound textures, the Gigboard also offers flagship features including instant and seamless preset switching with preservation of the end of the current reverb or delay, and a looper mode that allows up to 20 minutes of recording time. Exemplary navigation. Once you're at the controls of the Gigboard, you'll be amazed at its efficiency! The touch screen is a must when you need to create a custom configuration, add an amplifier, speaker or effect, and position them in the signal chain so you can instantly take advantage of the changes you make to your sound before saving it to your favorite setlist. Finally, the Pedalboard offers a hands-free mode for fine-tuning your settings from footswitches and/or an optional expression pedal (sold separately). Natural integration. Let's take a quick tour of the connections available on the back panel of this jewel of technology. From left to right, you have a jack input for connecting your guitar, a 3.5mm minijack auxiliary input for connecting an external audio device, an input for connecting an expression pedal, and a second for an expression pedal switch. On the output side, the footswitch has two 6.35 mm jack outputs, one output for an external amplifier pedal and one 6.35 mm jack headphone output. Finally, for the most demanding guitarists, the Gigboard features two 1/4" stereo send/return jacks for inserting your external pedals into the signal chain, and a 5-pin Midi input/output for linking to any compatible Midi device. Finally, the USB port allows connection to a Mac/Pc computer for data transfer, importing new sound packs, loading IR files or updating internal software. You can also use the USB connection to turn your Gigboard into a true 24-bit/96kHz sound card with recording or reamplification capabilities.

ECHOSEX 2 is the reissue of the Gurus Amps of the legendary BINSON ECHOREC. This echo pedal is known worldwide and made famous by artists like Pink Floyd.

Available in 1 week to 10 days Free delivery in Europe Testable at the shop in Montreuil

Emulate Fender, Marshall, Mesa Boogie, etc. amps and effects without having to move around and put a mic on a real amp. Ideal for the studio: recording, demos.  

Exceptional Pitch Shifter with Studio-Grade Algorithms, 4 Octave Dual Voices and Groundbreaking MASH Footswitch

Analog phaser effect pedal from Seymour Duncan, model Polaron Phase Shifter.

The Blue Label series has been specially developed in collaboration with studio guitarists, for guitarists! Simple to integrate into a pedalboard thanks to their compact size and the recessed jacks in the chassis, they are perfect for studio and stage guitarists. Although originally developed for guitarists, they can be used by bass players to enhance the sound of their instrument. The famous EBS OctaBass was the first effect pedal ever made by EBS in 1992, and is now available in a compact Blue Label version. This octaver is famous for its fast and precise tracking and for a fat and natural sound. When you play your instrument, it "tracks" the note you play and produces a sound one octave lower to blend with the note being played.  The Blue Label model offers new features that improve the range of note tracking with the Rank switch, which allows you to best track the notes played according to their pitch on the neck.

A tank that has 3 different output sections: 9 volt DC, 12 volt DC and 12 volt AC. Each section is isolated.   No more batteries to change. No more tangled cables to trip over. FuelTank is the perfect power supply unit for guitarists who want to focus on their performance, not their gear. Delivering 1.500 mA through ten DC plugs, FuelTank powers all your pedals – keeping you running on full power night after night. With a compact design, FuelTank fits conveniently every pedal board including the T-Rex ToneTrunk effect board. And it comes with all the cables you need to get you up and running. FuelTank delivers 1.500 mA of reliable power. Two of the ten outputs provide 12-volt power with isolated ground – one DC and the other AC, for AC pedals.

A professional pedal power supply ideal for connecting your various guitar or bass pedals to a single power supply. Easy to use and compact, it provides enough power to power up to 10 pedals without taking up space on your pedalboard. The box has 8 fully isolated and short-circuit-proof 9V inputs. It also has a 12V DC output and a 12V AC output for maximum versatility.   

A versatile preamp designed for the most demanding bassists but also suitable for all bassists thanks to its ease of use. Equipped with a 4-band equalizer with 4 selectable frequencies on the midrange and deep and bright filters. The Pure Drive is also completed by an Overdrive section which, with its volume and dedicated discs, will allow you to get saturations up to massive distortions. The Pure Drive is also a professional tuner with display and DI. All components are carefully selected to offer a superior quality product. Entirely made in Italy This case is designed and built by a bass player for bass players.

One of the first loop/delay pedals from BOSS.It combines a sampler (up to 800 ms) and a delay (50 ms to 800 ms delay). The Trig. In jack allows the delays to be synchronized with an external device with a Trig. Out jack.

Stereo Looper from EHX for guitar, bass or keys

The legendary Fuzz pedal by Electro-Harmonix : the Big Muff PI

The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility. The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it.

Same silky smooth violin-like sustain and creamy tone that made the legendary 1970 Big Muff Pi famous. This little brother displays its heritage proudly. Same circuitry in a compact die-cast box.

NANO LOOPER 360 is a compact, affordable, pedal looper with 360 seconds of loop recording time and 11 storable loops!

The circuitry of the Op-Amp Big Muff – sometimes also referred to as the IC or V4 Big Muff – differs from the traditional transistor-based Big Muff circuit in that it uses operational amplifiers (op-amps) to achieve its signature sustaining distortion sound. With widely-sweeping tone controls and a character all its own, the Op-Amp Big Muff will surely be a formidable addition to your sonic arsenal.

Divine reverb for mere mortals. Down from the heavens comes the Holy Grail, a compact digital reverb guitar pedal that is priced so low thou shalt not covet thy neighbor's reverb tank any longer. The Holy Grail will make you a believer with its emulation of classic Spring reverb so faithful that even Dick Dale couldn't tell the difference. Next, get lost in the lush spaciousness of the Hall reverb and ask yourself, "how did they fit Notre Dame into such a small package?" Finally, reach enlightenment with the haunting Flerb.

Back by overwhelming demand... in a mini package! The cult classic Green Russian Big Muff first shook the ground in the mid-1990s. Since then it has been heralded by guitarists and bassists for its devastating low-end and unique sludge and sizzle. The Green Russian Big Muff creates a huge tone that is all its own, but is undeniably Big Muff.

