PORTABLE KEYBOARD FOR ROLAND BOUTIQUE MODULES The K-25m is a 25-key velocity-sensitive keyboard that accompanies the Roland Boutique line. Just over 30 cm wide, the K-25m functions as a docking station for Roland Boutique modules. Once inserted, the module can be tilted in two different ways to adjust the viewing angle and allow programming, or it can be laid flat. This compact keyboard can play in a range of -4 to +5 octaves on modules that allow it.

Produced before the U-20 and U-220, the U-110 is a rack-mounted basic sound module consisting of acoustically oriented PCM samples with preset settings. It was Roland's first fully digital, sample-based synthesizer. Most of the sounds come from the S-50's Roland library. It is a very versatile unit: PIANO, VIBRAPHONE, BELL, MARIMBA, GUITAR, BASS, CHOIR, STRINGS, ORGAN, WIND, DRUMS. The use of the 4 SN-U110 serial PCM card ports is a must. You can find famous sounds from the D-50 (08-01: FANTASIA, 08-04: BREATH VOX, 08-08: RICHBRASS, 08-28 NATIVE DANCE), or the JUPITER (09-12: JP.STRING, 09-13: JP. BRASS1) or originals (02-34: ORCH HIT, 09-10: HEAVY EG 1) largely integrated into the U-20/220. The SN-U110-07 includes no less than 71 electric guitars (jazz, overdrive, distortion). Nevertheless, in the internal programs, there is a very good "cocote" guitar in I30, an excellent fretless in I50, and a shakuhachi in I97 to make it exotic. There are 6 reassignment tables that allow the creation of General MIDI maps (in edition, go to SETUP :MAP, and match the sounds (Internal or X Map) to the desired "program change" number).

Built from the world-famous TB-303, the new TB-3 Touch Bassline is a bass synthesizer for the stage, with sound identical to the original and intuitive controllers that make it easy to play. The TB-3 has the unmistakable character of its predecessor, wrapped in a modern casing with a pressure-sensitive touch pad that makes it very pleasant to play and program. Bass Shuffle mode to make the bass groove!

64 presets, 750 ms max delay, the front panel is clear with the classic potentiometers (attenuator, feedback, delay output volume, level and depth modulation), bypass with indicator light. To the right of Roland's SDE-2500, we enter the settings, the delay preset selections, the storage. On the rear panel, the mono connector for effect loop on amp, mix, or direct guitar instrument or keyboard for example.

Roland's SPD::ONE WAV PAD is a new type of digital percussion pad that allows all types of musicians to add electronic sounds to their palette. Importing audio files is simple, connect the SPD::ONE WAV PAD to a Mac or PC, and drag and drop your WAV files into the storage media that appears. Whether you need full playbacks or just single sounds, they can be loaded and played in seconds. When you've got everything set up, this pad can be played by hand, foot or sticks. Sensor sensitivity can be easily adjusted using dedicated controllers.

Roland SPD::ONE ELECTRO is a new type of digital percussion pad that allows all types of musicians to add electronic sounds to their palette. It contains 22 cult sounds, including powerful 808 bass drums, fat snare drums, clapping claps, electronic bells, and more. And you can import your own audio samples into any of the 12 internal soundbanks available. When you've got it all set up, the SPD::ONE ELECTRO's rugged yet sensitive pad can be played by hand, foot or sticks. Sensor sensitivity can be easily adjusted using dedicated controllers.

