Always on timeOur new tremolo range and our upcoming time pedals include this tap tempo feature. For those of you who regularly change tempo and prefer to feel it with your foot instead of the pot, you've been asking us for this feature many times and it's finally here.More simpleFrom the pedal itself, you can tap the tempo thanks to the left footswitch. But sometimes depending on the location of the pedal in question in the pedalboard, this pedal is on the 2nd row and it is not necessarily practical to use a tap tempo so far away. Or sometimes, some people wear size 46 and risk to press the 2 footswitches at the same time.More practicalIt was inconceivable for us to increase the size of the pedal because of this function. So we thought it would be more interesting to propose to those who want to do otherwise, to add this little accessory! It can be placed anywhere on the pedalboard. The footswitch is momentary so no "clack" during the tap.Immediate connectionTo use it, open your pedal and deactivate the Spinner mode to privilege the Tap playback. Connect the 2 instruments using the 3.5mm jack provided with the Tap. The Tap and the pedal communicate with each other freely thanks to our connectivity.All that's left to do is enjoy!

Bumper - buffer - the guardian angel of your pedalboardPlace this mini pedal directly after your guitar to never be bothered by line loss again.And adapt, without difficulty, the resonance peak of your pickups.Small but effective So small that it fits in the palm of your hand, place it directly after your guitar to recover the purity of your sound.The little extra? A switch that allows you to adjust the pickups of your guitar.Indispensable on most pedalboards, it allows you to :- cancel line losses (jacks, patches, true bypass...)- to keep the dynamics, the harmonics and the highs of your signal- to adapt the impedances between each pedal

Ultra thick but not roughThe feed me is a BC108 type silicon fuzz, transistor present in the Fuzz Face of the 60s.The sound is massive and very thick, but the precision of its high frequencies allows it to remain perfectly intelligible in any mix.The Feed Me is made to play without asking questions, activate it, and set the beast free!

Freq up - customizable boost the ideal pedal to get out of the mixoverdrive and boostAn amp that's a little too weak? An overdrive to enhance? Do you want to get out of the mix by slamming a great solo? Loss of lines?The Freq Up is made for you, in front of your pedalboard, or your amp!2 circuits developed in-house: the first is the 2nd voicing of the cerberus, a creamy overdrive reminiscent of the tube screamer of yesteryear,the second one is a clean boost with adjustable frequencies to add the necessary gain to get out of the mix (+25 db).A simple switch on the front panel allows you to emphasize the bass, the midrange or the treble.

More than just a boosterWe all know the Tube Screamer, it's not like we all have one at home!We were always told that it was the best tool to boost an already crunched amp.The gain at 0, the volume at full and here we go!You break through the mix, you're on the front of the stage and you avoid drooling on the spectrum of the other instruments.There are of course other combinations and sounds to exploit from this scheme, and that's what we're going to study!Over the past several years, our team has analyzed more than 100 patterns inspired by the OD 808.With this knowledge base, we have created a new pedal, the Ego Driver.It is capable of reproducing all of these vintage sounds, and to go further by creating new ones!To achieve this it's quite simple, we focus on the saturation stage and,we reveal all the keys of its conception.Moreover, with the Ego Driver and the FX Teacher project, you will be able to create your own Tube Screamer, customize it and understand how to set it up to optimize your sound!Even more possibilitiesThe FX Teacher project allows you to go even further in your quest for sound.Indeed, you still have the easy-to-access controls on the front panel, which allow you to quickly adjust your pedal.Inside, you know our trimpots, we're big fans of them at Anasounds.They are very fine adjustments that offer a sound precision worthy of the creator.But this time, on top of all that, we added terminal blocks!They allow you to easily add and remove components with a simple screwdriver.So if you want to change a clipping diode or a filter capa, you can!It's as if in the end... you've created your own pedal!

Phase lagOrganic, psychedelic and atmospheric phaserVintage phaserThe phase lag is an organic, psychedelic, atmospheric phaser that musically encompasses and compresses the signal.The 100% analog modulation uses OTA technology for a sublime vintage sound, and a great stability of the effect!The modulation sweeps through all the frequencies of your playingA slow speed will result in a spatialization of your sound, while a faster speed will result in a vibrato.The pedal in our effects lineup with the least amount of internal controls, we wanted to create a simple phaser.The phase lag offers 100% analog modulation using OTA technology, for a beautiful vintage sound and stability of the effect.Play around with the two front panel controls to hypnotize the crowd!