What is it that makes a performance legend? Experience and design integrity make a legend. Since the early 1970’s, Electro-Harmonix has been designing analog delays featured on some of the greatest recordings and used by legendary musicians throughout the world. From the original Memory Man to the Deluxe Memory Man, still available today, our delays are desired instruments for the organic tones that deliver textures that define quality.The new Memory Boy carries the performance heritage for warm analog delays and modulations that made its ancestors the go to legends that remain today. With two years in design using new and refined, analog IC’s the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart.The new Memory Boy straps on the cape and flies with heritage into the search for amazing sound at a price that mere mortals can afford.

The Voodoo Lab Tremolo re-creates the buttery, seductive tone of a vintage tube amp tremolo. This is accomplished by using the same lamp and photocell assembly found in many popular vintage amps.This pedal also features a slope control which lets you adjust the feel from a traditional soothing tremolo to a hard “machine-gun” stutter. Speed and intensity controls provide a wide range to include very slow and deep sounds. A volume control lets you cut or boost the output level. Now you can add warm, mind-bending trem vibes to any amp with the most versatile tremolo available.“Nicely voiced, with very slow and very fast speeds...” -Guitar Player

Ultra thick but not roughThe feed me is a BC108 type silicon fuzz, transistor present in the Fuzz Face of the 60s.The sound is massive and very thick, but the precision of its high frequencies allows it to remain perfectly intelligible in any mix.The Feed Me is made to play without asking questions, activate it, and set the beast free!

Utopia - band echo with warm and vintage analog delay modulation in the purest spirit of band echoes. The Utopia magnifies your sound by reproducing an Echoplex-type tape echo coupled with a customizable modulation.The pedal can be used for sublime slapback as well as for long repetitions.2 signals are worked in parallel, the input sound is preserved and then mixed with the delay effect, so you keep all the definition of your analog sound, while adding echo.

element analog spring reverbSince 2017, at Anasounds we have been challenging ourselves to offer you a reverb that reproduces the sound of the spring built into the legendary Fender Twin Reverb, a convenient way to get that unique sound without having to buy such a beast.To do so, we worked on several technologies, using dedicated digital processors, FV-1, BTDR from Belton... We tried everything! We finally came to this conclusion: there are very few 100% analog reverb solutions.

elementanalog spring reverbDepuis 2017, chez Anasounds nous nous sommes lancé le défi de vous proposer une reverb reproduisant les sonorités du ressort intégré au légendaire Fender Twin Reverb, un moyen pratique de retrouver cette sonorité unique sans pour autant acquérir un tel bestiau.Pour ce faire, nous avons travaillé sur plusieurs technologies, en passant par des processeurs numériques dédiés, des FV-1, BTDR de Belton… On a tout essayé !Nous sommes finalement arrivés à ce constat : il n’existe que très peu de solutions de reverb 100% analogique.La Brute, c’est le juste milieu, assez costaud pour offrir des shpouing à gogoet rendre fou la plupart des musiciens. Sa taille moyenne permet de l’insérer facilementsous un pedalboard, juste à côté du bloc d’alimentation ou sur la table du clavier,tout en procurant davantage d’harmoniques que son ami Le Bon.23.5 x 8.4 x 4 cm.

With 720 seconds (12 minutes) of stereo recording time on 10 independent loops and unlimited overdubbing, the compact 720 Stereo Looper provides guitarists with an intuitive tool that’s perfect for practice and live performance.

Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.

With your choice of either one or two octaves mixed with your original signal, NETHER OCTAVER can beef up even the thinnest sounding rig. You can even adjust the volume levels of octave 1 and 2 individually to dial in the perfect amount of girth. The Dry knob lets you either eliminate your input signal completely for straight synth tones, or boost it for your ultimate solo sound.

Erica Synths Fusionbox is a distinct multifunctional analogue effects unit that combines BBD chip based effects – delay, flanger, chorus – with tube overdrive in the delay output and feedback path for extra thickness of sound.Fusion Box lowpass filtering is fully adjustable from none to extreme for a really deep bass sound. A special feature, not found in other contemporary stompboxes or effect units, is the Vintage Stereo Ensemble.The Vintage Stereo Ensemble provides the classic “stereo ensemble” effect, found on many vintage synthesizers from almost any brand and make. In stereo ensemble effect, the delayed, processed and filtered sound is added back to the dry (mono) audio with inverted phase for one channel, and direct phase in the other. This gives it the distinct and unique moving character, different from that obtained with chorus effects. However, use of inverted phase in stereo field also adds certain peculiarities to watch out for. For example, when such stereo audio is played back on an older “surround” decoding sound system, ensemble effect sound may move to the rear sound channel. Also, if the output gets mixed back to mono, the effect may disappear. This also applies to mono subwoofer systems, or speakers that are placed too close. This is normal, and occurs with any similar vintage stereo ensemble processing. In this case and if such oddities are undesirable, to avoid mono mixing issues, you can choose to use only one of the output channels, or use two separate ensemble processors for left and right channels.Fusionbox has adjustable input gain, therefore it works with various sound sources – guitars, units with line level signals (synthesizers, grooveboxes, etc.) and modular synths. Footswitch allows to switch on or bypass effects making Fusionbox ideal for guitar players.

A warm and powerful overdrive inspired by the legendary Centaur and redesigned by our engineers.Still powerful and formidable, we chose to keep the original electronic structure to maximize the warmth and dynamics of the sound.Versatile overdrive, suitable for all situationsAs a boost to get your solo out of the mix, or permanently activated to gain grit and sustain.Compared to dozens of current clones, we've rebuilt the filtering and gain stages to match our vision of the Centaur. Hear the difference!

