The PRS Custom combines the main features of the reference models of the FENDER and GIBSON brands, but transcends them in elegance with a sumptuous figured maple top and incomparable playing comfort. Paul Reed Smith's Custom will become an ultra classic American electric guitar solid body. Here is a top-of-the-range PRS Custom 24 electric guitar with a black finish. Mahogany body, vaulted maple top. Hard case PRS included. 

Natural cut panel, ideal for beginners, mini-jumbo format, this guitar has an excellent quality/price ratio. Brand OQAN, model QGA 40CE NAT. Natural finish, it has an active preamplifier with volume and 3-band equalizer. Jack and amplification not provided. 

20-watt combo amplifier with two independently controlled, foot-switched channels, designed for maximum versatility and in the spirit of vintage amps that allowed you to control your sound instead of leaving the amp under control. The clean channel offers 3D sounds that are reminiscent of American amplifiers from the 1960s and 1970s. The output channel is linked to the proper channel from a circuit point of view, so it can be configured to act as an amplified proper channel or manipulated to make the channels sound like two completely different amps (the output channel can be adjusted from slight to very high distortion simply by using the volume and master controls). The light switch on the bypass channel has been carefully designed to provide a familiar high-end snap and is particularly effective on bass strings, neck microphone settings and single coils, while the low-end response of the bypass channel is full, narrow and clear. Both Sonzera channels are designed to maximize clarity and definition of notes. The overall presence control and tone stack allows players to compose a variety of tones ranging from bell-shaped chimes to warmer, thicker tones. The Sonzera 20 Combo also features global reverberation control that is designed to improve notes without blurring them. Reverb can be activated and deactivated via the foot pedal. The addition of an integrated effects loop allows musicians to easily use all their time effects without negatively affecting the overall sound of the amp. In addition to its versatile sound, the Sonzera 20 Combo is also designed for reliability and ease of maintenance. The power tube sockets are mounted directly on the steel frame, and no plug-in connections are used - all wires are welded. With its robust construction, wide range of tones and constant control, the Sonzera 20 Combo is a solid amplifier worthy of concerts and studios. 

Soprano Ukulele. Body and neck made of sapele. Compound rosewood fingerboard. 12 Frets. Bag included. Natural mat finish.

Yves Mion has an instrument workshop in Coulanges La Vineuse, in Yonne since 2010. This self-taught man learned to build guitars on his own as a teenager. It takes about 100 hours to make an instrument. Precision work that is often personalized.  

Yves Mion has had an instrument workshop in Coulanges La Vineuse, in Yonne since 2010. This self-taught man learned to build guitars on his own as a teenager. It takes about 100 hours to make an instrument. Precision work that is often personalized.  

Yves Mion has an instrument workshop in Coulanges La Vineuse, in Yonne since 2010. This self-taught man learned to build guitars on his own as a teenager. It takes about 100 hours to make an instrument. Precision work that is often personalized.

Concert Donnat-Audirac guitar with steel strings, by the French luthier Philippe Donnat. Philippe Donnat has had a lutherie workshop in Bagnolet, in the Paris region, since 2015. Self-taught, he began to build his first jazz guitars based on the Selmer-Macafferri model. He then trained with Fred Kopo, Alexandre Bioud, and Gérard Audirac.  "Making a guitar is dreaming of a sound, designing it, to hear what the guitar has to say."  

Carved maple body, carved sapelli top, ebony fingerboard and head veneer, Schaller Signum bridge, 2 Benedetti double pickups, CTS electronics Finish: 2-tone Candy tint, polished polyurethane varnish

Classical 3/4 guitar for children from 9 to 12 years old.

OM MARTIN format, entirely in Sapelli, Herringbone rosette and decorative fillets, ebony fingerboard, headplate, bridge and fillet. Marker and logo in abalone mother-of-pearl. Finish: sunburst glossy cellulosic varnish Delivered in Boblen deluxe hard case

Stand for electric guitar and bass with adjustable width. Black. (5 pieces per box)

Classical and acoustic guitar stand with adjustable width. Black. (5 pieces per box).  

Yellow soprano ukulele, ideal for beginners, from the OQAN brand.  

Classical electro-acoustic guitar with cutaway, OQAN brand.

