A compact Stereo Mixer Module Erica Synths Black Stereo Mixer V3 is a Modular Mixer of the Eurorack Modular Synthesizer Black Series. The Stereo Mixer is suitable for the increasingly popular stereo inputs and outputs. Examples: Black Hole DSP , Erica Fusion Delay and Mutable Instruments Clouds. The compact module saves space in the rack and convinces with good audio values.

The Roland FANTOM is a powerful and impressive synthesizer workstation with sequencer, sampler, audio interface and extensive synthesizer functions. In the generously sized and expandable sound memory, Roland has literally immortalized a best-of 40 years of synthesizer history and integrated its high-quality V-Piano for all keyboard virtuosos. In addition to multiple synthesis technologies that can be used simultaneously, you can keep in mind that the FANTOM's analog multi-mode filter can be the icing on the cake for some sounds. The sequencer offers real-time sequencing, TR/step sequencing and a clip sequencer. OneShots and loops can be playfully triggered via the sampler pads and integrated into your own creations.Another highlight of the FANTOM are the scene memorieswhich are organized in four banks with 128 memory locations each. They act as fast creative memories and hold everything you work on. Whether it's a handful of patterns, a song you've started, a sound you're creating, various settings related to your current project in the audio workstation, or all of the above, handwritten notes and "it has to stay on because I can't save it" are a thing of the past.Anyone who has worked with Roland instruments will quickly notice that the operation has been redesigned and leads to faster results, not only because of the neat interface but also because of the Fantom's very intuitive menu navigation.Sounds and synthesisRoland has gone all out with the FANTOM, equipping its flagship product with over 3500 sounds and over 90 drum kits, as well as the very avant-garde V-Piano. Strings, organ, piano, guitar, brass, choir, wind instruments and more: the FANTOM's selection is simply outstanding!The typical Roland sound architecture has been retained in that each sound can be composed of four parts. However, the FANTOM's Parts correspond to a complete and extended synthesizer voice with its own oscillator and filter models, envelopes, modulation assignments and, of course, its own volume and panning controls. There is also a dual LFO for each of the four parts, which not only has the usual waveforms, with and without BPM sync, but you can also create your own waveforms by hand. We calculate: 16 tracks with up to 8 LFOs per sound; 128 LFOs simultaneously! If you like to create new sounds from scratch, this is the source of all modulation ideas.The new and extended architecture allows you to create sounds according to the modular principle: take for example the SuperSaw oscillator (known from the JP-8000) and combine it with the Juno filter; what was previously reserved for modularists, you get here in a storable way! Different synthesis technologies can be defined for each sound and each part, so there's nothing to stop a layered sound of roaring organ, delay-wrapped bells and crisp bass.EffectsA set of 90 multi-effects are just waiting to modify and refine the sounds created, individually or in parallel, respectively in series, per part. The selection of delay, reverb, chorus, flanger, distortion, real one-offs with a wow character, should leave nothing to be desired. Moreover, the Fantom has enough power to calculate elaborate effect chains for each of the 16 tracks without running out of steam. In addition, each part has its own EQ. The master compressor is located above the main output. A special position is given to the analog filter, which offers four different filter types (LPF, BPF, HPF & PKG), including the drive. The filter can be assigned to individual tracks, the main output, a DAW return or the analog inputs. Thus, it is not only an extended part of the sound generation, but also an independent effect to give sounds the final touch in the right place.Sequencer and samplerThe Fantom's sequencer has been completely reworked and now offers parallel recording and composing concepts that perfectly support the "typical" recording methods. Instead of recording all tracks in one pattern "as before", the Fantom offers the possibility to freely combine the 16 tracks and use them independently. The songs can be arranged in the classic linear way or in the clip sequencer (comparable to Ableton Live). The TR/step sequencer, which is also capable of substepping and ratcheting, is ideal for rhythm programming. The perfectly played piano or the funky organ can be recorded in real time, either with or without note quantization. The same applies to the 16 pads, which play individual sounds from the internal sound generator or from their own samples. This pad mode is familiar from the Akai MPC series. Behind the pads is also the sampler; with 8-fold polyphony, four banks of 16 pads each can be assigned. Sounds and loops can be up to 2 GB in size, time stretching is of course also offered for loops. A comprehensive Arpeggiator and a chord memory function are also part of the Fantom's sophisticated playback aids.Full integration in a DAWThe FANTOM can be fully integrated into the workflow of a DAW (e.g. Apple Logic Pro, GarageBand, MainStage). Thanks to the USB audio interface, 16 stereo tracks can be recorded, edited and, most importantly, processed in parallel in the computer. Three stereo tracks can be addressed from the DAW to the FANTOM, either to edit a track with the analog filter or as an audio output from the DAW to the main mixer. Plug-ins loaded in the DAW can be easily used and edited from the FANTOM, including song position pointers and the entire DAW transport field. DAW and plug-in commands are also stored in the scenes and can be recalled in seconds, provided the computer is connected and the DAW is open. Otherwise, this data is not taken into account when loading.Thanks to several USB ports, it is of course possible to connect other devices in addition to a computer and an external storage medium such as a USB stick. For example, you can connect a second keyboard for two-handed play, a Breath controller or a fader box.System update 2.1The highlights of the new OS 2.1 are the four expansion slots, which can be equipped with expansions of popular and historical Roland synthesizer models. The four timeless classics Jupiter-8, Juno-106, SH-101, and JX-8P mark the beginning of an ever-evolving series. Best of all, the update, which includes a number of bug fixes and improvements, is available for free to all Fantom 6/7/8 owners, as well as the four cult synths!The instruments themselves can be combined in the usual way with the state-of-the-art Zen Core synthesis, V-Piano sounds or for example your own multi-samples. Moreover, each of the four synthesizers is presented with its own interface and of course with the controls of the corresponding originals. Thanks to the Zenology platform, you have access to this huge variety of sounds everywhere.