More than just a boosterWe all know the Tube Screamer, it's not like we all have one at home!We were always told that it was the best tool to boost an already crunched amp.The gain at 0, the volume at full and here we go!You break through the mix, you're on the front of the stage and you avoid drooling on the spectrum of the other instruments.There are of course other combinations and sounds to exploit from this scheme, and that's what we're going to study!Over the past several years, our team has analyzed more than 100 patterns inspired by the OD 808.With this knowledge base, we have created a new pedal, the Ego Driver.It is capable of reproducing all of these vintage sounds, and to go further by creating new ones!To achieve this it's quite simple, we focus on the saturation stage and,we reveal all the keys of its conception.Moreover, with the Ego Driver and the FX Teacher project, you will be able to create your own Tube Screamer, customize it and understand how to set it up to optimize your sound!Even more possibilitiesThe FX Teacher project allows you to go even further in your quest for sound.Indeed, you still have the easy-to-access controls on the front panel, which allow you to quickly adjust your pedal.Inside, you know our trimpots, we're big fans of them at Anasounds.They are very fine adjustments that offer a sound precision worthy of the creator.But this time, on top of all that, we added terminal blocks!They allow you to easily add and remove components with a simple screwdriver.So if you want to change a clipping diode or a filter capa, you can!It's as if in the end... you've created your own pedal!

Cerberus - the custom overdrive - the real Swiss army knife for guitaristsPowerful and flexibleYou like to change overdrives like you change shirts? Why not integrate them all in one box?It has three voicings in order to obtain extremely different grains and thus, a large sound palette, a soft and open clipping, and a warmer and sharper sound.Thanks to the three internal settings, become the architect of your sound!Years of research and prototyping to determine the common thread that links all the overdrives.We finally focused on two things:- the Anasounds voicing technology allowing to change the saturation density from a soft and creamy overdrive to a modern and sharp one.- the second point concerns compression and clipping to determine 3 saturation changing sounds, independently of the gain pot.

AC/DC high voltageAs Malcolm Young said, "Nobody would pay attention to anything that was going on until you kicked them right in the teeth with it. "It is in this spirit that the High Voltage distortion was conceived, to slam in the face of the audience. Thanks to its bass killer switch, the rhythms are powerful and they easily break through the mix! No more sticky, gain-laden distortion that spills everywhere. Only sound, dynamics and energy.With this in mind, the Anasounds team, advised by AC/DC fans, developed this new pedal. At first, the idea was to get close to a Marshall Plexi pushed to the limit, and then finally to do a frequency analysis of "It's a long way to the top (if u wanna rock'n'roll)" from the High Voltage album. The chords of the intro are so powerful, so clear and so recognizable, that it was time to get out a pedal to find their grain more easily.Don't get me wrong, with all the settings available, it's also very easy to create your own grain. But that's the spirit in which Anasounds created the High Voltage.

Ultra thick but not roughThe feed me is a BC108 type silicon fuzz, transistor present in the Fuzz Face of the 60s.The sound is massive and very thick, but the precision of its high frequencies allows it to remain perfectly intelligible in any mix.The Feed Me is made to play without asking questions, activate it, and set the beast free!

"fuzz is life"What's better than a great fuzz? Two great fuzzes, of course.The spark came from plugging the Feed Me into the prototype of a Super Fuzz, and the Bitoun Fuzz circuit was born.As Confucius wisely said to his concierge, "Fuzz is life". Few guitarists have applied this maxim with as much conviction as Julien Bitoun, famous French fuzzophile, author of the reference book "In search of the lost fuzz".Since the appearance of this magical effect at the dawn of the 60's, the quest for the ultimate fuzz has inspired many designers and musicians who were trying to achieve this precarious balance between the fluidity of the incandescent magma and the rocky sputtering of an amp that lives its last moments. Or, to put it more simply, it's not easy to find a fuzz that's both huge, brutal, musical and easy to play. Or to put it even more simply, graouh, groooou and lalala.It took Anasounds and Julien Bitoun years of research to come up with the result you're holding in your sweaty, anticipatory hands. The original idea was to make the best possible version of the Super Fuzz. Super Fuzz is the name of an Italian-American movie released in 1980 in France under the name "drôle de flic". But it's also a fantastic Japanese pedal from the late 60's that has a huge sound, wandering on the side of the ring modulator at times.The problem is that it's a very unglamorous and treacherous sound to play, between the very abrupt sustain and the unfluid gain. On top of all that, the Super Fuzz sounds very big when played alone but in a band, its pronounced midrange dip makes it very easy to disappear behind the rest of the mix.Anyway, there was a better solution to be found, and here it is: the only thing better than one excellent fuzz? Two great fuzzes.Plugging the Anasounds Feed Me into the Super Fuzz prototype was the spark, and the Bitoun Fuzz circuit was born. The Bitoun Fuzz is not a "double fuzz" in the sense of other brands, which simply put two circuits in one pedal and allow to choose between two different fuzzes. The Bitoun Fuzz combines two circuits that have been designed to work together to provide the ultimate fuzz, the one you've been looking for until now.It's time to plug the thing in. Prepare yourself psychologically, the shock can be considerable.As far as settings are concerned, you shouldn't be lost: the tone (cookies) goes from a big and deep sound to an aggressive discharge that is not to be put in all hands. The volume (tea) can severely boost your poor traumatized amp, so start with a low setting and go up very gradually.Take a deep breath and strum your first note: welcome to the wonderful world of the Bitoun Fuzz, where you'll never have to look for the fuzz of your dreams again. It's right here, at your feet. Make good use of it, because as Gandhi said to his sister-in-law, "With great fuzz comes great responsibility".

Freq up - customizable boost the ideal pedal to get out of the mixoverdrive and boostAn amp that's a little too weak? An overdrive to enhance? Do you want to get out of the mix by slamming a great solo? Loss of lines?The Freq Up is made for you, in front of your pedalboard, or your amp!2 circuits developed in-house: the first is the 2nd voicing of the cerberus, a creamy overdrive reminiscent of the tube screamer of yesteryear,the second one is a clean boost with adjustable frequencies to add the necessary gain to get out of the mix (+25 db).A simple switch on the front panel allows you to emphasize the bass, the midrange or the treble.