Express yourself at last!Until now, to extend the range of your effects, you could have added a tap tempo footswitch or an expression pedal. But in reality, what we used to call an expression pedal was just a control pedal which is exactly the same as turning a pot with your foot. Convenient, yes, but not very creative.With the Spinner, here is the first expression pedal worthy of the name.Quiet on the SpinnerThe very existence of the classic expression pedal comes from a very simple fact: when you have both hands busy with a guitar, it's very complicated to change its settings. How many of us have found ourselves impatiently waiting for the next silence to act on a button? In these situations, a foot pedal is invaluable, and pedal manufacturers have understood this from the 1969 Uni-Vibe with its pedal to the Line 6 Helix with its three pedal controls.But until now, no one has designed a pedal that really extends the possibilities of the main effect and allows for artistic expression.So here is the Spinner.A new kind of expression pedalThe idea came to us while working on the Ages pedal, as we were looking for ways to make the simple tremolo effect more lively and exciting. It took us months of research to come up with the magnetic system we used, and a close collaboration with a craftsman from Nice to make the custom metal part. The principle of the Spinner is as follows: the three-bladed boomerang-like metal star is mounted on a screw inspired by skateboard wheels. It has a magnet under each blade which the sensor detects and transmits the speed of rotation to the circuit. Thus, when you kick the star, the effect is affected according to a mode that you have previously chosen via the switch at the back (placed here so that it is not in the way of your foot!).Always under controlYou can choose to accelerate the speed of the effect until the spinner stops spinning, at which point the speed reverts to the speed you set with your classic tap tempo. You can also choose to slow down the effect in the same way. Finally, a killswitch mode allows you to cut the sound at the speed of the spinner. In the first two modes, you can even hit the star while your main pedal is off, and the Spinner will engage the effect in a punctual way until it stops spinning. Got a chord at the end of a bridge and looking to give it some drama? A good harmonic tremolo hit that goes off at full speed and stops dead should do the trick! Of course, as long as the spinner's rotation is the source of expression, you can stop it with your foot to stop the effect or return to your original speed. You can also put a magnet on the Magnet slot and make the Spinner slow down faster: its action then becomes shorter in time, and you don't have to stop it with the foot for specific passages.There are no buttons on the surface to avoid accidents, but you just have to open the pedal to control the three useful parameters via trimpots: the speed threshold at which you activate the effect if it was off, the threshold at which you deactivate this same effect and the acceleration or deceleration rate of the effect.This is just the beginningFor the moment the Spinner is compatible with our tremolo pedal and the Ages harmonic tremolo pedal, and it expands their possibilities to the point that it becomes their inseparable companion. But you know Anasounds, there are likely to be more compatible effects coming out in the future, Once you discover the pleasures of the Spinner, you'll probably want to use it on all your pedals!

Lazy comp - optical compressordiscover a subtle blend of compression and dynamicsyet another compressor ?Are you tired of spending hours fiddling with thresholds, ratios, attacks, releases...?We wondered if it was possible to combine compression, dynamics and harmonics in one box with few settings, and the Lazy Comp was born. The Lazy Comp is an optical compressor, fully customizable.On the front panel, a single setting: the mix (dry/wet), it manages the mix between the clean sound and the compressed soundThe lazy side of the pedal refers to the fact that it's a plug&play compressor, you just have to turn the mix knob to find your happiness.Despite its simple appearance, this high quality analog compressor contains a very specific circuitry that delivers a natural compression, and preserves the dynamics necessary for a warm and powerful sound.The sound entering the Lazy Comp is duplicated in two branches: "clean" and "comp".- The mixture of the two is controlled by the blend potentiometer- The "comp" is preceded by an analog preamp, ideal for a warm sound and for piercing the mix- The compression is optical