Rample waves systemEurorack 4-voice sample player & audio processorVersatile sample machine :From percussive drum-machine kits to synth samples, breakbeats to sound FX, backing tracks to hour-long audio music, Rample can play up to 4 .wav files on independent audio outputs :These samples are stored inside the provided SD card, and organized as kits, from A00 to Z99... allowing up to 2600 banks of 4 voices, with on-the-fly loading! The SD card is preloaded with tons of samples, and we made it very easy to import your own kits.Thanks to the DC coupled audio outputs, it's also possible to play CV waveforms. Effects rack :Each voice has its own “rack” of effects, and all audio effects can be enabled at the same time, allowing you to manipulate your samples in real time, from a gentle lowpass to massive destruction!pitch - a great sounding pitch engine, based on a 6-pole interpolator, which ranges from -1 octave to +1 octave.bits - two different bitcrushing algorithms, based on sample rate and resolution reduction. It produces distortion and warms the audio signal.filter - a low resonance filter, DJ-style, cutting off the high frequencies or the low frequencies.freeze - sample and loop a fraction of the played waveform, creating a glitching effect.levels - decrease the gain or drive the signal.It’s also possible to edit ‘advanced parameters’ like the start point, sample length, attack/decay and run mode, and create mute groups without breaking a sweat.Finally, thanks to the 4 CV inputs, any of the effects (or advanced parameters) can be assigned to create amazing modulations!Multi-layer sampling :One of the key feature is the ability to "multi-sample" your kits, multiplying Rample’s potential. Each voice supports up to 12 samples, can be played randomly or in a controlled fashion. It’s a great way to add complexity and variations, to create organic/acoustic sounding drums, or simply to increase the number of samples per kit (up to 48).As an example, we are providing a multi-layered drum kit, with 12 different recordings of a kick, 12 different recordings of a snare, etc. Sequencing them randomly leads to a more natural drum playing.We are also providing an other kind of multi-layered acoustic drum kit, where each drum is recorded with 12 levels of velocity. Controlling the layer to be played leads to intricate, convoluted drums programming.Of course, it’s very easy to create your own multi-layered kit, and you can use this method to perform multiple synth chords, sound glitches, voices, breakbeats...CV/Gate and Midi interface :Rample is designed to be the perfect rhythmic companion of your eurorack system thanks to its Gate (trig samples) and CV (modulate samples) connectivity.You can also use it as a standalone midi machine, without using the CV/Gate connectivity: the midi in port allows you to trig & control all samples parameters + effects values at the same time. Each Rample comes with a ‘stereo jack to midi DIN’ and ‘stereo jack to jack’ adapters, easing the chaining of multiple modules in order to create an 8-voice, 12-voice, 16-voice (or more) midi drum machine!

