The Rubix22 sound card offers the perfect balance of high-fidelity sound, ruggedness, compact size, affordability, and critical features for musicians and home studios new to 2-way stereo or 2-way with line-in quality mic preamps or high impedance guitar/vocals. Analog jack or XLR input, digital outputs to Mac, PC or iPAd in high resolution 24-bit / 192 kHz. Roland offers clear sound with extremely low noise in a shielded enclosure. The ideal portable studio for 2 mono instruments at a time, or voice/guitar, etc. An alternative to Focusrite Scarlet cards with the manufacturer of Roland's legendary synthesizers. 24-month manufacturer's warranty. Comes with Ableton Live Lite software (scratch card) and USB cable.

The UltraLite-mk5 incorporates the renowned ESS Sabre32™ DAC technology, along with the ES9026PRO DAC, to deliver a measured dynamic range of 125dB and THD+N of -114dB. Renowned drivers deliver rock-solid performance and industry-leading low latency

Get the audible sound signature thanks to console-based microphone preamps and high quality conversion

The Roland FANTOM is a powerful and impressive synthesizer workstation with sequencer, sampler, audio interface and extensive synthesizer functions. In the generously sized and expandable sound memory, Roland has literally immortalized a best-of 40 years of synthesizer history and integrated its high-quality V-Piano for all keyboard virtuosos. In addition to multiple synthesis technologies that can be used simultaneously, you can keep in mind that the FANTOM's analog multi-mode filter can be the icing on the cake for some sounds. The sequencer offers real-time sequencing, TR/step sequencing and a clip sequencer. OneShots and loops can be playfully triggered via the sampler pads and integrated into your own creations.Another highlight of the FANTOM are the scene memorieswhich are organized in four banks with 128 memory locations each. They act as fast creative memories and hold everything you work on. Whether it's a handful of patterns, a song you've started, a sound you're creating, various settings related to your current project in the audio workstation, or all of the above, handwritten notes and "it has to stay on because I can't save it" are a thing of the past.Anyone who has worked with Roland instruments will quickly notice that the operation has been redesigned and leads to faster results, not only because of the neat interface but also because of the Fantom's very intuitive menu navigation.Sounds and synthesisRoland has gone all out with the FANTOM, equipping its flagship product with over 3500 sounds and over 90 drum kits, as well as the very avant-garde V-Piano. Strings, organ, piano, guitar, brass, choir, wind instruments and more: the FANTOM's selection is simply outstanding!The typical Roland sound architecture has been retained in that each sound can be composed of four parts. However, the FANTOM's Parts correspond to a complete and extended synthesizer voice with its own oscillator and filter models, envelopes, modulation assignments and, of course, its own volume and panning controls. There is also a dual LFO for each of the four parts, which not only has the usual waveforms, with and without BPM sync, but you can also create your own waveforms by hand. We calculate: 16 tracks with up to 8 LFOs per sound; 128 LFOs simultaneously! If you like to create new sounds from scratch, this is the source of all modulation ideas.The new and extended architecture allows you to create sounds according to the modular principle: take for example the SuperSaw oscillator (known from the JP-8000) and combine it with the Juno filter; what was previously reserved for modularists, you get here in a storable way! Different synthesis technologies can be defined for each sound and each part, so there's nothing to stop a layered sound of roaring organ, delay-wrapped bells and crisp bass.EffectsA set of 90 multi-effects are just waiting to modify and refine the sounds created, individually or in parallel, respectively in series, per part. The selection of delay, reverb, chorus, flanger, distortion, real one-offs with a wow character, should leave nothing to be desired. Moreover, the Fantom has enough power to calculate elaborate effect chains for each of the 16 tracks without running out of steam. In addition, each part has its own EQ. The master compressor is located above the main output. A special position is given to the analog filter, which offers four different filter types (LPF, BPF, HPF & PKG), including the drive. The filter can be assigned to individual tracks, the main output, a DAW return or the analog inputs. Thus, it is not only an extended part of the sound generation, but also an independent effect to give sounds the final touch in the right place.Sequencer and samplerThe Fantom's sequencer has been completely reworked and now offers parallel recording and composing concepts that perfectly support the "typical" recording methods. Instead of recording all tracks in one pattern "as before", the Fantom offers the possibility to freely combine the 16 tracks and use them independently. The songs can be arranged in the classic linear way or in the clip sequencer (comparable to Ableton Live). The TR/step sequencer, which is also capable of substepping and ratcheting, is ideal for rhythm programming. The perfectly played piano or the funky organ can be recorded in real time, either with or without note quantization. The same applies to the 16 pads, which play individual sounds from the internal sound generator or from their own samples. This pad mode is familiar from the Akai MPC series. Behind the pads is also the sampler; with 8-fold polyphony, four banks of 16 pads each can be assigned. Sounds and loops can be up to 2 GB in size, time stretching is of course also offered for loops. A comprehensive Arpeggiator and a chord memory function are also part of the Fantom's sophisticated playback aids.Full integration in a DAWThe FANTOM can be fully integrated into the workflow of a DAW (e.g. Apple Logic Pro, GarageBand, MainStage). Thanks to the USB audio interface, 16 stereo tracks can be recorded, edited and, most importantly, processed in parallel in the computer. Three stereo tracks can be addressed from the DAW to the FANTOM, either to edit a track with the analog filter or as an audio output from the DAW to the main mixer. Plug-ins loaded in the DAW can be easily used and edited from the FANTOM, including song position pointers and the entire DAW transport field. DAW and plug-in commands are also stored in the scenes and can be recalled in seconds, provided the computer is connected and the DAW is open. Otherwise, this data is not taken into account when loading.Thanks to several USB ports, it is of course possible to connect other devices in addition to a computer and an external storage medium such as a USB stick. For example, you can connect a second keyboard for two-handed play, a Breath controller or a fader box.System update 2.1The highlights of the new OS 2.1 are the four expansion slots, which can be equipped with expansions of popular and historical Roland synthesizer models. The four timeless classics Jupiter-8, Juno-106, SH-101, and JX-8P mark the beginning of an ever-evolving series. Best of all, the update, which includes a number of bug fixes and improvements, is available for free to all Fantom 6/7/8 owners, as well as the four cult synths!The instruments themselves can be combined in the usual way with the state-of-the-art Zen Core synthesis, V-Piano sounds or for example your own multi-samples. Moreover, each of the four synthesizers is presented with its own interface and of course with the controls of the corresponding originals. Thanks to the Zenology platform, you have access to this huge variety of sounds everywhere.