A new sound journeyThe harmonic tremolo is one of the rarest and most interesting effects to customize your sound.It brings a more lively movement than a simple tremolo, it doesn't have the dated character of a chorus, and it doesn't take up as much space as a delay or a reverb.Whether you're looking to add a hypnotic edge to your arpeggios or add thickness to your melody lines, the Ages offers a new perspective on modulation.Historical but misunderstoodThe harmonic tremolo exists under many names:vibrato, harmonic vibrato, harmonic tremolo, vibe, univibe, and so on.In all cases, the stated goal is the same: to cyclically vary the pitch of your notes (rather than their volume as a normal tremolo does) by shifting the phase of the bass and treble.This separation of the two frequency ranges is reminiscent of how Leslie's cabs work, and it's no accident:the first harmonic tremolos, including the Univibe or the vibrato of the Magnatone amps, were intended to reproduce the effect of the Leslie. But these references have of course imposed their own sound color,and some manufacturers have since proposed their own version.A new eraA new level of live interaction. Give the pick a big thump and the effect will know exactly how to respond to you. Shoot the spinner and trigger a tremolo explosion!Always louderThe Ages' built-in attack sensor works in two different ways: it can allow you to vary the speed or depth depending on the strength of your attack.The secondary settings allow you to adjust all parametersparameters in the finest way possible for unprecedented results:you can for example accelerate the effect on your most violent picks to emphasize the most intense parts (and the speed automatically returns to the one chosen at tap tempo), or lower the depth of the effect when you play louder so as not to drown out your rhythms.

Phase lagOrganic, psychedelic and atmospheric phaserVintage phaserThe phase lag is an organic, psychedelic, atmospheric phaser that musically encompasses and compresses the signal.The 100% analog modulation uses OTA technology for a sublime vintage sound, and a great stability of the effect!The modulation sweeps through all the frequencies of your playingA slow speed will result in a spatialization of your sound, while a faster speed will result in a vibrato.The pedal in our effects lineup with the least amount of internal controls, we wanted to create a simple phaser.The phase lag offers 100% analog modulation using OTA technology, for a beautiful vintage sound and stability of the effect.Play around with the two front panel controls to hypnotize the crowd!

Lazy comp - optical compressordiscover a subtle blend of compression and dynamicsyet another compressor ?Are you tired of spending hours fiddling with thresholds, ratios, attacks, releases...?We wondered if it was possible to combine compression, dynamics and harmonics in one box with few settings, and the Lazy Comp was born. The Lazy Comp is an optical compressor, fully customizable.On the front panel, a single setting: the mix (dry/wet), it manages the mix between the clean sound and the compressed soundThe lazy side of the pedal refers to the fact that it's a plug&play compressor, you just have to turn the mix knob to find your happiness.Despite its simple appearance, this high quality analog compressor contains a very specific circuitry that delivers a natural compression, and preserves the dynamics necessary for a warm and powerful sound.The sound entering the Lazy Comp is duplicated in two branches: "clean" and "comp".- The mixture of the two is controlled by the blend potentiometer- The "comp" is preceded by an analog preamp, ideal for a warm sound and for piercing the mix- The compression is optical

Bumper - buffer - the guardian angel of your pedalboardPlace this mini pedal directly after your guitar to never be bothered by line loss again.And adapt, without difficulty, the resonance peak of your pickups.Small but effective So small that it fits in the palm of your hand, place it directly after your guitar to recover the purity of your sound.The little extra? A switch that allows you to adjust the pickups of your guitar.Indispensable on most pedalboards, it allows you to :- cancel line losses (jacks, patches, true bypass...)- to keep the dynamics, the harmonics and the highs of your signal- to adapt the impedances between each pedal

Utopia - band echo with warm and vintage analog delay modulation in the purest spirit of band echoes. The Utopia magnifies your sound by reproducing an Echoplex-type tape echo coupled with a customizable modulation.The pedal can be used for sublime slapback as well as for long repetitions.2 signals are worked in parallel, the input sound is preserved and then mixed with the delay effect, so you keep all the definition of your analog sound, while adding echo.

elementanalog spring reverbDepuis 2017, chez Anasounds nous nous sommes lancé le défi de vous proposer une reverb reproduisant les sonorités du ressort intégré au légendaire Fender Twin Reverb, un moyen pratique de retrouver cette sonorité unique sans pour autant acquérir un tel bestiau.Pour ce faire, nous avons travaillé sur plusieurs technologies, en passant par des processeurs numériques dédiés, des FV-1, BTDR de Belton… On a tout essayé !Nous sommes finalement arrivés à ce constat : il n’existe que très peu de solutions de reverb 100% analogique.La Brute, c’est le juste milieu, assez costaud pour offrir des shpouing à gogoet rendre fou la plupart des musiciens. Sa taille moyenne permet de l’insérer facilementsous un pedalboard, juste à côté du bloc d’alimentation ou sur la table du clavier,tout en procurant davantage d’harmoniques que son ami Le Bon.23.5 x 8.4 x 4 cm.

element analog spring reverbSince 2017, at Anasounds we have been challenging ourselves to offer you a reverb that reproduces the sound of the spring built into the legendary Fender Twin Reverb, a convenient way to get that unique sound without having to buy such a beast.To do so, we worked on several technologies, using dedicated digital processors, FV-1, BTDR from Belton... We tried everything! We finally came to this conclusion: there are very few 100% analog reverb solutions.