3/4 acoustic guitar for children from 9 to 12 years old.  

Electric guitar by French luthier Camille Jacob. Camille Jacob is an architect by training, passionate about guitars since his teenage years and a self-taught luthier. He first started by modifying his own instruments, then in 2006 he decided to build his first guitar. A telecaster made of local walnut woods for the body and oak for the neck. What was then a simple personal challenge became a real vocation. Today he specialises in the design and production of custom-made and on-demand instruments, convinced that it is in the expression of the musician's particular needs, in terms of sound, ergonomics and visual appearance that the originality of the design lies. Making a custom-made guitar means above all listening to the musician and understanding his particular approach and relationship to the instrument. The luthier's work is only complete when he sublimates this relationship, promotes this bond, and tends to forget and disappear to better allow the artist to express himself through music.

Viking - White gloss, semi-transparent maple body, maple neck, long range T-O-M bridge, Hagstrom trapeze, 2 x HJ50 Alnico 5, 2 x RC flight circuit, 2 x tone, 3-position toggle switch, 24.75" scale, H-shaped expansion beam stem, Hagstrom 18:1 tuners, resin backboard.

Viking - semi-transparent wild cherry body, maple body, long span T-O-M bridge, Hagstrom trapeze, 2 x HJ50 Alnico 5, 2 x RC circuit, 2 x tone, 3-way toggle switch, 24.75" scale, H-expansion rod, Hagstrom 18:1 tuners, resin backing board.  

Mini jumbo size electro-acoustic guitar with cutaway.   

Natural soprano ukulele from OQAN.  

Yellow soprano soprano ukulele from OQAN.  

Pink soprano ukulele from OQAN.  

Electric guitar Ultra Max SBK Cosmic Black Satin from Hagstrom.  

Electric Guitar Swede BLK Black Gloss from Hagstrom.  

Electric Guitar Alvar WCT Wild Cherry from Hagstrom.

Hagstrom HII 3SB Sunburst electric guitar.  

Electric Guitar HII BLK Black from Hagstrom.  

White HII WHT Electric Guitar from Hagstrom.  

Electric Guitar HIII BLK Black gloss from Hagstrom.  

HIII 3SB Sunburst electric guitar from Hagstrom.  

Electric Guitar HJ 500 BLK Black gloss from Hagstrom.  

Electric Guitar HJ 500 NAT Natural from Hagstrom.  

VIKING BLK electric guitar by Hagstrom.

Takamine brings half a century of expertise to the small budget market with this GD11MNS, a dreadnought designed for beginners and amateur guitarists.   

A versatile and beautiful electro. A true workhorse of the brand, the GD10CENS is a versatile and beautifully simple guitar. The G of the reference associates it with its series which remains the standard meter of quality acoustics at a modest price. The D refers to the dreadnought shape, a timeless classic. The C (for cutaway) evokes the cutaway. The E specifies its electro-acoustic character, and finally the NS emphasizes its aesthetics, i.e. a superb satin varnish. A judicious choice of wood. The choice of woods of the Takamine GD10CENS mixes classicism and originality. The top is made of spruce, the body and the neck are made of mahogany: a combination that has been widely proven to deliver a warm, round and precise sound.  An irreproachable preamplifier. Takamine has built its reputation on the excellence of its electroacoustic systems, and the G10CENS is no exception. The built-in preamp includes a highly functional tuner, as well as three volume, tone and mid-cut controls that eliminate feedback. All you need is a strap and a pick to tackle bars, cafes and theaters around the world. And because it's a Takamine, you can always count on it.

A guitar that's got some in the trunk! The GC1CE-NAT is an attractive classical guitar that has been designed to offer a sublime nylon string sound. The GC1CE-NAT is the choice of many musicians, and remains an affordable instrument with qualities far superior to what its price might suggest. The comfortable mahogany neck, rosewood fingerboard, and full, balanced sound make for an exceptional playing experience. Guitars that are an integral part of the Takamine legend. Takamine G-Series classical guitars are built with spruce tops, with either mahogany or rosewood back and sides, depending on the model selected. These classical guitars are renowned throughout the world for their undeniable qualities in terms of touch, tone and finish. They are part of the legendary Takamine family.