SOUND SYNTHESIZERSAWM2Reserved for Yamaha synthesizers, the AWM2 engine offers much more than just sample playback. Each of the 16 AWM2 Parts includes eight fully programmable synthesizers with their own dedicated filter (18 different types!), amplitude, pitch and filter envelope generators, nine LFOs, a 3-band EQ and a block of two dedicated effects with Virtual Circuitry Modeling technology.FMXFM-X is a highly sophisticated synthesis engine capable of producing classic 80's sounds or the most cutting-edge FM sounds for today's EDM music with incredible dynamics, power and definition. MODX features an 8-operator FM architecture and 64-note polyphony, offering a wide range of options for sound creation.SEAMLESS SOUND CHAININGSeamless Sound Switching (SSS) technology allows you to seamlessly switch between performances without any envelope or effect cuts*. It's perfect on stage for ending one track and moving straight into the next.192-NOTE POLYPHONYMODX features 128-note stereo polyphony for the AWM2 engine and 64-note polyphony for the FM-X engine. Due to the unique architecture of MODX and MONTAGE, this polyphony is always available without latency or impact on other features.POWERFUL EFFECTSFrom high-definition reverb algorithms to effects modeled down to the smallest component (VCM effects), MODX is loaded with innovation and DSP power, with sound quality that's off the charts. Use effects such as Beat Repeat, Vinyl Break or Bit Crusher to achieve an EDM sound. The Spiralizer effect creates the auditory illusion of an infinitely rising or falling pitch.You can even add a compressor with sidechain for a modern ducking effect. Or revisit the past with vintage effects such as Analog Delay, VCM Phaser or a variety of amp simulators. Pianists will appreciate piano-focused effects like Damper Resonance for a realistic piano experience, as well as HD reverbs that allow you to place yourself in any physical space.BUILT-IN FLASH MEMORYMODX includes 1GB of non-volatile user flash memory with high-speed read/write for loading your own samples or downloaded sound banks.ANALOG INPUTS AND AUDIO INTERFACEDual analog and digital inputs make MODX the center of your recording studio or live computer setup.As today's computer-based music production demands, MODX features a professional 4-in/10-out multi-channel USB audio interface. A single cable connection replaces the need for an external audio interface. Class Compliant, it is iOS compatible.MOTION SEQUENCESMotion Sequences are fully customizable, tempo-synchronized sequences of control data that can be assigned to virtually any synthesizer parameter, providing unique ways to create evolving and expressive sounds.These Motion Sequences also have dedicated controls on the front panel, making them easy to manipulate and edit live, allowing for exceptional interactivity and expression.ENVELOPE FOLLOWERThe Envelope Follower converts audio into a control source that can affect virtually any synthesizer parameter. For example, a drum loop can drive effect parameters for a pleasing rhythmic feel, or a vocal recording can control multiple parameters for a "talking" synthesizer. The audio can even be a live source plugged into the analog input. AUDIO BEAT SYNCABS (Audio Beat Sync) detects the beats of an external device connected to the analog input such as an electronic drum kit, vintage drum machine or audio player, and synchronizes the MODX Arpeggiator, Motion Sequencer and Songs to the tempo of the external input. The MODX synthesizer "listens" to the live music and matches it!CUBASE AI BUNDLEThe Yamaha MODX comes bundled with Cubase AI, Steinberg's professional music production software for recording, editing and processing on Windows and Mac PCs.