Back to the rootsSince 2017, we at Anasounds have set ourselves the challenge of offering you a reverb that reproduces the sounds of the spring built into the legendary Fender Twin Reverb, a practical way to find this unique sound without acquiring such a beast. To do this, we worked on several technologies, using dedicated digital processors, FV-1, BTDR from Belton... We tried everything!We finally came to this conclusion: there are very few 100% analog reverb solutions.We were surprised to see that this exceptional combination was very little exploited. The few competitors who have tried to do so have not gone to the end of the concept and propose big boxes with rather rudimentary settings. It is thus with the aim of improving this state of the art that we continued our research to propose a new way to approach the spring reverb. A Twin Reverb in a pedal and much more...And so the Element Spring Reverb was born!The Element is a pedal that takes the essence of the analog of the analog reverb, the one that is obtained by physically stimulating by physically stimulating springs with the guitar signal. Simply put. No tricks. No calculations. Beautiful mechanics coupled with analog signal processing.several sound worldsThe Element is a pedal that takes up the very essence of the of the analog reverb, the one that is obtained by physically stimulating by physically stimulating the springs with the guitar signal. Quite simply. Without artifice. No calculations.Beautiful mechanics coupled with analog signal processing.Guitar sideBack to the 60's, Californian beach, surf, guitar, mix pushed to the limit,a few notes in a loop followed by anthology riffs. That's the promise we make to you. From Dick Dale to David Gilmour to Bob Marley.Even ambient fans will put away their shimmers when they realize the richness of the sound the spring allows! Sexy and responsive layers, exhilarating shpouing, a mix that is both discreet and delightful.Synth sideA Moog, an Arturia or anything else you can think of, a good raw sequence and this reverb will round off the angles, give your sound some breadth and bring a good dose of harmonics.Turning it off would be a crime! New plug-inThis is a standard pedal, the same size as all Anasounds pedals. You can attach it to your pedalboard with velcro.It has an input jack, an output jack and a 9V power jack. So far, nothing new!What it does have is a mini jack cable that plugs into the back of the pedal. This one will connect on the other side in rca to a box full of springs that we call a tank. This tank is essential because it is the one that allows to generate a reverb effect in an analog way. Compared to other spring reverbs that use huge boxes, the tank is detached from the pedal, offset and connected by a cable. The tank can be hidden under the pedalboard or kept on top, it's up to you! Self-drilling mounting screws are provided with the tank to allow you to mount the tank anywhere on the pedalboard.

Back to the rootsSince 2017, we at Anasounds have set ourselves the challenge of offering you a reverb that reproduces the sounds of the spring built into the legendary Fender Twin Reverb, a practical way to find this unique sound without acquiring such a beast. To do this, we worked on several technologies, using dedicated digital processors, FV-1, BTDR from Belton... We tried everything!We finally came to this conclusion: there are very few 100% analog reverb solutions.We were surprised to see that this exceptional combination was very little exploited. The few competitors who have tried to do so have not gone to the end of the concept and propose big boxes with rather rudimentary settings. It is thus with the aim of improving this state of the art that we continued our research to propose a new way to approach the spring reverb. A Twin Reverb in a pedal and much more...And so the Element Spring Reverb was born!The Element is a pedal that takes the essence of the analog of the analog reverb, the one that is obtained by physically stimulating by physically stimulating springs with the guitar signal. Simply put. No tricks. No calculations. Beautiful mechanics coupled with analog signal processing.several sound worldsThe Element is a pedal that takes up the very essence of the of the analog reverb, the one that is obtained by physically stimulating by physically stimulating the springs with the guitar signal. Quite simply. Without artifice. No calculations.Beautiful mechanics coupled with analog signal processing.Guitar sideBack to the 60's, Californian beach, surf, guitar, mix pushed to the limit,a few notes in a loop followed by anthology riffs. That's the promise we make to you. From Dick Dale to David Gilmour to Bob Marley.Even ambient fans will put away their shimmers when they realize the richness of the sound the spring allows! Sexy and responsive layers, exhilarating shpouing, a mix that is both discreet and delightful.Synth sideA Moog, an Arturia or anything else you can think of, a good raw sequence and this reverb will round off the angles, give your sound some breadth and bring a good dose of harmonics.Turning it off would be a crime! New plug-inThis is a standard pedal, the same size as all Anasounds pedals. You can attach it to your pedalboard with velcro.It has an input jack, an output jack and a 9V power jack. So far, nothing new!What it does have is a mini jack cable that plugs into the back of the pedal. This one will connect on the other side in rca to a box full of springs that we call a tank. This tank is essential because it is the one that allows to generate a reverb effect in an analog way. Compared to other spring reverbs that use huge boxes, the tank is detached from the pedal, offset and connected by a cable. The tank can be hidden under the pedalboard or kept on top, it's up to you! Self-drilling mounting screws are provided with the tank to allow you to mount the tank anywhere on the pedalboard.