At the heart of your pedalboardThe K+ ion is essential to the proper functioning of our muscles and therefore of our heart, and this is how we place food in the sound chain. So let's take care of our pedalboard as we take care of our food!even the most greedy will be servedThe Anasounds K+ power supply aims to exceed current performance by offering up to 2 amps per output. Yes yes, 2A or up to 2000mA per output, no less!Enough to power the most power-hungry pedals, including switchers and tube preamps.The K+ rangeK+-different-models K+-Killed the noise! But, power is not everything, it is also one of the quietest power supplies on the market! Indeed the 24V transformer is outside, it does not risk to radiate inside the case. Then we integrated several filtering stages, guaranteeing absolute silence.power supply technologies, a new adventureThis new turn was not taken lightly, we have been working on this project for more than 2 years, since Damien joined the team. A dozen beta-testers received their power supply 6 months before the release of the product. And it's been almost a year that we use this system for shows like NAMM to improve it more and more! So we are very proud to present this innovation and this ultra solid power supply that will accompany you through your training.Finally, we have created this article to better advise you and help you find the power supply that best suits you. We will talk about the new K+ but also about competing power supplies that offer complementary services.a power supply that grows with your needsOur K+ range is fully modular, from this same 24V power supply, we can power one or more K+ blocks by chaining them with a simple DC jack.So you can start with one block and add as many as you need, for those who would like to create a space pedalboard!K+ daughterboardThe small model, but just as powerful!It integrates 6 9V outputs that offer up to 2A.It is the ideal solution for a light and efficient board!the 24v linkThanks to the 24V Link, no need for a second power adapter! You can directly connect a K+ or FX Power Source to another one through the 24V Thru connector on the back of the power supply.On the other hand, for those who have ultra greedy pedals, there are 2 24V IN inputs. This allows you to connect 2 24V power supplies in parallel and thus double the total power of the Motherboard box.But this is for someone who is trying to turn his K+ power supply into a cooking device!

"fuzz is life"What's better than a great fuzz? Two great fuzzes, of course.The spark came from plugging the Feed Me into the prototype of a Super Fuzz, and the Bitoun Fuzz circuit was born.As Confucius wisely said to his concierge, "Fuzz is life". Few guitarists have applied this maxim with as much conviction as Julien Bitoun, famous French fuzzophile, author of the reference book "In search of the lost fuzz".Since the appearance of this magical effect at the dawn of the 60's, the quest for the ultimate fuzz has inspired many designers and musicians who were trying to achieve this precarious balance between the fluidity of the incandescent magma and the rocky sputtering of an amp that lives its last moments. Or, to put it more simply, it's not easy to find a fuzz that's both huge, brutal, musical and easy to play. Or to put it even more simply, graouh, groooou and lalala.It took Anasounds and Julien Bitoun years of research to come up with the result you're holding in your sweaty, anticipatory hands. The original idea was to make the best possible version of the Super Fuzz. Super Fuzz is the name of an Italian-American movie released in 1980 in France under the name "drôle de flic". But it's also a fantastic Japanese pedal from the late 60's that has a huge sound, wandering on the side of the ring modulator at times.The problem is that it's a very unglamorous and treacherous sound to play, between the very abrupt sustain and the unfluid gain. On top of all that, the Super Fuzz sounds very big when played alone but in a band, its pronounced midrange dip makes it very easy to disappear behind the rest of the mix.Anyway, there was a better solution to be found, and here it is: the only thing better than one excellent fuzz? Two great fuzzes.Plugging the Anasounds Feed Me into the Super Fuzz prototype was the spark, and the Bitoun Fuzz circuit was born. The Bitoun Fuzz is not a "double fuzz" in the sense of other brands, which simply put two circuits in one pedal and allow to choose between two different fuzzes. The Bitoun Fuzz combines two circuits that have been designed to work together to provide the ultimate fuzz, the one you've been looking for until now.It's time to plug the thing in. Prepare yourself psychologically, the shock can be considerable.As far as settings are concerned, you shouldn't be lost: the tone (cookies) goes from a big and deep sound to an aggressive discharge that is not to be put in all hands. The volume (tea) can severely boost your poor traumatized amp, so start with a low setting and go up very gradually.Take a deep breath and strum your first note: welcome to the wonderful world of the Bitoun Fuzz, where you'll never have to look for the fuzz of your dreams again. It's right here, at your feet. Make good use of it, because as Gandhi said to his sister-in-law, "With great fuzz comes great responsibility".