The iD 14 is an audio interface that will find its place in a large number of configurations.

The iD22 is Audient's reference interface. It offers the audio performance of a studio console in a compact and stylish package. 

The iD4 offers the same audio performance as the entire hearing range in a compact and ergonomic design. Whether you're in your home studio or on the go, you're guaranteed to work with a 100% Auident interface.

Conver the ANA DIGI V1 is an audio analog to digital converter and is designed for professional audio switching. It converts analog audio signals to digital coaxial or Toslink. It will connect an analog device via the RCA inputs and transform into a digital signal. Its strengths are its small size and ease of installation.

Audiophile 2x2, 24-bit/192kHz USB audio interface with Midas microphone preamplifiers.   This blazingly fast USB 2.0 studio in a box will have you recording your next masterpiece in minutes with all the connectivity for microphones, guitars, bass and keyboards. Record the perfect vocal right to your computer-based DAW thanks to the 2 astonishingly pure, worldclass Midas-designed mic preamps, which include +48 Volt phantom power for condenser microphones, all going through studio-grade 24-Bit/192 kHz converters for the best possible sound quality. Whether you’re a singer-songwriter, producer on the go, or just need a rock-solid interface for running backing tracks at a gig, the ultra-dependable U-PHORIA UMC202HD will help you shine in the digital domain.

The PS InEar 1 is a very versatile headphone amplifier that will be very useful in all circumstances. Whether for home recording, studio or stage, it will be adapted to your favorite headphones (type in-ear monitors) wired. The case is heavy duty and excellent visual appearance and has all the necessary functions for this type of product.