Back to the rootsSince 2017, we at Anasounds have set ourselves the challenge of offering you a reverb that reproduces the sounds of the spring built into the legendary Fender Twin Reverb, a practical way to find this unique sound without acquiring such a beast. To do this, we worked on several technologies, using dedicated digital processors, FV-1, BTDR from Belton... We tried everything!We finally came to this conclusion: there are very few 100% analog reverb solutions.We were surprised to see that this exceptional combination was very little exploited. The few competitors who have tried to do so have not gone to the end of the concept and propose big boxes with rather rudimentary settings. It is thus with the aim of improving this state of the art that we continued our research to propose a new way to approach the spring reverb. A Twin Reverb in a pedal and much more...Thus was born the Element Spring Reverb!The Element is a pedal that takes the essence of analog reverb, the one that is obtained by physically stimulating springs with the guitar signal. Simply put. No tricks. No calculations. Beautiful mechanics coupled with analog signal processing.several sound worldsThe Element is a pedal that takes the essence of analog reverb, the one that is obtained by physically stimulating springs with the guitar signal. Quite simply. No tricks. No calculations.Beautiful mechanics coupled with analog signal processing.Guitar sideBack to the 60's, Californian beach, surf, guitar, mix pushed to the limit,a few notes in a loop followed by anthology riffs. That's the promise we make to you. From Dick Dale to David Gilmour to Bob Marley.Even ambient fans will put away their shimmers when they realize the richness of the sound the spring allows! Sexy and responsive layers, exhilarating shpouing, a mix that is both discreet and delightful.Synth sideA Moog, an Arturia or anything else you can get your hands on, a good raw sequence and this reverb will round off the angles, give your sound some breadth and bring a good dose of harmonics.Turning it off would be a crime! New plug-inThis is a standard pedal, the same size as all Anasounds pedals. You can mount it on your pedalboard with velcro.It has an input jack, an output jack and a 9V power jack. So far, nothing new!What it does have is a mini jack cable that plugs into the back of the pedal. This one will connect on the other side in rca to a box full of springs that we call a tank. This tank is essential because it is the one that allows to generate a reverb effect in an analog way. Compared to other spring reverbs that use huge boxes, the tank is detached from the pedal, offset and connected by a cable. The tank can be hidden under the pedalboard or kept on top, it's up to you! Self-drilling mounting screws are provided with the tank to allow you to mount the tank anywhere on the pedalboard.what is included in this bundle1 element pedal1 mini jack to rca cablethe 3 tanks, le bon, la brute and le truand!6 self drilled screws to let you screwup your tank under your pedalboardthis pack was designed for people who don’t want to choose between tanks.also it’s a nice opportunity to put spring tanks everywhere in your rig!presentationthe element is a pedal that takes back the very essence of the analogue reverb,which is obtained by physically stimulating springs thanks to the guitar signal.simply. no artificials. no calculations.from beautiful mechanical coupled to analog signal processing.how to use itit’s still a classic pedal, same size as all of our other pedals.you scratch it (or not) on the pedalboard.it always has an input jack, an output jack and a 9V power jack.nothing new so far!what’s more? there’s a mini jack to plug on the back of the pedal.then, it will be connected to the box full of springs (called a tank) via rca connectors.this tank is mandatory because it is the one that allows to generate an analog effect of reverb.

The Good, is the smallest of them all, small in size but resourceful. It's more than enough for most guitar-in-hand uses and will save so much space that you can leave it attached to the top of the pedalboard, while admiring the beauty of the moving springs!top of the pedalboard, while admiring the beauty of the springs in motion!This simply inimitable feature (well ok there must be 2-3 digital simulations, but still) is only possible with this analog technology.Be careful not to shoot in it all the time, the audience will quickly migrate to the bar.Moreover, rubber pads are provided with the tank in order to fix it well and to calm down the interference caused by the drummers brutalizing their bass drums, as if they had something to answer for.

La Brute is the middle ground, strong enough to offer shpouing galoreand drive most musicians crazy. Its medium size allows it to be easily inserted under a pedalboard, right next to the power supply or on the keyboard table, while providing more harmonics than its friend Le Bon.This simply inimitable feature (well ok there must be 2-3 digital simulations, but still) is only possible with this analog technology.Be careful not to shoot in it all the time, the audience will quickly migrate to the bar.Moreover, rubber pads are provided with the tank in order to fix it well and to calm down the interference caused by the drummers brutalizing their bass drums, as if they had something to answer for.

Le Truand, is simply out of the competition! It is the one that offers the richest sound, endless shpouingwingwigouing. A monstrous cavity and an extraordinary chest. You will have to find a place for it not far from the amp or next to the pedalboard because it is really out of gauge. It is the favorite of the team on the sound level. That's why we decided to propose it despite its imposing size.This simply inimitable feature (well ok there must be 2-3 digital simulations, but still) is only possible with this analog technology.Be careful not to shoot in it all the time, the audience will quickly migrate to the bar.Moreover, rubber pads are provided with the tank in order to fix it well and to calm down the interference caused by the drummers brutalizing their bass drums, as if they had something to answer for.

AC/DC high voltageAs Malcolm Young said, "Nobody would pay attention to anything that was going on until you kicked them right in the teeth with it. "It is in this spirit that the High Voltage distortion was conceived, to slam in the face of the audience. Thanks to its bass killer switch, the rhythms are powerful and they easily break through the mix! No more sticky, gain-laden distortion that spills everywhere. Only sound, dynamics and energy.With this in mind, the Anasounds team, advised by AC/DC fans, developed this new pedal. At first, the idea was to get close to a Marshall Plexi pushed to the limit, and then finally to do a frequency analysis of "It's a long way to the top (if u wanna rock'n'roll)" from the High Voltage album. The chords of the intro are so powerful, so clear and so recognizable, that it was time to get out a pedal to find their grain more easily.Don't get me wrong, with all the settings available, it's also very easy to create your own grain. But that's the spirit in which Anasounds created the High Voltage.

Express yourself at last!Until now, to extend the range of your effects, you could have added a tap tempo footswitch or an expression pedal. But in reality, what we used to call an expression pedal was just a control pedal which is exactly the same as turning a pot with your foot. Convenient, yes, but not very creative.With the Spinner, here is the first expression pedal worthy of the name.Quiet on the SpinnerThe very existence of the classic expression pedal comes from a very simple fact: when you have both hands busy with a guitar, it's very complicated to change its settings. How many of us have found ourselves impatiently waiting for the next silence to act on a button? In these situations, a foot pedal is invaluable, and pedal manufacturers have understood this from the 1969 Uni-Vibe with its pedal to the Line 6 Helix with its three pedal controls.But until now, no one has designed a pedal that really extends the possibilities of the main effect and allows for artistic expression.So here is the Spinner.A new kind of expression pedalThe idea came to us while working on the Ages pedal, as we were looking for ways to make the simple tremolo effect more lively and exciting. It took us months of research to come up with the magnetic system we used, and a close collaboration with a craftsman from Nice to make the custom metal part. The principle of the Spinner is as follows: the three-bladed boomerang-like metal star is mounted on a screw inspired by skateboard wheels. It has a magnet under each blade which the sensor detects and transmits the speed of rotation to the circuit. Thus, when you kick the star, the effect is affected according to a mode that you have previously chosen via the switch at the back (placed here so that it is not in the way of your foot!).Always under controlYou can choose to accelerate the speed of the effect until the spinner stops spinning, at which point the speed reverts to the speed you set with your classic tap tempo. You can also choose to slow down the effect in the same way. Finally, a killswitch mode allows you to cut the sound at the speed of the spinner. In the first two modes, you can even hit the star while your main pedal is off, and the Spinner will engage the effect in a punctual way until it stops spinning. Got a chord at the end of a bridge and looking to give it some drama? A good harmonic tremolo hit that goes off at full speed and stops dead should do the trick! Of course, as long as the spinner's rotation is the source of expression, you can stop it with your foot to stop the effect or return to your original speed. You can also put a magnet on the Magnet slot and make the Spinner slow down faster: its action then becomes shorter in time, and you don't have to stop it with the foot for specific passages.There are no buttons on the surface to avoid accidents, but you just have to open the pedal to control the three useful parameters via trimpots: the speed threshold at which you activate the effect if it was off, the threshold at which you deactivate this same effect and the acceleration or deceleration rate of the effect.This is just the beginningFor the moment the Spinner is compatible with our tremolo pedal and the Ages harmonic tremolo pedal, and it expands their possibilities to the point that it becomes their inseparable companion. But you know Anasounds, there are likely to be more compatible effects coming out in the future, Once you discover the pleasures of the Spinner, you'll probably want to use it on all your pedals!