Hermod modular brainThe 8-track sequencer & interface for your eurorack system.Perfect for composition and live performances :Hermod brings together an advanced step sequencer, a CV looper, a real-time effect processor, LFO generators and a complete bi-directional MIDI-USB-CV input/output interface.Record a performance at any time thanks to the CV inputs, the USB HOST, the USB DEVICE and the MIDI input, quantized or not. Create and edit your tracks with the STEP mode and its piano roll & automation view. Generate crazy patterns with the randomization tool.Hermod is polymetric, it means that each track can have a different length, from 1 step to 64 steps. Moreover, you can zoom in to increase the resolution of the step sequencer (up to 512 steps).Dynamic effects :All the fun in Hermod resides in its effect system, allowing you to transform input signals, whether it's MIDI or CV. You can stack on each track up to 8 real-time effects: Quantize, Swing, Arpeggiator, Ratchet, Random, Euclid, Glide, Harmonizer, Delay, Chance, Scale, LFO... Experiment with the effects position and parameters to generate groovy rhythms and eccentric melodies!Every effect parameters can be edited in the EFFECTS mode, or with midi CC messages & CV inputs, thanks to the modMatrix.Polymorphic tracksThanks to Hermod architecture, a track can be a simple mono CV/GATE voice, but can be easily configured as a polyphonic track (up to 8 voices), a CV/GATE + velocity + aftertouch track, a modulation + clock track... in order to perfectly fit your eurorack system!Sequences and Projects :The 8 tracks are grouped into one of Hermod’s 8 sequences. Every sequence is totally independent and contains a new set of tracks to be played with, for a total of 64 tracks in a single project. The number of projects is unlimited and the save/load can be done quickly without losing the tempo, allowing you to jump from one song to the next in your live performance.Cv/Gate - Midi - USB interface :Full connectivity: control Hermod with plug-and-play midi USB devices, midi keyboards, computers or other eurorack CV systems. Hermod is also a great midi hub, allowing you to sequence midi synthesizers/drum machines and computer's virtual instruments. Of course, Hermod can be perfectly paired with Pyramid or other hardware and software sequencer, in order to benefit from its CV/GATE outputs.With Hermod's rock-solid clock, this module becomes a great synchronization tool for all your setup! Thanks to its powerful CPU, even when synced, Hermod allows an ultra-low latency to make the perfect link between the digital world and the analog world.

A dual multimode filter with complex sounds   The Erica Synths Black VCF is a dual multimode filter offering CV control over filter cutoff and resonance. The module can be used as two independent VCFs with simultaneous highpass, lowpass and bandpass outputs. Send 2 different sound sources to each filter to create a more interesting and complex range of sounds and modulations. The filter of the module self-oscillates, generating a clean and pleasant sound that can be used as a sound source. The CV knobs in the middle can be used for cutoff modulation. The Black VCF module also features a 16-band spectrum analyzer that provides visual feedback of the summation output.

A versatile modular synth LFO 
 Erica Synths Black Octasource is an LFO (Low Frequency Oscillator) for Eurorack modular synthesizers. OCTASOURCE offers eight different waveforms, all of which can be picked up simultaneously via the eight outputs, or one waveform with a 45° offset per patch point can be picked up.
 The Black Octasource offers a choice of two modes: In Multi mode, all eight different waveforms can be captured simultaneously via the eight outputs. In the Single mode, one waveform can be shaken on all eight patch points with an offset of 45° each. It is also possible to select both modes simultaneously: Waveform switching can be CV-controlled, allowing continuous switching between the different modes. In addition, the phase shift and the LFO speed can be controlled by CV.

A voltage-controlled filter emulating the authentic and famous Polivok sound   The Erica Synths Black Polivoks VCF is a voltage-controlled filter emulating the authentic and famous Polivok sound enhanced with cutoff control. Some updates have been made to meet the requirements of a modern modular synthesizer. The module features independent buffer inputs, cutoff controls and more clicks when changing filter modes. Like the other modules in the Black series, this module is designed for the Eurorack format.

A high quality audio mixer The Erica Synths Black Mute Mixer is a high quality audio mixer from Erica Synth's Black Series modular Eurorack synthesizers with three inputs and, as a special feature, mute switches on each input signal and three buffered outputs. The mute buttons allow audio signals to be added immediately and at exactly the right level. The three outputs can simultaneously send audio signals to various other modules, such as VCFs. This allows you to create an infinite number of sounds.

A classic design ring modulator with germanium diode ring plus a vacuum tube to boost and shape audio and carrier signals. Germanium diodes will enrich your sound by adding extra harmonic content meanwhile vacuum tube adds evilish overdrive to audio and carrier signals. As a result you get one of most versatile ring modulators around.

A Distortion Module developed with Gamechanger Audio   The Erica Synths Plasma Drive is a distortion module that uses high voltage conversion to process the signal. The module was developed in collaboration with Gamechanger Audio and converts the audio signal to 3000 Volt using, among other things, a xenon-filled tube. These high-voltage DC discharges in combination with the two tracking oscillators (+1 oct up / -2 oct down) are what ultimately remains a highly distorted audio signal. The results can be described as extreme and fanciful. The voltage strength and the mixing ratio can be influenced by CV, the oscillators can be switched on manually or by Gate. An equalizer adjusts the sound with bass and treble accordingly. The sound and functionality of this distortion is so far unique on the market!  