PSA 3 can connect up to 3 microphones on a single entry. Indeed, if you are limited by the number of entries in your mixer, your PSA 3 will allow you to mix three microphones on the same input. It is recommended to use 3 identical microphones in order to have the same levels. PSA 3 is capable of also lead phantom power for condenser microphones that require this type of configuration.

PPA PHONO CV is a pre-amp RIAA for connecting your turntable (PHONO level) into a type of input LINE (line). In addition, you have a headphone with integrated volume control.

The PSM4 mini blender is very convenient and compact 5-channel. It will be very useful for simple applications or the installation does not require a large number of entries.

4 The HS is a compact multi-channel headphone preamp with a high output level and sound quality remarkable. Designed with 6.35mm 4 inputs for headphones with independent volume control. It is ideal for small installations or use home studio.

stereo Equalizer 2 x 15 bands using the outputs / inputs symmetrical and asymmetrical with regard to the connection and having a screen 19-inch rack. The EQS 30 is a professional treatment tool for changing the sound level by frequency bands. We can thus modify the sound rendering \ 's source, by reducing or increasing parts of its spectrum to enhance the sound.

The PPD Phono Power Studio is an indispensable tool nowadays to convert any analog signal into digital files without the use of a sound card. This small USB interface connects directly to your PC very simply.

With the Conver HDMI RCA, convert your digital HDMI signal to RCA outputs composite type. You will have the possibility to connect a device with HDMI output (console, DVD player or Blu-ray player) on older video devices that do not have HDMI input.

The CSP 22 is a 2-channel stereo converter for converting RCA type unbalanced signals to balanced outputs XLR type and vice versa. On the rear side is input and output XLR and on the front RCA inputs and outputs. Two buttons allow you to adjust the level.

Audiophile 2x2, 24-bit/192kHz USB audio interface with Midas microphone preamplifiers. The incredible U-PHORIA UMC404HD bridges the gap between your creativity and your fans. This blazingly fast USB 2.0 studio in a box will have you recording your next masterpiece in minutes with all the connectivity required for your microphones, guitars, keyboards and even MIDI devices. Record the perfect vocal right to your computer-based DAW thanks to the 4 astonishingly pure, world-class MIDAS-designed mic preamps, which include +48 Volt phantom power for condenser microphones, all going through studio-grade 24-Bit/192 kHz converters for the best possible sound quality. Whether you’re a singer-songwriter, producer on the go, or just need a rock-solid interface for running backing tracks at a gig, the ultra-dependable U-PHORIA UMC404HD will help you shine in the digital domain.

PSA 6 is a splitter for connecting a balanced stereo source in XLR and get three balanced outputs XLR also. One can imagine connecting a mixer output to three different amplifiers.

stereo Equalizer 2 x 31 bands using the outputs / inputs symmetrical and asymmetrical with regard to the connection and having a screen 19-inch rack. The EQS 62 is a professional treatment tool for changing the sound level by frequency bands. We can thus modify the sound rendering \ 's source, by reducing or increasing parts of its spectrum to enhance the sound.

The Conver DIGI ANA V1 is an audio digital to analog converter and is designed for professional audio switching. It converts digital audio signals coaxial or Toslink analog L / R audio and available for connection to an external device such as an amplifier via RCA standard style. Its strengths are its small size and ease of installation.

The USB PLAYER 700 is a handy digital media player fixed or mobile installation. And reads SD cards and USB sticks. It consists of two separate drives, A and B with a liquid crystal display. headphones We can also connect with a jack 3.5 mm stereo jack.

NIS-2 is a 2x4 versatile audio interface manufactured around a sturdy aluminum chassis. The ULC-2 is equipment to typing and refined design, it offers outstanding audio quality and functionality. The best digital converters capture detailed nuance of each recording. The volume knob provides precise control of output and direct monitoring monitors without latency. The combo inputs and headphone jack are positioned on the front edge and the outputs (X2) of the speakers on the rear part. Note a really unique feature of the SRI-2, there is a switch to be pregnant, you can perform your A / B mix two different pairs of speakers. Entries combo XLR / Jack have a 48V phantom power, you can switch the instrument inputs or line and adjust their gain individually. Upon another aspect of this very interesting SRI-2, one can switch between input and STAN and use the interface as a monitoring controller. A Speaker section is available which allows you to switch between two pairs of speakers, perfect for fine and precise tapping. Finally, the SRI-2 is compatible with Mac, Windows and iOS devices.