Always on timeOur new tremolo range and our upcoming time pedals include this tap tempo feature. For those of you who regularly change tempo and prefer to feel it with your foot instead of the pot, you've been asking us for this feature many times and it's finally here.More simpleFrom the pedal itself, you can tap the tempo thanks to the left footswitch. But sometimes depending on the location of the pedal in question in the pedalboard, this pedal is on the 2nd row and it is not necessarily practical to use a tap tempo so far away. Or sometimes, some people wear size 46 and risk to press the 2 footswitches at the same time.More practicalIt was inconceivable for us to increase the size of the pedal because of this function. So we thought it would be more interesting to propose to those who want to do otherwise, to add this little accessory! It can be placed anywhere on the pedalboard. The footswitch is momentary so no "clack" during the tap.Immediate connectionTo use it, open your pedal and deactivate the Spinner mode to privilege the Tap playback. Connect the 2 instruments using the 3.5mm jack provided with the Tap. The Tap and the pedal communicate with each other freely thanks to our connectivity.All that's left to do is enjoy!

Enjoy reliable performance without batteries with the D'Addario 9 Volt AC-DC Adapter. This adapter converts AC power from an outlet to 9V DC to power most instrument pedals and other devices with a 9V battery. The power supply with negative hot spot and positive ground can power all your most power-hungry devices up to 500 mA. 

In line! Like its big brother the Pedalboard, the Gigboard HeadRush has an all-metal construction for extra strength and durability, but in a smaller size for even greater mobility. On the navigation side, this high-end guitar processor features 4 front foot switches with oLed displays, a state-of-the-art 7-inch touch screen, and an encoder button to scroll through menu options or adjust values, not to mention the main volume control. The creativity toolbox. The Gigboard comes with a generous supply of effects models of all kinds, modern or classic vintage amps, cabinets of various sizes and dimensions, and microphones, each one more mythical than the last. It is also possible to load third-party impulse response files for even more possibilities. In addition to this inexhaustible source of tools for creating powerful sound textures, the Gigboard also offers flagship features including instant and seamless preset switching with preservation of the end of the current reverb or delay, and a looper mode that allows up to 20 minutes of recording time. Exemplary navigation. Once you're at the controls of the Gigboard, you'll be amazed at its efficiency! The touch screen is a must when you need to create a custom configuration, add an amplifier, speaker or effect, and position them in the signal chain so you can instantly take advantage of the changes you make to your sound before saving it to your favorite setlist. Finally, the Pedalboard offers a hands-free mode for fine-tuning your settings from footswitches and/or an optional expression pedal (sold separately). Natural integration. Let's take a quick tour of the connections available on the back panel of this jewel of technology. From left to right, you have a jack input for connecting your guitar, a 3.5mm minijack auxiliary input for connecting an external audio device, an input for connecting an expression pedal, and a second for an expression pedal switch. On the output side, the footswitch has two 6.35 mm jack outputs, one output for an external amplifier pedal and one 6.35 mm jack headphone output. Finally, for the most demanding guitarists, the Gigboard features two 1/4" stereo send/return jacks for inserting your external pedals into the signal chain, and a 5-pin Midi input/output for linking to any compatible Midi device. Finally, the USB port allows connection to a Mac/Pc computer for data transfer, importing new sound packs, loading IR files or updating internal software. You can also use the USB connection to turn your Gigboard into a true 24-bit/96kHz sound card with recording or reamplification capabilities.

The PRO CO RAT 2 is a high quality distortion/fuzz pedal with a strong personality and a reasonable budget.If you're looking for a radically different sound, a distortion sound you've never heard before, the PRO CO Rat 2 is a very versatile pedal with a range of sounds from big distortion to simple overdrive and even a fuzz sound. Just three controls, disto, filter and volume, allow you to control the amount of overdrive, tone and presence without loss of treble and with a very punchy output volume.

InformationLoops are very popular in the guitar world. To meet the demand, Roland has developed the RC-300 Loop Station. This loop pedalboard has three synchronized stereo tracks, each with its own volume fader. In addition, the RC-300 features professional effects, an expanded control panel, and an expression pedal.Boss RC-300: ApplicationsThis pedalboard is perfect for guitarists, bassists, keyboardists and other musicians. With an XLR input, the RC-300 also meets the needs of singers, rappers and percussionists. Its internal memory allows you to record 3 hours of audio material, which can be modified at will with the numerous effects available. As a bonus, there is a USB port that allows you to record your loops to a computer. to record your loops on a device or even import WAV files.Internal effects and possibilitiesThe RC-300 features 300 effects such as modulation, phaser, flanger, transposition and vocal effects. These can be turned on or off via the Loop FX pedal. The Rec/Play and Stop pedals allow you to start and stop recording. Finally, the All Start/Stop pedal is used to start or stop all three tracks at the same time.Even more options!To help you keep the beat, the RC-300 Loop Station features a metronome that beats a rhythm while you record. Whether you're into pop, rock, Latin, hiphop or any other style of music, the RC-300 has a beat for every taste. Finally, the Loop Quantize function allows you to edit your loops. Creating and editing loops will never be the same with the RC-300 loop pedalboard!