The RC-500 is the perfect partner for guitarists, singers, multi-instrumentalists, and anyone who wants to use loops in a more sophisticated way. Create in real time with two loop tracks, stereo mic and instrument inputs, rhythms and Loop FX to give you more ideas, with premium 32-bit audio quality. Store your loops in the built-in memory slots, and enjoy additional features with external controllers and MIDI. Packed with next-generation Loop Station features, the RC-500 gives demanding creators the tools they need to develop new ideas and impress their audiences. Featuring a high-end 32-bit DAW and 32-bit floating-point internal processing, the RC-500 records your sounds in high fidelity and delivers perfectly defined loops, even when they're made up of multiple layers. And with 13 hours of stereo recording time, there's plenty of room for creative exploration.With versatile inputs and outputs and an intuitive interface, the RC-500 is ready to bring your musical ideas to life. Connect mono or stereo instruments and effects pedals, as well as a microphone via the XLR input with phantom power if needed. Use your tracks independently or together to create rich textures. The LED indicator changes colour to clearly show the operating mode, while the physical sliders and mic level knob make it easy to adjust volume while running loops.The three built-in footswitches provide simple control of recording, playback, and track switching, among other functions. To control more foot functions, you can connect up to two external footswitches and assign them the functions of your choice, or an expression pedal for live adjustments. Advanced users will appreciate the more compact MIDI In/Out minijack format, which allows control from MIDI footswitches and controllers, as well as MIDI sync with drum machines and sequencer software.

GO:KEYS is a simple and fun keyboard that lets you play your favorite songs wirelessly through its powerful onboard speakers. Connect your smartphone via Bluetooth®, pick a song and play! And with sound quality that rivals most Bluetooth speakers, GO:KEYS is also perfect for just listening to music.No music knowledge? No problem with GO:KEYS. Even if you're playing a keyboard for the first time, the Loop Mix function makes it fun to get started with composition. Unlike other keyboards that offer accompaniments that require harmonic knowledge, Loop Mix is an innovative approach that even beginners will appreciate. By triggering musical loops with the keys on the keyboard, anyone can successfully create complete music pieces in real time. Drums, bass and other instruments are easily added to the overall mix, and the performance pads let you manipulate sounds like a DJ, adjusting pitches, filtering sounds and more. And with the built-in recorder, you can easily replay and share your compositions.GO:KEYS uses your smartphone to access free online music. So you'll never run out of songs to play. You can also use dedicated apps that will teach you how to play the latest songs or classical pieces, or provide you with lyrics for karaoke. And when you're ready to make your own music, the Loop Mix feature lets you enjoy over 500 professional-quality sounds. Compact, portable and battery-powered, GO:KEYS can be played anywhere you want. A world of music awaits you.GO:KEYS' Bluetooth functionality allows it to easily connect to your smartphone or tablet and do more with your new keyboard. Choose your favorite songs from your music library, and access unlimited free online music content, from piano lessons to karaoke. Whatever you choose, you can play it wirelessly through the GO:KEYS' built-in speakers, or just listen to it. With GO:KEYS and a smartphone, you have everything you need to practice or perform. And when you're ready to take your music production to the next level, GO:KEYS will be a perfect partner for MIDI recording in GarageBand-like apps.