The Media Mix Definitive Audio One is a blender and media player multi-source especially useful and convenient to restaurants audio facilities, bars or conference rooms.

WEB RADIO ONE Definitive Audio is a media player (also MP3 player via USB) type connected via Ethernet or Wi-Fi for extremely wide use to broadcast your music. You have a Web radio or DAB to select your international music freely.

The MEDIA AMP ONE Definitive Audio is an MP3 / Bluetooth amplified ideal media player for easy and fast installation in places like fitness centers, restaurants, shops or malls. It allows digital reading SD cards, USB flash drives, Bluetooth reception and has an amplification 2 x 200W into 8 ohms to power multiple speakers.

The MEDIA PLAYER TWO Definitive Audio is a CD / MP3, USB, SD and Radio Tuner ideal for quick and easy installation in places like fitness centers, restaurants, shopping centers or stores. It is simple to use and can control using the remote control or via the façade with backlit buttons with LEDs.

The Symphony I/O Mk II is Apogee's 2nd generation of audio/converter interfaces, with the latest advances in D/A conversion, modular I/O (up to 32 inputs and outputs) and an intuitive touch screen. Designed to provide professional quality for audio recording, mixing and mastering, Symphony I/O Mk II is the music production masterpiece for any modern studio. The new Symphony I/O Mk II interfaces in Thunderbolt (TM), but is optionally available for Pro Tools(r) HD or Waves SoundGrid and DANTE protocols.

8 MICROPHONE PREAMPS, COMPACT I/O, OUTSTANDING QUALITYCombining ten inputs, ten outputs, and eight VS PREAMPS with transparent 24-bit / 192 kHz audio quality, the Roland OCTA-CAPTURE sets a new standard for portable USB 2.0 audio interfaces. High-end audio production is easy with this fusion of high-end components, Roland quality engineering, and proprietary preamp and streaming technology.OCTA-CAPTURE is not only the perfect interface for multi-channel computer production, but also an excellent solution for extending the I/O capability of the V-STUDIO 700 and V-STUDIO 100. Exuding quality and performance rarely seen in its price range, OCTA-CAPTURE is the next-generation audio interface.

Now Compatible with the iPad Compact, convenient, and fast, the affordable UM-ONE mk2 boasts high-performance FPT processing for low latency and tight timing. The bus-powered MIDI interface is compatible with Macs and PCs, and now with the iPad as well via the Apple iPad Camera Connection Kit!

The MEDIA PLAYER ONE of Definitive Audio is an MP3 / Bluetooth media player ideal for quick and easy installation in places like fitness centers, restaurants, shopping centers or stores. It allows digital reading SD cards, USB keys and a Bluetooth reception.

ADAT 8-channel digital recorder (digital recording on VHS videocassette then became the name of a standard for transporting 8-track digital data on consoles and synthesizers). ADAT's competitor with the LightPipe jacks is the TDIF format with the DA-88 jacks. ADAT outputs can be found on some synthesizers, sometimes as an option.

Thunderbolt option card for Symphony I/O MKII interface.  

ProTools HD option card for Symphony I/O MKII interface.  

The Symphony I/O Mk II is Apogee's 2nd generation of audio/converter interfaces, with the latest advances in D/A conversion, modular I/O (up to 32 inputs and outputs) and an intuitive touch screen. Designed to provide professional quality for audio recording, mixing and mastering, Symphony I/O Mk II is the music production masterpiece for any modern studio. The new Symphony I/O Mk II interfaces in Thunderbolt (TM), but is optionally available for Pro Tools(r) HD or Waves SoundGrid and DANTE protocols.