Argentine strings are strings for Jazz Acoustic guitar. The ARGENTINE strings have accompanied for more than 60 years the music of prestigious guitarists such as Django Reinhardt, Raphaël Fays, Boulou and Elios Ferre, Romane, Sanseverino or Angelo Debarre. Their acoustic qualities have enabled them to overcome crises and fashions and to meet, without ever having been equalled, the aspirations of musicians anxious to rediscover their authentic sound. Sought after by a large number of musicians and luthiers throughout the world, they are the only strings to have adapted perfectly to the legendary SELMER-MACCAFERRI guitars, produced today by talented luthiers who have made sure to preserve their spirit and thus ensure their durability. The strings are available in 2 tensions, standard Extra light and light, and are either loop or ball strings.

This Crossover version is a hybrid nylon-stringed guitar with the characteristics of a traditional classic, but with specific features that evoke the electric or folks universe (narrower neck at the head nut, more compact body...). It offers rich and warm acoustic characteristics as well as great polyphonic clarity and allows a nuanced and dynamic playing. It is an eclectic guitar in terms of styles, allowing to approach the classical register, but also and among others jazz, bossa nova etc... The Fishman Pro Blend system allows the combination of two types of sources: a piezzo sensor under saddle and an aerial microphone positioned in the case, offering a very wide range of sound.

Available immediately Free shipping in Europe

Steve Morse's signature Music Man guitar has a breathtaking Blue Burst finish. 

Wall bracket for König & Meyer guitars.  

If you're looking for an economical bag to carry your guitars without breaking the bank, the Nylon eco series is the answer to your needs!

Fully padded 8 mm GFlex cover. Reinforcements at the mechanics and the bridge to prevent premature wear. Large outer pocket. 2 padded backpack-style straps. Pliers for picks.

The BOSS AB-2 is a 2-way switch that allows fast switching of inputs or outputs. Simply press it to switch between guitars, amps, or effects. With BOSS' legendary ruggedness, it will stand the test of time.

For volume control or effects processors. The FV-50L (low impedance) connects behind effects or to a keyboard.

A DIVERSE RANGE OF SOUNDS, MAXIMUM POWER Introducing the DD-8, the most complete delay in terms of sound and features in the BOSS compact pedal family. This pedal offers more of everything: more high-quality sounds, more delay times, more control options and more connectivity. And it's all in a standard BOSS pedal that slips easily into any mono or stereo configuration. Eleven modes provide delay colors ranging from basic to exotic, and the Looper has unlimited overdub capabilities with the ability to control it externally. For maximum versatility in a minimal footprint, there's no better compact delay than the DD-8.

A very wide range of distortion sounds with 3-band EQ and strong sustain. The MT-2 Metal Zone is one of BOSS' most popular pedals. This stompbox provides some of the most over-the-top, insane distortion tones in the world—with huge mids and lows and an ultra-saturated sound.

IMPROVES YOUR OVERALL SOUND Compresses high levels and amplifies low signals. Produces a smooth sustain that retains the full richness of the sound. The internal equalizer allows precise sound adjustment and reduces noise to a minimum.

A VINTAGE-STYLE DISTO SHOT The FZ-5 is a fuzz pedal for the contemporary guitarist with a pure retro sound. Thanks to COSM® technology, the FZ-5 brings you the beautiful rock sounds of the '60s and '70s with an extraordinary vintage fuzz. Try legendary pedals like the Maestro FZ-1A, Fuzz Face and Octavia and make them even more brutal with the FZ-5's BOOST control. BOSS COSM technology perfectly simulates the effect of the BOOST control on classic fuzz pedals. The FZ-5 is the perfect weapon to enhance stage artillery with good old-fashioned fuzz.

THE UNIQUE STEREO CHORUS Produces crystal clear chorus sound with crystal clear highs and a unique stereo effect that varies between the left and right speakers. The EQ function is used to adjust the timbre of the chorus sound.

THE REFERENCE IN DISTORTION FOR GUITAR The Distortion DS-1 has become a true icon in the world of guitar effects. Released in 1978, the first BOSS distortion pedal defined a new sound with a sharp attack and smooth sustain that has become a benchmark for generations of musicians. The DS-1 remains BOSS' best-selling compact pedal, and its original and enduring design continues to contribute to the creation of great music around the world. The classic DS-1 sound is a part of the overall sound of many rock legends, and it is still ready to power your own sound today.

