New starting from : €468.00
Used starting from : None available
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Analog paraphonic synthesizer with 2 oscillators, a multimode filter, a drone function, a white noise generator, 3 loopable envelopes and 30 patch points! The 2nd version of the Dreadbox Nyx is a very good analog paraphonic synth with a great amplitude on the settings. The quality of manufacture is there: real wood panels, steel case, very strong and resistant pots. Without patch, we can find a sound close to ARPs although more versatile thanks to the multimode filter and the 2 mods in addition to the VCA and the LFO. We will also appreciate the drone mode which works perfectly with the cavernous embedded reverb. Patch points are welcome and allow you to take this module off the beaten track. It can also be easily integrated into a modular setup. In short, you can lose hours in sound design by switching from big analog bass to futuristic sounds.
A distinctive analog instrument that brings raw sound, step-sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive live performance and production synthesizer is designed to provide experimental musicians and synthesists with a diverse array of creative tools to inspire new ideas, unique sound and endless sonic exploration.Drive synchronized sound with Mother 32’s powerful step sequencer while utilizing its modular patchbay and assignable output to spawn a living, breathing organism with dynamic and modifiable sound processing. Patch multiple control and sound sources into Mother-32’s voltage controlled mixers and truly unlock the vast potential of this powerful instrument, or pull all of the patch cables, plug in a MIDI cable and simply drive your Mother-32 from any MIDI-equipped device. The Mother-32 is secured in an extruded aluminum enclosure with wood sides, but can also easily be relocated to almost any Eurorack enclosure.
Semi-Modular Analog Percussion Synthesizer and a vibrant deviation from the traditional drum machine. Handcrafted in Asheville, NC by the employee-owners at the Moog Factory, DFAM is the first addition to the Mother-32 family of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions. Activated by an easy-to-use analog sequencer, DFAM’s emotive sound begins with a white noise generator and two wide-range analog oscillators. Oscillator hard sync and FM cross-modulation invite effortless transitions between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM’s distinctive voice is then shaped by a versatile Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangorous accentuations. DFAM behaves much like a living organism, reacting in different ways to different individuals. This is due to 3 dedicated analog envelopes working dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and cacophonous chaos can be spawned or subdued at the turn of a knob. Each DFAM ships with a package of Moog patch cables that unlock access to the 24-point modular patchbay. Use it to create new sounds or bizarre behaviors, synchronize an unlimited number of DFAM and Mother-32 units together, or fully integrate your analog instrument into a modular Eurorack production environment. Through exploration and experimentation, the vast potential of this expressive analog instrument is realized.
It is an inconspicuously compact, subharmonic bass machine designed to integrate seamlessly into any performance or computer-based music workflow . Just as its progenitors, the Minitaur effortlessly does one thing above all others… wall splitting analog BASS. The solid steel enclosure of the Minitaur is deceptively simple - offering immediate access to critical sound design and performance controls only. This makes Minitaur extremely fast and easy to use--but just under the surface lies a vast expanse of dynamic and inspirational power that is instantly accessible from almost any laptop or MIDI controller. The free Minitaur Editor software truly unlocks Minitaur’s power and flexibility by making DAW integration and control completely seamless on both Mac and Windows machines. Load and save up to 128 presets onto your Minitaur, select from 6 different modulation waveshapes , engage Hard Sync, access full ADSR envelopes, MIDI sync the LFO, reset oscillator waveform cycles, polychain with other Moog synthesizers and more. Every feature can be manipulated, automated and recalled instantly.
GS Apollo I is an analog monophonic synthesizer featuring subtractive synthesis. The sound generation is entirely analog. It has two voltage controlled oscillators (VCO), a mixer, a voltage controlled filter and a voltage controlled amplifier (VCA). The control signals are digitally generated by a microcontroller, which is capable of processing three low frequency oscillators (LFO) and two ADSR envelopes (EG). The GS Apollo I interface was designed to be simple an intuitive. It has 18 knobs and 3 push buttons. It allows the generation of a great variety of sounds.
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