MIX, SCRAPE, CREATE. MELT!The Roland DJ-202 is an intuitive controller, optimally designed for Serato DJ with all the essential functions for DJs. Based on the concept of its big brothers, the DJ-808 and DJ-505, the DJ-202 is a flexible solution for DJing, remixing, and live or studio production. With its large decks featuring near-zero latency, dedicated pad, configurable controls, built-in sequencer and microphone input with professional effects, the DJ-202 makes short work of its direct competitors.The Swiss army knife for mobile DJsThe DJ-202 is a 2-channel, 4-deck USB-powered controller that goes anywhere and connects in a snap. Its compact and lightweight case and handles allow DJs to take it with them as hand luggage to perform anywhere: mobile applications, house parties, clubs, beat battles etc. The DJ-202's intuitive user interface and plug-and-play connectivity make it a snap to get up and running. With its 24-bit/48kHz resolution and high-end Roland converters, the audio quality is always there.Roland drum machine heritage in a DJ controllerWhether it's the instantly recognizable hi-hat of the TR-909 or the kick drum of the TR-808, Roland's TR-series drum machines were instrumental in the birth and growth of music genres such as hip-hop, house, techno, and electro in the '80s and '90s-not to mention today's rap music, which couldn't live without these sounds. Thanks to Roland's patented Analog Circuit Behavior (ACB) technology, the DJ-202 perfectly recreates the character and finesse of these great drum machines. Your drum parts will sound just as good as those created on these legendary machines. The DJ-202 features bass drum, snare drum, closed and open hi-hat, tom, rim, clap and ride sounds, allowing you to create massive and varied sounds throughout your sequences.Mix and ScratchWith the DJ-202's low-latency decks, your scratches and cues will always be perfect. No direct competitor can deliver the same precision. Dedicated Serato DJ Intro controls help you quickly create and control hot cues, loops and samples. The Deck Select button lets you switch between decks. Channel EQ and Serato effects (accessible via 3 FX buttons per deck) help you fine-tune transitions or accentuate scratches. Dedicated Play/Pause and Cue buttons give you the same control options as high-end devices and stand-alone audio players.Bring vocals to lifeLiven up your DJ vocals, radio drops, guest vocals or external instruments by connecting the source to the 6.3mm TS mic input to take advantage of the built-in reverb and echo. For vocal processing, there's also a high-pass filter and noise gate to eliminate unwanted hum and background noise.Remix, production, showUse TR drum sounds or your own sounds loaded into the 4 Serato sampler memories (with a separate volume control) to prepare the basis for remixes, beats and performances. Program them with the DJ-202's 16-step sequencer accessible via the playing pads. Beats can then be synced with the Serato library to create unique transitions, real-time remixes and pre-recorded tracks with extra punch. Inst-Rec mode can be activated at any time to record sequences with the Serato sampler. MIDI output allows you to synchronize external MIDI instruments and devices with your sequencer and Serato DJ Intro. For even more flexibility, you can upgrade to Serato DJ where you'll have 32 syncable sample slots (4 banks), the entire iZotope FX collection, recording features and more.

Roland welcomes three new instruments to the legendary TR drum machine family. Based on our flagship TR-8S, the TR-6S Rhythm Performer delivers next-generation TR performance in a compact, affordable package. The TR-06 Drumatix is the latest addition to the Roland Boutique line, blending the sounds and programming mode of the 1980s TR-606 with modern features. Also based on the TR-606, the TR-606 Software Rhythm Composer adds a new and renowned TR instrument to Roland Cloud's Legendary range.

One of the features of the M-480 is that it actually has only 24 slices. The trick is that one slice processes two inputs at a time. Each of these inputs has a mono jack on the rear panel (line level -30dB), a dual potentiometer for gain and pan settings, a saturation indicator (LED), and a mute switch. Based on the principle that the timbre works more and more inside the sound generator (who mentioned the FTV of the S-770/D-70/MV-30?), the M-480 has no EQ stage. Instead, the emphasis has been on processing possibilities. Here, the M-480 has six aux sends. The first four are "post-fader", and the other two are pre/post switchable for the entire console. While the sends are exclusively mono (+4 dB), the returns are either mono or stereo (with +4/-20 dB switching), depending on whether one or two jacks are connected (cutoff jack detection). Three double potentiometers take care of the send levels, and three others take care of the return levels. These effect sends, as well as the general volume potentiometer, are therefore common to both channels of the same slot. Each of the slices then goes to one and/or the other of the two stereo outputs: master and sub. These outputs are accompanied by a pan and a volume (two independent knobs for the master and a double knob for the sub). As for the monitor output, it is duplicated by a headphone jack on the front panel, while including a double volume knob (no panning). The signals sent to it come from the master bus or the sub bus. In addition, each slice has a cue switch, equivalent to a solo function (mono and pre-fader) on this monitor output. While activating the solo function (represented by a LED) does not affect the assignments of the slices to the master and sub busses, it does disconnect the link between the master and sub busses and the monitor circuit. To end the routing, a "mute" switch cuts the output of the master bus, but not its sending to the monitor. One of the unique features of Roland consoles is the ability to "cascade" (chain) multiple Roland models. The M-480 is no exception, with 12 +4dB input jacks (master L/R, sub L/R, monitor L/R, aux 1-6) reserved for this purpose.