MODERN PHASER WITH SYNCHRO TAP TEMPOClassic BOSS phaser including 4, 8, 10 and 12 stage effects, plus new "Rise" and "Fall" effects for one-way effects. Tap Tempo or Rate can be controlled in real time via an external expression pedal.

Travel to new soundscapes With the SY-1, it's never been easier to expand your creative arsenal with legendary BOSS synth guitar technology. This amazingly expressive tool in a compact BOSS pedal format is packed with 121 ultra-responsive sounds that will easily fit into any setup. It's as easy to use as classic compact pedals. You don't need any knowledge of synth programming to build your new world of sound textures. Expressive synth sounds without the need for programming The SY-1 turns any guitar or bass into a versatile synthesizer that's fun, inspiring and ready to play. Incorporating the advanced technology developed for the SY-300, this great pedal features a wide variety of analog synth sounds. All sounds are polyphonic, so you can play single notes as well as chords.

Four Intelligent Pitch Effects in a Stompbox Meet the new BOSS harmonist, with four intelligent pitch-shift effects and three-voice harmony in one convenient unit. Among the effect modes are Harmony, Pitch Shifter, and Detune, plus the all-new Super Bend for authentic pedal-bending effects and wild three- and four-octave pitch sweeps. You can even control pitch with an optional expression pedal. The harmony function is fast and simple to use, and supports a variety of interval patterns. It’s easy to create rich, three-voice harmony: choose a major or minor key, and set SHIFT to 3-VOICE—that’s it! The PS-6 Harmonist is an unbeatable combination of superior sound quality, ease of use, and powerful pitch effects, all under one hood.

LOOK NO FURTHER: THE SOLUTION FOR LOOPS IS BOSS!The BOSS RC-1 is the simplest and most user-friendly of our Loop Stations to date. It will ensure hours of fun. Since the release of the first Loop Station RC-20 in 2001, BOSS has led the way by regularly releasing new models for creating/managing sound loops. Although they have been used and enjoyed by many artists, BOSS has always sought to develop the simplest and most affordable product possible. The RC-1 is an easy to use and efficient looper.With this compact BOSS pedal, you can experience the pleasure of building loops, triggering them, playing over them, erasing them and starting over.Of course, the RC-1 is true to the BOSS tradition of quality and efficiency, which has earned the brand its success with musicians around the world. On top of this pedal you'll find an innovative new loop indicator: a 24-segment LED wheel. This allows you to see at a glance which mode (Rec/Overdub/Play) you are in. With a maximum recording time of 12 minutes of stereo signal, the RC-1 is able to store everything you can play or imagine. Its stereo jack inputs and outputs can be used to connect it to stereo effects and amps. They also allow you to connect stereo instruments such as synthesizers.Battery and AC adapter operation, as well as a variety of external footswitch triggering options, add to its convenience. The RC-1 is an extremely valuable companion that will introduce you to the wonderful world of loops.

WARM AND NATURAL DRIVE SOUNDSIts unbalanced overdrive circuitry produces a smooth, warm sound that reflects your playing style like a tube amp. The Tone control allows you to get the perfect sound.

THE WORLD'S BEST-SELLING STAGE TUNERThe world's best-selling stage tuner, the BOSS TU-2, passes the baton to its successor, the TU-3.Housed in a rugged BOSS pedal enclosure, the TU-3 features a 21-segment LED meter and a High Brightness mode for easy readability in bright sunlight. Select either Chromatic or Guitar/Bass tuning mode and take advantage of the Accu-Pitch Sign function for ultra-precise pitch verification.The TU-3 is equipped with a display that can show the note names of a 7-string guitar or 6-string bass. The "Flat Tuning" mode allows the instrument to be tuned up to six semitones lower. This new tuner is sure to complement the pedals of bassists and guitarists around the world!