AC/DC high voltageAs Malcolm Young said, "Nobody would pay attention to anything that was going on until you kicked them right in the teeth with it. "It is in this spirit that the High Voltage distortion was conceived, to slam in the face of the audience. Thanks to its bass killer switch, the rhythms are powerful and they easily break through the mix! No more sticky, gain-laden distortion that spills everywhere. Only sound, dynamics and energy.With this in mind, the Anasounds team, advised by AC/DC fans, developed this new pedal. At first, the idea was to get close to a Marshall Plexi pushed to the limit, and then finally to do a frequency analysis of "It's a long way to the top (if u wanna rock'n'roll)" from the High Voltage album. The chords of the intro are so powerful, so clear and so recognizable, that it was time to get out a pedal to find their grain more easily.Don't get me wrong, with all the settings available, it's also very easy to create your own grain. But that's the spirit in which Anasounds created the High Voltage.

Cerberus - the custom overdrive - the real Swiss army knife for guitaristsPowerful and flexibleYou like to change overdrives like you change shirts? Why not integrate them all in one box?It has three voicings in order to obtain extremely different grains and thus, a large sound palette, a soft and open clipping, and a warmer and sharper sound.Thanks to the three internal settings, become the architect of your sound!Years of research and prototyping to determine the common thread that links all the overdrives.We finally focused on two things:- the Anasounds voicing technology allowing to change the saturation density from a soft and creamy overdrive to a modern and sharp one.- the second point concerns compression and clipping to determine 3 saturation changing sounds, independently of the gain pot.

AC/DC high voltageAs Malcolm Young said, "Nobody would pay attention to anything that was going on until you kicked them right in the teeth with it. "It is in this spirit that the High Voltage distortion was conceived, to slam in the face of the audience. Thanks to its bass killer switch, the rhythms are powerful and they easily break through the mix! No more sticky, gain-laden distortion that spills everywhere. Only sound, dynamics and energy.With this in mind, the Anasounds team, advised by AC/DC fans, developed this new pedal. At first, the idea was to get close to a Marshall Plexi pushed to the limit, and then finally to do a frequency analysis of "It's a long way to the top (if u wanna rock'n'roll)" from the High Voltage album. The chords of the intro are so powerful, so clear and so recognizable, that it was time to get out a pedal to find their grain more easily.Don't get me wrong, with all the settings available, it's also very easy to create your own grain. But that's the spirit in which Anasounds created the High Voltage.

A warm and powerful overdrive inspired by the legendary Centaur and redesigned by our engineers.Still powerful and formidable, we chose to keep the original electronic structure to maximize the warmth and dynamics of the sound.Versatile overdrive, suitable for all situationsAs a boost to get your solo out of the mix, or permanently activated to gain grit and sustain.Compared to dozens of current clones, we've rebuilt the filtering and gain stages to match our vision of the Centaur. Hear the difference!

A new sound journeyThe harmonic tremolo is one of the rarest and most interesting effects to customize your sound.It brings a more lively movement than a simple tremolo, it doesn't have the dated character of a chorus, and it doesn't take up as much space as a delay or a reverb.Whether you're looking to add a hypnotic edge to your arpeggios or add thickness to your melody lines, the Ages offers a new perspective on modulation.Historical but misunderstoodThe harmonic tremolo exists under many names:vibrato, harmonic vibrato, harmonic tremolo, vibe, univibe, and so on.In all cases, the stated goal is the same: to cyclically vary the pitch of your notes (rather than their volume as a normal tremolo does) by shifting the phase of the bass and treble.This separation of the two frequency ranges is reminiscent of how Leslie's cabs work, and it's no accident:the first harmonic tremolos, including the Univibe or the vibrato of the Magnatone amps, were intended to reproduce the effect of the Leslie. But these references have of course imposed their own sound color,and some manufacturers have since proposed their own version.A new eraA new level of live interaction. Give the pick a big thump and the effect will know exactly how to respond to you. Shoot the spinner and trigger a tremolo explosion!Always louderThe Ages' built-in attack sensor works in two different ways: it can allow you to vary the speed or depth depending on the strength of your attack.The secondary settings allow you to adjust all parametersparameters in the finest way possible for unprecedented results:you can for example accelerate the effect on your most violent picks to emphasize the most intense parts (and the speed automatically returns to the one chosen at tap tempo), or lower the depth of the effect when you play louder so as not to drown out your rhythms.

element analog spring reverbSince 2017, at Anasounds we have been challenging ourselves to offer you a reverb that reproduces the sound of the spring built into the legendary Fender Twin Reverb, a convenient way to get that unique sound without having to buy such a beast.To do so, we worked on several technologies, using dedicated digital processors, FV-1, BTDR from Belton... We tried everything! We finally came to this conclusion: there are very few 100% analog reverb solutions.

