SummarySquarp Instruments Rample
New starting from : €298.80
Used starting from : None available
Reviews (0) :
E-MU - Ultra Proteus
High quality samples, very powerful filtering. A studio beast in 1U 19" Rack format. Optional front panel sound cards are still available. 14500 Francs in 1994. A very nice opportunity at a good price-quality ratio nowadays. 297 "Z-Plane" filters including flangers, parametric, translation, etc. A few notes and we understand all the E-MU genius.
THE LEGENDARY SAMPLER JOINS FORCES WITH AN ICONIC SEQUENCER Designed for the stage, the SP-404A Linear Waveform Sampler expands the sound horizon of the Roland AIRA TR-8 Rhythm Performer through a combination of percussive synthesis with sampled sound. The fast, direct handling that is so popular with the SP Series samplers complements the Roland AIRA TR-8 Rhythm Performer's rhythm effects and step sequencer. The SP-404A offers all the features of the popular SP-404SX, including 16-bit linear sampling, 29 internal effects, smooth switching between effects, and 12 professional-quality performance pads. In addition, a sound library prepared by the industry leader, Loopmasters, is provided on an SD card. Whether you use it standalone or control it from the TR-8, the SP-404A is sure to expand the possibilities of your AIRA instruments. This is a new must-have for DJs, musicians and producers.
Reflex Dynamic Midi Reverberator
For many people, Lexicon is the definitive brand name for digital reverberation units. With the EMT, Lexicon dominated the market in the 1980s, producing realistic reverberation simulations in a variety of formats ranging from simple rack-mount units like the PCM70 and Lexicon 200 to high-end units with LARC remotes, including the 224XL and 480L. Following their initial success, Lexicon developed its own digital reverb processor, the Lexichip, which allowed them to build cheaper and more compact effects processors. A new version of this processor, the Lexichip II, gave birth to the Lexicon PCM 80 and Reflex. The Reflex is not only a reverb processor. It has a wide variety of programs and, unlike the Alex, a complete Midi specification allowing real-time control of parameters via Midi. Lexicons as old as the PCM70 offer Midi control, but the Reflex is the first to be offered in this price range. The Reflex is designed to be fast and easy to use with 16 presets and 128 user memories (Alex: 16 memories). The front panel is very simple with a signal LED, Input / Mix / Output controls, (Mix varies the mix of effect and dry signal), a Store / Clear button, a Parameter / Learn button (to select the parameter to be edited or to enter APM - Advanced Programming Mode), a Value button (to edit this parameter), a digital display and a Register / Preset button to select a program. The Learn function allows you to patch the Midi signals to control a parameter. Enter APM mode by pressing and holding the Parameter / Learn button, select the parameter to be controlled, send a Midi message and the assignment is made. Each preset has up to 10 parameters that can be edited (Alex: 3), two from the front panel and the rest via the APM. The edited programs can be saved in one of the 128 user memories.
SP-505 Groove Sampling Station
The SP-505 is an advanced entry-level sampling workstation aimed at the electronic, hip hop and dance market that fits somewhere in between the economical BOSS SP-303 and the professional Roland SP-808. The SP-505 is centered around working with one-shot samples, loops, grooves and drum beats through a fairly basic set of sampling, sequencing and performance-oriented features. The machine has 8 voices of polyphony and 4MB of internal sample memory that can contain up to 250 samples organized among 16 sound banks (4 preset and 12 user). Sampling specs are limited to CD-quality 44.1 kHz (which yields about 2 minutes of sample-time) as well as 22.050 and 11.025 kHz sample rates (more sample time, but less sound quality)
MEDIAS | PHOTOS