Condition Very good status
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Used starting from : €5,500.00
Reviews (3) :
Analog paraphonic synthesizer with 2 oscillators, a multimode filter, a drone function, a white noise generator, 3 loopable envelopes and 30 patch points! The 2nd version of the Dreadbox Nyx is a very good analog paraphonic synth with a great amplitude on the settings. The quality of manufacture is there: real wood panels, steel case, very strong and resistant pots. Without patch, we can find a sound close to ARPs although more versatile thanks to the multimode filter and the 2 mods in addition to the VCA and the LFO. We will also appreciate the drone mode which works perfectly with the cavernous embedded reverb. Patch points are welcome and allow you to take this module off the beaten track. It can also be easily integrated into a modular setup. In short, you can lose hours in sound design by switching from big analog bass to futuristic sounds.
A distinctive analog instrument that brings raw sound, step-sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive live performance and production synthesizer is designed to provide experimental musicians and synthesists with a diverse array of creative tools to inspire new ideas, unique sound and endless sonic exploration.Drive synchronized sound with Mother 32’s powerful step sequencer while utilizing its modular patchbay and assignable output to spawn a living, breathing organism with dynamic and modifiable sound processing. Patch multiple control and sound sources into Mother-32’s voltage controlled mixers and truly unlock the vast potential of this powerful instrument, or pull all of the patch cables, plug in a MIDI cable and simply drive your Mother-32 from any MIDI-equipped device. The Mother-32 is secured in an extruded aluminum enclosure with wood sides, but can also easily be relocated to almost any Eurorack enclosure.
Moog One 8v
The ultimate Moog synthesizer - a tri-timbral, polyphonic, analog dream-synth designed to inspire imagination, stimulate creativity, and unlock portals to vast new realms of sonic potential. The first polyphonic analog synthesizer from Moog in more than three decades, Moog One is the culmination of years of research and has been developed to exceed principal expectations of a polyphonic Moog instrument.Moog One’s polyphonic sound engine is built on the most powerful synthesizer architecture ever employed by a Moog instrument. Per voice, Moog One offers 3 newly-designed analog VCOs, 2 independent analog filters, a dual source analog noise generator, analog mixer with external audio input, 4 LFOs, and 3 envelopes. To deliver an infinitely inspiring performance experience, each of the three timbres can be easily split or layered across Moog One’s expressive 61-note keyboard, each with its own sequencer, arpeggiator, and onboard effects library--including a suite of professional reverbs from Eventide®. Secured in a hand-finished Ash cabinet and aluminum enclosure, Moog One’s front panel is equipped with 73 knobs and 144 buttons, inviting physical connection with every sound shaping and performance control. Extended functionality is easily accessed via a per-module “More” button that brings additional parameters into focus using the Moog One center-panel LCD to ensure the most transparent and expedient sound creation experience possible. Moog One is an unprecedented conduit for the expression of your own creative voice. Sculpt, shape, and transform your own sound with nearly infinite possibilities.
Semi-Modular Analog Percussion Synthesizer and a vibrant deviation from the traditional drum machine. Handcrafted in Asheville, NC by the employee-owners at the Moog Factory, DFAM is the first addition to the Mother-32 family of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions. Activated by an easy-to-use analog sequencer, DFAM’s emotive sound begins with a white noise generator and two wide-range analog oscillators. Oscillator hard sync and FM cross-modulation invite effortless transitions between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM’s distinctive voice is then shaped by a versatile Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangorous accentuations. DFAM behaves much like a living organism, reacting in different ways to different individuals. This is due to 3 dedicated analog envelopes working dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and cacophonous chaos can be spawned or subdued at the turn of a knob. Each DFAM ships with a package of Moog patch cables that unlock access to the 24-point modular patchbay. Use it to create new sounds or bizarre behaviors, synchronize an unlimited number of DFAM and Mother-32 units together, or fully integrate your analog instrument into a modular Eurorack production environment. Through exploration and experimentation, the vast potential of this expressive analog instrument is realized.
The ORLA Stage Starter Black is an Italian digital piano amplified in stereo for beginner, conservatory or self-taught use, with a high quality 88-key keyboard mechanism weighted with hammer mechanism as on a real acoustic piano. It can also be used as a master or stage keyboard. It features 16 different quality sounds that are easily selected with a combination of keys: Grand Piano (grand piano), Upright Piano (upright piano), Electric Piano (electric piano for modern blues, rock or pop compositions), Harpsi, Slow Strings, Fast Strings, Vocals (hearts), Brass (brass section), Nylon Guitar (classical guitar), Church Organ, Chapel Organ, Jazz Organ, Grand Piano mode mixed with a string layer, Grand Piano mode split with a string layer, electric piano mode split with a string layer, and finally classical guitar mode mixed with a string sound. A USB port allows you to connect it to a computer with the MIDI standard. It has a metronome with click and measure, perfect for piano studies from beginner to intermediate level. This eliminates the need to purchase a separate metronome. It has 2 headphone outputs, 2 pedal inputs, a stereo audio input to listen to the sound of a song, for example with a phone or MP3 player, and play at the same time. Another atypical didactic function: this keyboard allows you to play in TWIN mode with your teacher, at the same pitch. Very useful for courses. It is possible to add 2 sounds in a single layer or to split the keyboard in two with an instrument on the left in the bass and another on the right (split). A keyboard key is used to select a more or less brilliant sound (Tone Control). Depending on your game and strength, it is possible to choose a sensitivity of 3 levels (Hard, Normal, or Soft). By default, the Piano sound is selected at a normal velocity. A chorus effect and 3 different reverbs are available (Room, Hall, Theatre, Room being the default). Finally, it is possible to transpose (practical in the event of an untimely change of key in a group, especially with brass accompaniment), and to tune differently the famous "LA" of reference. Key combinations are very easily set up because they are written in white on a black background just above the keyboard. So it is not even necessary to open the operating instructions.
The OB-6® is the result of a unique collaboration between the two most influential designers in the history of the synthesizer, Dave Smith and Tom Oberheim. The OB-6 takes up most of the characteristics of Oberheim synthesizers (oscillators, bipolar filter, VCA...) to which modern functionalities have been added (effects, polyphonic step sequencer, arpeggiator...). A high-performance synthesizer that offers a wide range of sound and very good quality.
Analogical tank from the 1978s with which we quickly spend hours on bass sounds, with 2 synchronizable VCOs. Rare with less than 650 copies, there is a grey version OB-1A. 1750 copies in total.
The 6-page Oberheim OB-1 manual is typewritten (true, it can be found on the Internet), but it is not really needed in sound design, except perhaps to position the buttons to be able to r...
MEDIAS | PHOTOS
5.0 / 5