Back to the rootsSince 2017, we at Anasounds have set ourselves the challenge of offering you a reverb that reproduces the sounds of the spring built into the legendary Fender Twin Reverb, a practical way to find this unique sound without acquiring such a beast. To do this, we worked on several technologies, using dedicated digital processors, FV-1, BTDR from Belton... We tried everything!We finally came to this conclusion: there are very few 100% analog reverb solutions.We were surprised to see that this exceptional combination was very little exploited. The few competitors who have tried to do so have not gone to the end of the concept and propose big boxes with rather rudimentary settings. It is thus with the aim of improving this state of the art that we continued our research to propose a new way to approach the spring reverb. A Twin Reverb in a pedal and much more...And so the Element Spring Reverb was born!The Element is a pedal that takes the essence of the analog of the analog reverb, the one that is obtained by physically stimulating by physically stimulating springs with the guitar signal. Simply put. No tricks. No calculations. Beautiful mechanics coupled with analog signal processing.several sound worldsThe Element is a pedal that takes up the very essence of the of the analog reverb, the one that is obtained by physically stimulating by physically stimulating the springs with the guitar signal. Quite simply. Without artifice. No calculations.Beautiful mechanics coupled with analog signal processing.Guitar sideBack to the 60's, Californian beach, surf, guitar, mix pushed to the limit,a few notes in a loop followed by anthology riffs. That's the promise we make to you. From Dick Dale to David Gilmour to Bob Marley.Even ambient fans will put away their shimmers when they realize the richness of the sound the spring allows! Sexy and responsive layers, exhilarating shpouing, a mix that is both discreet and delightful.Synth sideA Moog, an Arturia or anything else you can think of, a good raw sequence and this reverb will round off the angles, give your sound some breadth and bring a good dose of harmonics.Turning it off would be a crime! New plug-inThis is a standard pedal, the same size as all Anasounds pedals. You can attach it to your pedalboard with velcro.It has an input jack, an output jack and a 9V power jack. So far, nothing new!What it does have is a mini jack cable that plugs into the back of the pedal. This one will connect on the other side in rca to a box full of springs that we call a tank. This tank is essential because it is the one that allows to generate a reverb effect in an analog way. Compared to other spring reverbs that use huge boxes, the tank is detached from the pedal, offset and connected by a cable. The tank can be hidden under the pedalboard or kept on top, it's up to you! Self-drilling mounting screws are provided with the tank to allow you to mount the tank anywhere on the pedalboard.

At the heart of your pedalboardThe K+ ion is essential to the proper functioning of our muscles and therefore of our heart, and this is how we place food in the sound chain. So let's take care of our pedalboard as we take care of our food!even the most greedy will be servedThe Anasounds K+ power supply aims to exceed current performance by offering up to 2 amps per output. Yes yes, 2A or up to 2000mA per output, no less!Enough to power the most power-hungry pedals, including switchers and tube preamps.The K+ rangeK+-different-models K+-Killed the noise! But, power is not everything, it is also one of the quietest power supplies on the market! Indeed the 24V transformer is outside, it does not risk to radiate inside the case. Then we integrated several filtering stages, guaranteeing absolute silence.power supply technologies, a new adventureThis new turn was not taken lightly, we have been working on this project for more than 2 years, since Damien joined the team. A dozen beta-testers received their power supply 6 months before the release of the product. And it's been almost a year that we use this system for shows like NAMM to improve it more and more! So we are very proud to present this innovation and this ultra solid power supply that will accompany you through your training.Finally, we have created this article to better advise you and help you find the power supply that best suits you. We will talk about the new K+ but also about competing power supplies that offer complementary services.a power supply that grows with your needsOur K+ range is fully modular, from this same 24V power supply, we can power one or more K+ blocks by chaining them with a simple DC jack.So you can start with a single block and add as many as you need, for those who would like to create a space pedalboard!K+ motherboardThe biggest model with a maximum of possibilities! 10 outputs, 6 of them 9V and 4 adjustable 9/12/18V, up to 2A. 9, 12 or 18V, greedy systems, it is the most complete block of the range.the 24v linkThanks to the 24V Link, no need for a second power adapter! You can directly connect a K+ or FX Power Source block to another via the 24V Thru connector on the back of the power supply.On the other hand, for those who have ultra greedy pedals, there are 2 24V IN inputs. This allows you to connect 2 24V power supplies in parallel and thus double the total power of the Motherboard box.But this is for someone who is trying to turn his K+ power supply into a cooking device!