The Symphony I/O Mk II is Apogee's 2nd generation of audio/converter interfaces, with the latest advances in D/A conversion, modular I/O (up to 32 inputs and outputs) and an intuitive touch screen. Designed to provide professional quality for audio recording, mixing and mastering, Symphony I/O Mk II is the music production masterpiece for any modern studio. The new Symphony I/O Mk II interfaces in Thunderbolt (TM), but is optionally available for Pro Tools(r) HD or Waves SoundGrid and DANTE protocols.

The Symphony I/O Mk II is Apogee's 2nd generation of audio/converter interfaces, with the latest advances in D/A conversion, modular I/O (up to 32 inputs and outputs) and an intuitive touch screen. Designed to provide professional quality for audio recording, mixing and mastering, Symphony I/O Mk II is the music production masterpiece for any modern studio. The new Symphony I/O Mk II interfaces in Thunderbolt (TM), but is optionally available for Pro Tools(r) HD or Waves SoundGrid and DANTE protocols.

The Symphony I/O Mk II is Apogee's 2nd generation of audio/converter interfaces, with the latest advances in D/A conversion, modular I/O (up to 32 inputs and outputs) and an intuitive touch screen. Designed to provide professional quality for audio recording, mixing and mastering, Symphony I/O Mk II is the music production masterpiece for any modern studio. The new Symphony I/O Mk II interfaces in Thunderbolt (TM), but is optionally available for Pro Tools(r) HD or Waves SoundGrid and DANTE protocols.

Flagship 16x10 Interface with 12 Premium Mic Preamps With the new STUDIO-CAPTURE, Roland once again raises the performance standard for computer-based audio production. The latest addition to the acclaimed CAPTURE family boasts 12 premium-grade mic preamps, an industry first for a compact USB audio interface. A total of 16 audio inputs, 10 audio outputs, and MIDI I/O offers massive connectivity for pro-level setups, all in a single, tabletop unit that fits easily into a travel bag. Other top-flight features include 24-bit/192 kHz audio quality, comprehensive front-panel metering, XLR monitor outputs with dedicated level control, dual headphone outputs, rock-solid drivers with VS STREAMING technology, and much more. Durable, portable, and ready to take on large-scale recording projects both in the studio and on the road, STUDIO-CAPTURE stands head and shoulders above all other USB audio interfaces on the market.

The Symphony I/O Mk II is Apogee's 2nd generation of audio/converter interfaces, with the latest advances in D/A conversion, modular I/O (up to 32 inputs and outputs) and an intuitive touch screen. Designed to provide professional quality for audio recording, mixing and mastering, Symphony I/O Mk II is the music production masterpiece for any modern studio. The new Symphony I/O Mk II interfaces in Thunderbolt (TM), but is optionally available for Pro Tools(r) HD or Waves SoundGrid and DANTE protocols.

The Symphony I/O Mk II is Apogee's 2nd generation of audio/converter interfaces, with the latest advances in D/A conversion, modular I/O (up to 32 inputs and outputs) and an intuitive touch screen. Designed to provide professional quality for audio recording, mixing and mastering, Symphony I/O Mk II is the music production masterpiece for any modern studio. The new Symphony I/O Mk II interfaces in Thunderbolt (TM), but is optionally available for Pro Tools(r) HD or Waves SoundGrid and DANTE protocols.

The Symphony I/O Mk II is Apogee's 2nd generation of audio/converter interfaces, with the latest advances in D/A conversion, modular I/O (up to 32 inputs and outputs) and an intuitive touch screen. Designed to provide professional quality for audio recording, mixing and mastering, Symphony I/O Mk II is the music production masterpiece for any modern studio. The new Symphony I/O Mk II interfaces in Thunderbolt (TM), but is optionally