The first module from Erica Synths. Sequential Switch is the first module that Erica Synths built. With Sequential Switch, up to eight sound sources can be advanced, or one sound source can be routed to eight sound modifiers - VCFs, Waveshaper, VCAs, etc. - and one sound source can be routed to eight sound modifiers - VCFs, Waveshaper, VCAs, etc. - and one sound source can be routed to eight sound modifiers - VCFs, Waveshaper, VCAs, etc. - and one sound source can be routed to eight sound modifiers - VCFs, Waveshaper, VCAs, etc. - and one sound source can be routed to eight sound modifiers - VCFs, Waveshaper, VCAs, etc. - and one sound source can be routed to eight sound modifiers - VCFs, Waveshaper, VCAs, etc. - and one sound source can be routed to eight sound modifiers - VCAs, VCAs, VCAs, etc. The step buttons on the module's control panel provide perfect control over pausing, skipping, and merging steps, and over the length of the sequence. Special features that distinguish the module from other sequential switches are the different playback modes and the grid output - in combination with an envelope and VCA's (or filter), powerful sequences can be generated with real-time control over any sound source. Use Sequential Switch with a random clock source at the heart of self-generating random patches.

An Analogue Module for bass and ultimate leads This Bassline from Erica Synths' Drum series is a monophonic synth voice module in Eurorack format with a very charismatic sound. The voice is fully analog and is based on a three-waveform oscillator and a transistor sub-oscillator. Two additional BBD lines (delay line circuits) in the oscillator range enrich the basic sound with emulated VCO tuning and sounds one would expect from a polysynthesis. For spectrum processing there is a switchable low-pass/bandpass filter, which is oriented towards the sound of the Polivoks and is likewise included in the Erica Synths Acidbox.

A basic analogue oscillator   With the Pico VCO2, Erica Synths extends its slim range with a basic analogue oscillator with rectangular and triangular output. The oscillator offers stable tracking over eight octaves, an octave switch for coarse tuning, and a CV input for pulse-width modulation.

The VC EG Expander taken to the next level Erica Black VC EG Expander takes the VC EG to the next level – it outputs gates or CVs for each active stage of the envelope, so you can design really advanced patches. Also, inverted and bipolar envelope outputs are available.

A high quality dual envelope generator and low frequency oscillator The Erica Synths Black Dual EG/LFO is a dual envelope generator and low frequency oscillator. Both EGs can be used successively or simultaneously as AD/ASR envelope generators. The shape of the LFO envelopes can be adjusted directly. Thanks to its compact design, it saves a lot of space in the modular system. As part of the Black series, the module is designed for the Eurorack modular system.

A complex, all analogue modulation source with lots of distinct features   Fusion Modulator is complex, all analogue modulation source with lots of distinct features. It consists of several blocks – two EMS Synthi functionality inspired looping envelope generators with simultaneous unipolar (0V - 10V) and bipolar (-5V - +5V), VCA, Noise generator and Sample & Hold. This makes Fusion Modulator a versatile modulation source for advanced modular setups, especially drone music oriented ones. Set lopping envelope generators to high frequencies and have two sub bass sound sources, use VCA to control the amplitude of the envelope signal, modulate the decay time by random voltages from S&H circuit and get ever evolving sonic awesomeness!

A new multifunctional analog effects module   Erica Synths Fusion Delay/Flanger/Vintage Ensemble module is a distinct multifunctional analog effects module combining BBD chip based effects with an adjustable tube overdrive in the delay output and feedback path for extra thickness of sound.For more flexibility, lowpass filtering is fully adjustable from none to extreme. Special feature, not found in eurorack, is Vintage Stereo Ensemble – effect that’s common on vintage synthesizers to create moving and thick spatial sound from a monaural tone generator, be it FM, DCO or any other kind. Such a spatial effect is achieved by mixing dry source with delayed and lowpass filtered out of phase signal.

The beating heart of your modular system.   The Black VC Clock is the heart of your modular system. The module generates several clock signals simultaneously and has advanced functions (such as tap tempo, shuffle, divide) for both the production of controlled rhythmic music and for your sound experiments. The ability to adjust and even randomize the mixer's circle of use and random clock outputs is very interesting. Bonus feature - the module can be used as a performance timer.

A MIDI interface for Modular Synthesizer The Erica Synth Black MIDI-CV v2 is a two-part MIDI interface for Erica Synth's modular Eurorack synthesizers that emulates the behavior of monophonic or duophonic synthesizers. It can also be configured for use on two different MIDI channels. It has a MIDI clock output and an analog glide effect on both channels.

A unique Eurorack modular Mixer.   The Erica Synths Fusion Mixer V3 is a unique Eurorack modular mixer. Equipped with a vacuum tube for a warm, rich sound, the Fusion Mixer V3 features two independent 3-input mixers, which can also be used as a simple 6-input mixer. With the tube in the module circuitry, the Fusion Mixer V3 can provide exceptional tube overdrive effects with high level settings.