elementanalog spring reverbDepuis 2017, chez Anasounds nous nous sommes lancé le défi de vous proposer une reverb reproduisant les sonorités du ressort intégré au légendaire Fender Twin Reverb, un moyen pratique de retrouver cette sonorité unique sans pour autant acquérir un tel bestiau.Pour ce faire, nous avons travaillé sur plusieurs technologies, en passant par des processeurs numériques dédiés, des FV-1, BTDR de Belton… On a tout essayé !Nous sommes finalement arrivés à ce constat : il n’existe que très peu de solutions de reverb 100% analogique.La Brute, c’est le juste milieu, assez costaud pour offrir des shpouing à gogoet rendre fou la plupart des musiciens. Sa taille moyenne permet de l’insérer facilementsous un pedalboard, juste à côté du bloc d’alimentation ou sur la table du clavier,tout en procurant davantage d’harmoniques que son ami Le Bon.23.5 x 8.4 x 4 cm.

Back to the rootsSince 2017, we at Anasounds have set ourselves the challenge of offering you a reverb that reproduces the sounds of the spring built into the legendary Fender Twin Reverb, a practical way to find this unique sound without acquiring such a beast. To do this, we worked on several technologies, using dedicated digital processors, FV-1, BTDR from Belton... We tried everything!We finally came to this conclusion: there are very few 100% analog reverb solutions.We were surprised to see that this exceptional combination was very little exploited. The few competitors who have tried to do so have not gone to the end of the concept and propose big boxes with rather rudimentary settings. It is thus with the aim of improving this state of the art that we continued our research to propose a new way to approach the spring reverb. A Twin Reverb in a pedal and much more...And so the Element Spring Reverb was born!The Element is a pedal that takes the essence of the analog of the analog reverb, the one that is obtained by physically stimulating by physically stimulating springs with the guitar signal. Simply put. No tricks. No calculations. Beautiful mechanics coupled with analog signal processing.several sound worldsThe Element is a pedal that takes up the very essence of the of the analog reverb, the one that is obtained by physically stimulating by physically stimulating the springs with the guitar signal. Quite simply. Without artifice. No calculations.Beautiful mechanics coupled with analog signal processing.Guitar sideBack to the 60's, Californian beach, surf, guitar, mix pushed to the limit,a few notes in a loop followed by anthology riffs. That's the promise we make to you. From Dick Dale to David Gilmour to Bob Marley.Even ambient fans will put away their shimmers when they realize the richness of the sound the spring allows! Sexy and responsive layers, exhilarating shpouing, a mix that is both discreet and delightful.Synth sideA Moog, an Arturia or anything else you can think of, a good raw sequence and this reverb will round off the angles, give your sound some breadth and bring a good dose of harmonics.Turning it off would be a crime! New plug-inThis is a standard pedal, the same size as all Anasounds pedals. You can attach it to your pedalboard with velcro.It has an input jack, an output jack and a 9V power jack. So far, nothing new!What it does have is a mini jack cable that plugs into the back of the pedal. This one will connect on the other side in rca to a box full of springs that we call a tank. This tank is essential because it is the one that allows to generate a reverb effect in an analog way. Compared to other spring reverbs that use huge boxes, the tank is detached from the pedal, offset and connected by a cable. The tank can be hidden under the pedalboard or kept on top, it's up to you! Self-drilling mounting screws are provided with the tank to allow you to mount the tank anywhere on the pedalboard.