Serious Rock DNA Forged Into a Compact, Battery-Powered Amp BOSS KATANA amps have received accolades from guitarists everywhere for their fantastic sound and feel, onboard effects, and great value. Now, the KATANA-Mini makes serious KATANA tone accessible in a small, go-anywhere amp that runs on batteries. Offering sound quality that far exceeds other amps in its class, this miniature powerhouse features an authentic multi-stage analog gain circuit for big, expressive sound, plus a traditional analog EQ and an onboard tape-style delay. Ultra-compact and travel-ready, the KATANA-Mini delivers inspiring KATANA tone anywhere you want to play.

This Crossover version is a hybrid nylon-stringed guitar with the characteristics of a traditional classical guitar, but with specific features that evoke the electric or folk universe (narrower neck with head nut, more compact body...). It offers rich and warm acoustic characteristics as well as great polyphonic clarity and allows a nuanced and dynamic playing. It is an eclectic guitar in terms of styles, allowing to approach the classical register, but also and among others jazz, bossa nova etc...   The principle of the lattice dam was invented by the Australian luthier Greg Smallman, his aim at the time was to make the soundboard as thin as possible so that it could vibrate as freely as possible. As the so-called traditional braces could not support such a thin soundboard, this violin maker decided to develop a new cross-bracing system made of wood reinforced with carbon rods. Convinced that the vibrations of the top are lost in the sides and back of the guitar, he also decided to make these two components heavier, so as to make them almost inert. With this concept, he manages to make the soundboard react like a drumhead, with a result that results in a great projection and power of sound. However, it must be noted that this concept, which favours power and projection to the detriment of the other essential elements constituting the main characteristics of the instrument such as timbre, balance and musicality, produces in the end a guitar with a denatured timbre, with a very linear sound that makes it difficult to play with nuance. Addressed exclusively to a clientele whose leitmotiv is to play the guitar to make music and not the other way around, I decided to use this principle of lattice dam and to develop it in order to find all the technical characteristics that a guitar worthy of the name must have. From this will was born the CRW12 equipped with a specific lattice system combined with specially designed components, in order to correct the shortcomings of the Australian lattice.   The CRW12 Lattice is therefore the result of increased research to benefit from the advantages of the lattice system in terms of power and projection, while preserving the DNA of the traditional classical guitar in terms of tone quality, balance and musicality.   The Fishman Pro Blend system allows the combination of two types of sources: a piezzo sensor under the saddle and an overhead mic positioned in the body, offering a very wide range of sound.

The GS120 is a very sturdy guitar stand and excellent manufacturing quality. It attaches to a mic stand.

Guitare acoustique format dreadnought. Table dos et éclisses en tilleuil. Touche et chevalet en\'compound rosewood\'. Mécaniques Die Cast. Finition vernis naturel.Livrée avec housse.

Electric guitar type LP . Body in linden wood. Compound rosewood 22 fret fret fretboard. Maple neck. 2 double-wound pickups. Tune-o_matic bridge. 3-position switch. 2 volumes and 2 tones. Mechanicals...  

Ukulélé soprano . Corps en Zebrawood et manche ennato. Touche \'compound rosewood\'. Mécaniques Die cast.  

Tenor ukulele. Body in sapele and neck in nato with white binding. Fingerboard \'rosewood compound\'. Die cast mechanics.  

Ukulele électro-acoustique soprano. Tout massif. Table, dos et eclisses en acajou. Manche acajou avec touche palissandre. Binding sur le corps. Deux ouvertures pour un maximum de projection sonore. Preampli et accordeur. Finition naturel mat.

Ukulele soprano. Mahogany top, back and sides. Fingerboard and bridge in black walnut. Mechanics silver plated in oil bath, Laze logo on the head. Aquila strings. Cover included. Color: Natural mahogany.  

Guitare Classique Yamaha  

The Yamaha C40 is a full size classical guitar. A modest budget no longer means putting up with a second-rate guitar, as the Yamaha C40II ably demonstrates. Spruce tops, mahogany-like meranti backs and sides and real rosewood fingerboards and bridges ensure that this guitar is blessed with a quality of tone and playability that belies its affordable price tags. The C40 might be one of Yamaha's most inexpensive full-size classical models, but its quality and tone are outstanding. A real bargain for beginners.

The YAMAHA NX Series NCX1FM electro classical guitar is a remarkably crafted instrument designed for electric and folk guitarists who wish to acquire a traditional, functional and enjoyable nylon string.