The TRIO + is an easy-to-use guitar pedal that listens to how you play and automatically generates bass and drum parts that match your song. Simply plug your guitar into the TRIO +, press the band footswitch to teach the TRIO + your chords and rhythm, then press the band footswitch again to start playing with your own band! Bass and drum levels can be adjusted for the perfect mix using the TRIO +'s Bass and Drum buttons. The TRIO + also features a Simple Bass button that allows you to select 3 bass line modes for busy or single bass lines. 

Unique TonePrint compatible flanger pedal with 2 built-in flanger modes, Deep Control and stereo I/O

Folk guitar from Naderman.

You're going to need help to try and stop the unleashing of this infinite wall of fuzz! This circuit explodes the nastiest distortion to make you the master of the fuzz universe! This pedal has a hand-painted enclosure that packs in plenty of components and sound to give you a high-tech fuzz mutilator at a punk price! With only 3 settings, it can create a multitude of fuzz, boost, overdrive and distortion sounds. Listen for yourself and you'll understand, this is the biggest fuzz pedal we've ever heard!

In coming up with the Futura concept, Foxgear engineers drew on the lessons and successes of their research and development on the brand's previous models to create a pedal whose heart is focused on an ambient sound." The Futura's impressive ambience comes from its ability to make repeats disappear while you play. The Futura combines 3 circuits to create a reverb AND a delay that can be mixed as desired, and allow for a slapback echo with reverb, for example, or to be able to play an arpeggio without having to change settings."

The Knee Trembler is a unique LFO tremolo pedal designed in direct collaboration with Guy Pratt of Pink Floyd, perfect for his famous intro on One of These Days", especially when paired with an Echosex Baby. If you miss the amps that were made with a tremolo, you'll love the Knee Trembler. It can be as soft or as incisive as you like. And to be true to the excellence of Foxgear pedals, it's absolutely transparent and noise-free."

The Kolt 45 is a powerful guitar amp in an ultra-portable pedal format. It produces 45 true RMS watts into 4 Ohms with sensitive treble, midrange and bass controls, as well as volume, all in an ultra-compact case that fits in your pocket. Just plug your guitar into the input and your cabinet into the output and prepare to be surprised by its clear, rich sound, with enough power for practice, rehearsal and live performance.

A reissue of the 60's analog flanger sound, the Maitresse is an analog flanger pedal built around the MN3207 like the old Electric Mistress. It takes its inspiration from the 60's where the flanger effect was created by music pioneers like Les Paul or Jimi Hendrix, using tapes and varying their speed to get a particular sound between chorus and flanger. This same sound was used in the following decades by musicians like Andy Summer of the Police or David Gilmour of Pink Floyd and many others. The Maitresse is absolutely silent and respects the original sound of your instrument thanks to its bypass system which allows for no frequency loss and no noise on switch-on. Feedback: sets the amount of feedback, up to the oscillation. Depth: sets the depth of the effect. Rate: sets the speed of the flanger.

Guitarists need to be able to get out of the mix and back in easily. As the name implies, the QBoost is a semi-parametric booster that allows the musician to precisely choose the frequency to boost in order to bring out the guitar, or to push a preamp with certain frequencies. The frequency range of the QBoost's unique filter is similar to that of a wah-wah. Boost midrange frequencies for an incisive sound, push a preamp with specific frequencies, or keep the pedal on at all times for a custom sound... With the QBoost.

The Synister is a powerful metal distortion pedal. Thanks to Foxgear's innovative distortion circuitry and Class-A FET, the Synister is capable of incredible levels of gain. However, it can keep your sound very precise even in the lower frequencies. The Synister generates amp-like distortion that easily reaches rich harmonics. With the Synister's EQ, musicians can quickly create their own metal sound, from a brown" sound to extreme metal sounds, the Synister delivers it all!"

DARK SIDE WORKSTATION pedal, fuzz/phaser/uvibe/rotary/flanger/delay, expression pedal input (rate/feedback), metal case, dimensions: 121 x 94 x 34 mm, 9V power supply on mains adapter not included, consumption 75mA.

Keeley Eccos Delay Looper Stereo, vintage delay and stereo looper, 3 presets, tap tempo, expression pedal input, metal case

Keeley Neutrino Envelope FilterAutomatic envelope and wah filter with filter selector, metal case, dimensions: 112 x 60 x 31 mm, 9V battery or power supply not included.

FILAMENTS pedal, hi-gain overdrive/distortion, 100% analog, metal case, dimensions: 112 x 60 x 31 mm, 9-18V power supply on AC adapter not included, consumption 10mA.

COMPRESSOR PLUS X pedal, limited series, compressor and expander/sustainer, metal case, dimensions: 112 x 60 x 31 mm, 9V power supply on battery or power supply unit not included, 10mA consumption.

The blueSky from Strymon is a new kind of reverb... The ultimate kind! Ultra complete, it has become in a few months one of the references of the genre. The blueSky allows you to choose between 3 types of reverb. There is a Plate, a Room and a Spring. Each of these reverbs can benefit from one of the 3 available modes. Namely, the normal mode with which the effect is standard and unmodified, the modulation mode which allows you to add a slight chorus effect to gain depth and spacialization. And finally the shimmer mode which is a "regenerative" pitch shifter / octaveur. This last mode will take you straight to the soaring sounds like U2, Pink Floyd etc... The pedal has a depth control, a 100% analog m