Back to the rootsSince 2017, we at Anasounds have set ourselves the challenge of offering you a reverb that reproduces the sounds of the spring built into the legendary Fender Twin Reverb, a practical way to find this unique sound without acquiring such a beast. To do this, we worked on several technologies, using dedicated digital processors, FV-1, BTDR from Belton... We tried everything!We finally came to this conclusion: there are very few 100% analog reverb solutions.We were surprised to see that this exceptional combination was very little exploited. The few competitors who have tried to do so have not gone to the end of the concept and propose big boxes with rather rudimentary settings. It is thus with the aim of improving this state of the art that we continued our research to propose a new way to approach the spring reverb. A Twin Reverb in a pedal and much more...Thus was born the Element Spring Reverb!The Element is a pedal that takes the essence of analog reverb, the one that is obtained by physically stimulating springs with the guitar signal. Simply put. No tricks. No calculations. Beautiful mechanics coupled with analog signal processing.several sound worldsThe Element is a pedal that takes the essence of analog reverb, the one that is obtained by physically stimulating springs with the guitar signal. Quite simply. No tricks. No calculations.Beautiful mechanics coupled with analog signal processing.Guitar sideBack to the 60's, Californian beach, surf, guitar, mix pushed to the limit,a few notes in a loop followed by anthology riffs. That's the promise we make to you. From Dick Dale to David Gilmour to Bob Marley.Even ambient fans will put away their shimmers when they realize the richness of the sound the spring allows! Sexy and responsive layers, exhilarating shpouing, a mix that is both discreet and delightful.Synth sideA Moog, an Arturia or anything else you can get your hands on, a good raw sequence and this reverb will round off the angles, give your sound some breadth and bring a good dose of harmonics.Turning it off would be a crime! New plug-inThis is a standard pedal, the same size as all Anasounds pedals. You can mount it on your pedalboard with velcro.It has an input jack, an output jack and a 9V power jack. So far, nothing new!What it does have is a mini jack cable that plugs into the back of the pedal. This one will connect on the other side in rca to a box full of springs that we call a tank. This tank is essential because it is the one that allows to generate a reverb effect in an analog way. Compared to other spring reverbs that use huge boxes, the tank is detached from the pedal, offset and connected by a cable. The tank can be hidden under the pedalboard or kept on top, it's up to you! Self-drilling mounting screws are provided with the tank to allow you to mount the tank anywhere on the pedalboard.what is included in this bundle1 element pedal1 mini jack to rca cablethe 3 tanks, le bon, la brute and le truand!6 self drilled screws to let you screwup your tank under your pedalboardthis pack was designed for people who don’t want to choose between tanks.also it’s a nice opportunity to put spring tanks everywhere in your rig!presentationthe element is a pedal that takes back the very essence of the analogue reverb,which is obtained by physically stimulating springs thanks to the guitar signal.simply. no artificials. no calculations.from beautiful mechanical coupled to analog signal processing.how to use itit’s still a classic pedal, same size as all of our other pedals.you scratch it (or not) on the pedalboard.it always has an input jack, an output jack and a 9V power jack.nothing new so far!what’s more? there’s a mini jack to plug on the back of the pedal.then, it will be connected to the box full of springs (called a tank) via rca connectors.this tank is mandatory because it is the one that allows to generate an analog effect of reverb.

At the heart of your pedalboardThe K+ ion is essential to the proper functioning of our muscles and therefore of our heart, and this is how we place food in the sound chain. So let's take care of our pedalboard as we take care of our food!even the most greedy will be servedThe Anasounds K+ power supply aims to exceed current performance by offering up to 2 amps per output. Yes yes, 2A or up to 2000mA per output, no less!Enough to power the most power-hungry pedals, including switchers and tube preamps.The K+ rangeK+-different-models K+-Killed the noise! But, power is not everything, it is also one of the quietest power supplies on the market! Indeed the 24V transformer is outside, it does not risk to radiate inside the case. Then we integrated several filtering stages, guaranteeing absolute silence.power supply technologies, a new adventureThis new turn was not taken lightly, we have been working on this project for more than 2 years, since Damien joined the team. A dozen beta-testers received their power supply 6 months before the release of the product. And it's been almost a year that we use this system for shows like NAMM to improve it more and more! So we are very proud to present this innovation and this ultra solid power supply that will accompany you through your training.Finally, we have created this article to better advise you and help you find the power supply that best suits you. We will talk about the new K+ but also about competing power supplies that offer complementary services.a power supply that grows with your needsOur K+ range is fully modular, from this same 24V power supply, we can power one or more K+ blocks by chaining them with a simple DC jack.So you can start with one block and add as many as you need, for those who would like to create a space pedalboard!For the space boards... the premium pack!The K+ Motherboard is not enough? You need more than 10 outputs?This premium pack contains the two power supplies, and all the accessories needed toto fully power the most complete pedalboard!Both K+ Motherboard and Daughterboard power supplies in one bundle with their brackets!To power up to 16 pedals in 9, 12 and 18V, and up to 2A!